Die Bibliographie wird laufend erweitert. Aktueller Stand: 27. August 2023

Vor 1960

Fétis, Francois Joseph (1861) Deprès ou Despres (Josquin), in Biographie universelle de musiciens et bibliographie générale de la musique: deuxième édition. Paris: Librairie de Firmin-Didot et Cie. Available at: https://www.digitale-sammlungen.de/de/view/bsb10810236?q=%28F%C3%A9tis+Biographie+universelle+de+musiciens+et+bibliographie+g%C3%A9n%C3%A9rale+de+la+musique%29&page=,1.

Ambros, August Wilhlem (1862) Geschichte der Musik. Leipzig: Leuckart.

Thoinan, Ernest (1864) De la Déploration de G. Crétin, in Guillaume Crétin (ed.) Déploration de Guillaume Crétin sur le trépas de Jean Okeghem, musicien, premier chapelain du roi de France et trésorier de Saint-Martin de Tours. Paris: A. Claudin, pp. 17–23.

Haberl, Franz Xaver (1887) Die römische ‘Schola cantorum’ und die päpstlichen Kapellsänger bis zur Mitte des 16. Jahrhunderts, Vierteljahresschrift für Musikwissenschaft, 3, pp. 189–296.

Edgar, Clifford B. (1901) Settings of the Stabat Mater, Sammelbände der Internationalen Musikgesellschaft, 2(2), pp. 303–307.

Thürlings, Adolf (1907) Die soggetti cavati dalle vocali in Huldigungskompositionen und die Herculesmesse des Lupus, in Hermann Kretschmar (ed.) Bericht über den zweiten Kongress der Internationalen Musikgesellschaft. Leipzig: Breitkopf & Härtel, pp. 183–194.

Chilesotti, Oscar (1909) Le alterazioni cromatiche nel secolo XVI, in Haydn-Zentenarfeier. 3. Kongreß der Internationalen Musikgesellschaft Wien, 25. bis 29. Mai 1909. Wien Leipzig: Artaria (Bericht über den Kongress der Internationalen Musikgesellschaft, 3), pp. 128–135.

Schering, Arnold (1912) Die niederländische Orgelmesse im Zeitalter des Josquin. Leipzig: Breitkopf & Härtel.

Gastoué, Amédée (1921) Josquin des Prés, ses précurseurs et ses émules (à l’occasion de son IVe centenaire), La tribune de Saint-Gervais: bulletin mensuel de la Schola Cantorum., 22, pp. 201–223.

Smijers, Albert (1921) De uitgave der werken van Josquin des Prés, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 10(3), pp. 164–179.

Werner, Theodor Wilhelm (1924) Anmerkungen zur Kunst Josquins und zur Gesamt-Ausgabe seiner Werke, Zeitschrift für Musikwissenschaft, 7.

Bernoulli, Eduard (1925) Dokumente zur Geschichte des Liedes und Tanzes aus dem 16. und 17. Jahrhundert, in Neue Schweizerische Musikgesellschaft, Ortsgruppe Basel (ed.) Bericht über den musikwissenschaftlichen Kongreß in Basel. Leipzig: Breitkopf & Härtel, pp. 72–79.

Gombosi, Otto Johannes (1925) Jacob Obrecht: eine stilkritische Studie. University of Berlin, PhD dissertation 1925. Leipzig: Breitkopf & Härtel (Sammlung musikwissenschaftlicher Einzeldarstellungen, 4).

Rihouët, Yvonne (1925) Un motet de Moulu et ses diverses transcriptions pour orgue, in Neue Schweizerische Musikgesellschaft, Ortsgruppe Basel (ed.) Bericht über den musikwissenschaftlichen Kongreß in Basel. Leipzig: Breitkopf & Härtel, pp. 286–292.

Ursprung, Otto (1925) Der vokale Grundcharakter des diskantbetonten figurierten Stils, in Neue Schweizerische Musikgesellschaft, Ortsgruppe Basel (ed.) Bericht über den musikwissenschaftlichen Kongreß in Basel. Leipzig: Breitkopf & Härtel, pp. 364–374.

Werner, Theodor Wilhelm (1925) Anmerkungen zur Motettenkunst Josquins, in Neue Schweizerische Musikgesellschaft, Ortsgruppe Basel (ed.) Bericht über den musikwissenschaftlichen Kongreß in Basel. Leipzig: Breitkopf & Härtel, pp. 375–375.

Josquin des Prés: eine Charakterzeichnung auf Grund der bisher erschienenen Gesamtausgabe der Werke Josquin’s (1926) Bulletin de la Société ‘Union Musicologique’, 6, pp. 11–50.

Smijers, Albert (1926) Josquin des Prez, Proceedings of the Musical Association, 53, pp. 95–116.

Andersson, Otto (1927) Johannes Salmenius och musiken i Åbo katedralskola under 1600-talet, in Juhlakirja Ilmari Krohn’ille, 8. XI. 1927. Helsinki: Suomen Musiikkitieteellinen Seura, pp. 6–24.

Rokseth, Yvonne (1927) Notes sur Josquin des Prés comme pédagogue musical, Revue de musicologie, 8(24), pp. 202–204.

Blume, Friedrich (1930) Josquin des Prés, Der Drachentöter: Jahrbuch des Verlages Georg Kallmeyer 1929, pp. 52–69.

Strunk, Oliver (1930) Vergil in music, The musical quarterly, 16(4), pp. 482–497.

Casimiri, Raffaele (1931) Note d’archivio per la storia musicale, 8(2), pp. 143–145.

Feininger, Laurence K.J. (1937) Die Frühgeschichte des Kanons bis Josquin des Prez (um 1500). PhD dissertation, Ruprecht-Karls-Universität zu Heidelberg, 1935. Emsdetten (Westfalen): Dissertations-Druckerei Heinr. & L. Lechte. Available at: https://daten.digitale-sammlungen.de/~db/0013/bsb00138427/images/index.html.

Stephan, Wolfgang (1937) Die burgundisch-niederländische Motette zur Zeit Ockeghems. Kassel: Bärenreiter-Verlag. Available at: https://daten.digitale-sammlungen.de/~db/0014/bsb00140004/images/index.html.

Delporte, Jules (1938) Un document inédit sur Josquin Desprez, Musique et liturgie, 22, pp. 54–56.

Crevel, Marcus van (1940a) Adrianus Petit Coclico : Leben und Beziehungen eines nach Deutschland emigrierten Josquinschülers. PhD Utrecht, Rijksuniv., 1940. The Hague: Nijhoff.

Crevel, Marcus van (1940b) Verwante Sequensmodulaties bij Obrecht, Josquin en Coclico, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16, pp. 107–124.

Pirro, André (1940) Histoire de la musique : de la fin du XIVe siècle à la fin du XVIe. Paris: Laurens (Manuels d’histoire de l’art).

Coussemaker, Charles Edmond Henri de (1943) Notice sur les collections musicales de la Bibliothèque de Cambrai : et des autres villes du départament du nord. Paris: Techener.

David, Hans T. (1943) Themes from words and names, in Gustave Reese (ed.) A birthday offering to Carl Engel. New York: G. Schirmer, pp. 67–78.

Lowinsky, Edward E. (1943a) The Goddess Fortuna in Music, with a Special Study of Josquin’s ‘Fortuna d’un gran tempo’, The musical quarterly, 29, pp. 45–77.

Lowinsky, Edward E. (1943b) The goddess Fortuna in music: With a special study of Josquin’s Fortuna dun gran tempo, The musical quarterly, 29(1), pp. 45–77.

Delpuech, L.-Ch. (1945) Josquin de Prés ‘prince de la musique’, ‘Mozart du XVIe siècle’: avec son portrait (d’après un document du XVIe siècle): Est-il Saint-Quentinois? L’homme, le musicien. St.-Quentin: [Guetteur].

Dukas, Paul (1948a) Les auditions de Saint-Gervais, in Gustave Samazeuilh (ed.) Les écrits de Paul Dukas sur la musique. Paris: Société d’Éditions Françaises et Internationales (Musique et musiciens), pp. 23–30.

Dukas, Paul (1948b) Les Chanteurs de Saint-Gervais, in Gustave Samazeuilh (ed.) Les écrits de Paul Dukas sur la musique. Paris: Société d’Éditions Françaises et Internationales (Musique et musiciens), pp. 115–121.

Huillet d’Istria, Madeleine (1949) Jean Perréal, Gazette des Beaux-Arts, 6th series, 35, pp. 313–344.

Lenaerts, René Bernard (1950) The 16th-century parody Mass in the Netherlands, The musical quarterly, 36(3), pp. 410–421.

Lowinsky, Edward E. (1950) A newly discovered sixteenth-century motet manuscript at the Biblioteca Vallicelliana in Rome, Journal of the American Musicological Society, 3(3), pp. 173–232.

Antonowycz, Myroslaw (1951) Die Motette Benedicta es von Josquin des Prez und die Messen Super Benedicta es von Willaert. Utrecht: Van Rossum.

Osthoff, Helmuth (1952) Besetzung und Klangstruktur in den Werken von Josquin des Prez, Archiv für Musikwissenschaft, 9(3–4), pp. 177–194.

Dahlhaus, Carl (1953) Studien zu den Messen Josquins des Prés. PhD dissertation. University of Göttingen.

Dammann, Rolf (1953) Spätformen der isorhythmischen Motette im 16. Jahrhundert, Archiv für Musikwissenschaft, 10(1), pp. 16–40.

Johnson, Alvin (1953) The Masses of Cipriano de Rore, Journal of the American Musicological Society, 6(3), pp. 227–239.

Osthoff, Helmuth (1953) Zur Echtheitsfrage und Chronologie bei Josquins Werken, in Vereniging voor Nederlandse Muziekgeschiedenis (ed.) Compte rendu, cinquième congrès / Société Internationale de Musicologie : Utrecht, 3-7 juillet 1952. Amsterdam: Alsbach, pp. 303–309.

Wiora, Walter (1953) Der religiöse Grundzug im neuen Stil und Weg Josquins des Prez, Die Musikforschung, 6(1), pp. 23–37.

Benoit-Castelli, Georges (1954) L’Ave Maria de Josquin des Prez et la séquence Ave Maria..virgo serena, Études grégoriennes. I (1954), 1, pp. 187–194.

Osthoff, Helmuth (1954) Vergils Aeneis in der Musik von Josquin des Prez bis Orlando di Lasso, Archiv für Musikwissenschaft, 11(2), pp. 85–102.

Reese, Gustave (1954) Music in the Renaissance. New York: Norton.

Römische Hymnenzyklen des späten 15. Jahrhunderts (1955) Archiv für Musikwissenschaft, 12, pp. 40–73.

Antonowycz, Myroslaw (1956) Renaissance-Tendenzen in den Fortuna-desperata-Messen von Josquin und Obrecht, Die Musikforschung, 9(1), pp. 1–26.

Kreps, Jozef (1956) Le mécénat de la cour de Bruxelles (1430-1559), in François Lesure (ed.) La Renaissance dans les provinces du Nord: Picardie, Artois, Flandres, Brabant, Hainaut. Paris: Centre National de la Recherche Scientifique (CNRS) (Le chœur des muses), pp. 169–195.

Meier, Bernhard (1956) The Musica reservata of Adrianus Petit Coclico and its relationship to Josquin, Musica disciplina: A yearbook of the history of music, 10 (= (Jacques Handschin memorial volume), pp. 67–105.

Sartori, Claudio (1956) Josquin des Prés cantore del Duomo di Milano (1459–1472), Annales musicologiques: Moyen Âge et Renaissance, 4, pp. 55–83.

Clercx, Suzanne (1957) Lumières sur la formation de Josquin et d’Obrecht, Revue belge de musicologie/Belgisch tijdschrift voor muziekwetenschap, 11, pp. 155–158.

Kahl, Willi (1957) Zur musikalischen Renaissancebewegung in Frankreich während der ersten Hälfte des 19. Jahrhunderts, in Dagmar Weise (ed.) Festschrift Joseph Schmidt-Görg zum 60. Geburtstag. Bonn: Verlag des Beethoven-Hauses, pp. 156–174.

Lowinsky, Edward E. (1957) The Medici Codex: A document of music, art, and politics in the Renaissance, Annales musicologiques: Moyen Âge et Renaissance, 5, pp. 61–178.

Obst, Ludwig-Dieter (1957) Die Psalm-Motetten des Josquin Desprez: eine quellenkundliche Studie. PhD dissertation. Freie Universität Berlin.

Van den Borren, Charles (1957) Une hypothèse concernant le lieu de naissance de Josquin des Prez, in Dagmar Weise (ed.) Festschrift Joseph Schmidt-Görg zum 60. Geburtstag. Bonn: Verlag des Beethoven-Hauses, pp. 21–26.

Kast, Paul (1958) Biographie und Werk Jean Moutons, in Erich Schenk (ed.) Bericht über den internationalen musikwissenschaftlichen Kongreß Wien Mozartjahr 1956. Graz Köln: Böhlau, pp. 300–303.

Osthoff, Helmuth (1958) Die Psalm-Motetten von Josquin Deprez, in Erich Schenk (ed.) Bericht über den internationalen musikwissenschaftlichen Kongreß Wien Mozartjahr 1956: 3. – 9. Juni. Graz Köln: Böhlau, pp. 452–456.

Lovell, John H. (1959) The Masses of Josquin des Prez. PhD dissertation. University of Michigan.

Osthoff, Helmuth (1959) Das Magnificat bei Josquin Desprez, Archiv für Musikwissenschaft, 16(1-2 (Festheft Wilibald Gurlitt zum siebzigsten Geburtstag)), pp. 220–231.

Palisca, Claude V. (1959) A clarification of ‘musica reservata’ in Jean Taisnier’s Astrologiae, 1559, Acta Musicologica, 31(3–4), pp. 133–161.

1960

Antonowycz, Myroslaw (1960) Die Josquin-Ausgabe, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 19, pp. 6–31.

Bridgman, Nanie (1960) The age of Ockeghem and Josquin, in Anselm Hughes (ed.) Ars nova and the Renaissance (1300–1540). New York London: Oxford University Press (New Oxford history of music, 3), pp. 239–302.

Fellerer, Karl Gustav (1960) Josquins Missa ‘Faisant regretz’ in der Vihuela-Transkription von Mudarra und Narváez, in Johannes Vincke (ed.) Wilhelm Neuss zum 80. Geburtstag, 24. Juli 1960, Teil 1. Münster: Aschendorff (Gesammelte Aufsätze zur Kulturgeschichte Spaniens, 16), pp. 179–184.

Stam, Edward (1960) Eine ‘Fuga trium vocum’ von Josquin Desprez, Die Musikforschung, 13(1), pp. 28–33.

1961

Antonowycz, Myroslaw (1961) The present state of Josquin research, in Jan LaRue (ed.) Report of the Eighth Congress of the International Musicological Society. I: Papers. Kassel: Bärenreiter Verlag, pp. 53–65.

Mattfeld, Jacquelyn A. (1961) Some relationships between texts and cantus firmi in the liturgical motets of Josquin des Pres, Journal of the American Musicological Society, 14(2), pp. 159–183.

Rosen, Ida (1961) The Treatment of dissonances in the motets of Josquin Desprez. PhD dissertation. Cornell University.

1962

Antonowycz, Myroslaw, Blume, Friedrich, Crevel, Max van, Finscher, Ludwig, Fox, Charles Warren, Jeppesen, Knud, Osthoff, Helmuth, Reese, Gustave and Sartori, Claudio (1962) The present state of Josquin research, in Jan LaRue (ed.) Report of the Eighth Congress of the International Musicological Society. II: Reports. Kassel: Bärenreiter Verlag, pp. 64–66.

Finscher, Ludwig (1962) Zur Cantus-firmus-Behandlung in der Psalm-Motette der Josquinzeit, in Wilfried Brennecke and Hans Haase (eds) Hans Albrecht in memoriam: Gedenkschrift mit Beiträgen von Freunden und Schülern. Kassel: Bärenreiter, pp. 55–62.

Hartmann, Karl-Günther (1962) Nicolaus Borbonius in der Oden- und Motettenkomposition der 16. Jahrhunderts, in Wilfried Brennecke and Hans Haase (eds) Hans Albrecht in memoriam: Gedenkschrift mit Beiträgen von Freunden und Schülern. Kassel: Bärenreiter, pp. 81–83.

Maniates, Maria Rika (1962) The sacred music of Nicolas Gombert, Canadian music journal, 6(2), pp. 25–38.

Osthoff, Helmuth (1962a) Der Durchbruch zum musikalischen Humanismus, in Jan LaRue (ed.) Report of the Eighth Congress of the International Musicological Society. II: Reports. Kassel: Bärenreiter, pp. 31–39.

Osthoff, Helmuth (1962b) Josquin Desprez. I. Tutzing: Hans Schneider.

Van den Borren, Charles (1962) L’énigme des ‘Credo de Village’, in Wilfried Brennecke and Hans Haase (eds) Hans Albrecht in memoriam: Gedenkschrift mit Beiträgen von Freunden und Schülern. Kassel: Bärenreiter, pp. 48–54.

1963

Sparks, Edgar H. (1963) Cantus firmus in mass and motet, 1420 – 1520. Berkeley: University of California Press.

Titcomb, Caldwell (1963) The Josquin acrostic re-examined, Journal of the American Musicological Society, 16(1), pp. 47–60.

1964

Andersson, Otto (1964) Johannes Salmenius och musiken i Åbo katedralskola under 1600-talet, in Otto Andersson (ed.) Studier i musik och folklore. Helsinki: Svenska Litteratursällskapet i Finland (Skrifter utgivna av Svenska litteratursällskapet i Finland, 408; 432), pp. 32–42.

Bridgman, Nanie (1964) La vie musicale au Quattrocento et jusqu’ à la naissance du madrigal (1400-1530). Paris: Gallimard (Pour la musique).

Bridgman, Nanie, D’Accone, Frank A., Pirrotta, Nino and Rubsamen, Walter H. (1964) From frottola to madrigal: The changing pattern of secular Italian vocal music, in James Haar (ed.) Chanson & madrigal 1480-1530: Studies in comparison and contrast.  A Conference at Isham Memorial Library, September 13–14, 1961. Cambridge: Harvard University Press (Isham Library papers, 2), pp. 51–87.

Brown, Howard Mayer, Lesure, François, Pope, Isabel and Thibault, Geneviève (1964) The genesis of a style: The Parisian chanson, 1500-1530, in James Haar (ed.) Chanson & madrigal 1480-1530: Studies in comparison and contrast. Cambridge: Harvard University Press (Isham Library papers), pp. 1–50.

Disertori, Benvenuto M. (1964) Una storica mistificazione mensurale di Josquin des Prés: Sue affinità con Leonardo da Vinci, in Albert van der Linden (ed.) Liber amicorum Charles Van den Borren. Antwerpen: L. Anversois, pp. 49–56.

Lagas, Roelof (1964) Het Magnificat IV Toni van Josquin des Prez, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 20(1–2), pp. 20–36.

Lockwood, Lewis (1964) A view of the early sixteenth-century parody mass, in Albert Mell (ed.) The Department of Music, Queens College of the City University of New York: Twenty-fifth anniversary Festschrift (1937–1962). Flushing: City University of New York City University of New York (Queens College, Department of Music), pp. 53–77.

Osthoff, Helmuth (1964) Ein Josquin-Zitat bei Henricus Isaac, in Albert van der Linden (ed.) Liber amicorum Charles Van den Borren. Antwerpen: L. Anversois, pp. 127–134.

1965

Miller, Clement A. (1965) Heinrich Glarean: Dodecachordon: Translation, transcription and commentary. Dallas: American Institute of Musicology (Musicological studies&documents).

Osthoff, Helmuth (1965) Josquin Desprez. II. Tutzing: Hans Schneider.

Thoinan, Ernest (1965) De la Déploration de G. Crétin, in Guillaume Crétin (ed.) Déploration de Guillaume Crétin sur le trépas de Jean Okeghem, musicien, premier chapelain du roi de France et trésorier de Saint-Martin de Tours. London: H. Baron, pp. 17–23.

1966

Antonowycz, Myroslaw (1966) Zur Autorschaftsfrage der Motetten ‘Absolve quaesumus, Domine’ und ‘Inter natos mulierum’, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 20(3), pp. 154–169.

Clarke, Henry Leland (1966) Musicians of the northern Renaissance, in Jan LaRue (ed.) Aspects of medieval and Renaissance music: A birthday offering to Gustave Reese. New York Toronto: W.W. Norton (Festschrift series, 2), pp. 67–81.

Clinkscale, Edward H. (1966) Josquin and Louis XI, Acta Musicologica, 38(1), pp. 67–69.

Hamm, Charles (1966) The Manuscript San Pietro B 80, Revue belge de musicologie/Belgisch tijdschrift voor muziekwetenschap, 14, pp. 40–55.

Heikamp, Dieter (1966) Zur Struktur der Messe L’omme armé super voces musicales von Josquin Desprez, Die Musikforschung, 19(2), pp. 121–141.

Johnson, Alvin H. (1966) A musical offering to Hercules II, Duke of Ferrara, in Jan LaRue (ed.) Aspects of medieval and Renaissance music: A birthday offering to Gustave Reese. New York Toronto: W.W. Norton (Festschrift series, 2), pp. 448–454.

Maas, Chris (1966) Josquin – Agricola – Brumel – De la Rue: een authenticiteitsproblem, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 20(3).

Pirrotta, Nino (1966) Music and cultural tendencies in 15th-century Italy, Journal of the American Musicological Society, 19, pp. 127–161.

1967

Antonowycz, Myroslaw (1967) Die Missa Mater Patris von Josquin des Prez, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 20(4), pp. 206–225.

Bergquist, Peter (1967) Mode and polyphony around 1500: Theory and practice, Music forum, 1, pp. 99–161.

Crawford, David Eugene (1967) Vespers polyphony at Modena’s cathedral in the first half of the sixteenth century. PhD dissertation. University of Illinois. Available at: https://www.proquest.com/openview/0292635f4551aff842774482ab5aa673/1?pq-origsite=gscholar&cbl=18750&diss=y

Lenaerts, René Bernard (1967) Zur Ostinato-Technik in der Kirchenmusik der Niederländer, in Martin Ruhnke (ed.) Festschrift Bruno Stäblein zum 70. Geburtstag. Kassel: Bärenreiter, pp. 157–159.

Müller-Blattau, Wendelin (1967) Der Humanismus in der Musikgeschichte Frankreichs und Deutschlands, in Ludwig Finscher (ed.) Festschrift für Walter Wiora zum 30. Dezember 1966. Kassel: Bärenreiter, pp. 296–303.

1968

Brown, Howard Mayer (1968) The music of the Strozzi Chansonnier (Florence, Biblioteca del Conservatorio di Musica, MS Basevi 2442), Acta Musicologica, 40(2–3), pp. 115–129.

Dahlhaus, Carl (1968a) Untersuchungen über die Entstehung der harmonischen Tonalität. Kassel: Bärenreiter-Verlag (Saarbrücker Studien zur Musikwissenschaft, 2).

Dahlhaus, Carl (1968b) Zur Akzidentiensetzung in den Motetten Josquins des Prez, in Richard Baum and Wolfgang Rehm (eds) Musik und Verlag: Karl Vötterle zum 65. Geburtstag am 12. April 1968. Kassel: Bärenreiter-Verlag, pp. 206–219.

Elders, Willem (1968) Studien zur Symbolik in der Musik der alten Niederländer. Bilthoven: Creyghton (Utrechtse bijdragen tot de muziekwetenschap, 4).

Falenciak, Joanna (1968) Motet Arnolda von Brucka na cześć Zygmunta Starego, Muzyka, 13(4:51), pp. 82–84.

Finscher, Ludwig (1968) Geistliche Musik der Josquin-Zeit auf Schallplatten, Schallplatte und Kirche: Beihefte zu Musik und Kirche, 38(3), pp. 58–64.

Lowinsky, Edward E. (1968a) Echoes of Adrian Willaert’s chromatic ‘duo’ in sixteenth and seventeenth -century compositions, in Harold Powers (ed.) Studies in music history: Essays for Oliver Strunk. Princeton: Princeton University Press, pp. 183–238.

Lowinsky, Edward E. (ed.) (1968b) The Medici-codex of 1518: a choirbook of motets; dedicated to Lorenzo de Medici, duke of Urbino (3 vol). Chicago: University of Chicago Press (Monuments of Renaissance Music, 3–5).

Lowinsky, Edward E. (1968c) The musical avant-garde of the Renaissance or: the peril and profit of foresight, in Charles S. Singleton (ed.) Art, science, and history in the Renaissance. Baltimore: Johns Hopkins University Press (Johns Hopkins Humanities seminars), pp. 111–162.

Ruff, Lillian M. (1968) Some formal devices in Josquin’s motets, The consort: Annual journal of the Dolmetsch Foundation, 25, pp. 362–372.

Warren, Charles W. (1968) Music at Nonesuch, The musical quarterly, 54(1), pp. 47–57.

1969

Aldrich, Putnam (1969) An approach to the analysis of Renaissance music, The music review, 30(1), pp. 1–21.

Antonowycz, Myroslaw (1969) Das Parodieverfahren in der Missa Mater Patris von Lupus Hellinck, in Jozef Robijns and Willem Elders (eds) Renaissance-muziek 1400-1600 donum natalicium René Bernard Lenaerts. Leuven: Katholieke Universiteit Leuven (Musicologica lovaniensia, 1), pp. 33–38.

Böker-Heil, Norbert (1969) Zu einem frühvenezianischen Motettenrepertoire, in Ursula Aarburg (ed.) Frankfurter musikhistorische Studien: Helmuth Osthoff zu seinem siebzigsten Geburtstag uberreicht von Kollegen, Mitarbeitern und Schülern. Tutzing: Hans Schneider (Frankfurter musikhistorische Studien), pp. 59–88.

Curtis, Alan (1969) Josquin and ‘la belle tricotée’, in Gustave Reese (ed.) Essays in musicology in honor of Dragan Plamenac on his 70th birthday. Pittsburgh: University of Pittsburgh Press, pp. 1–8.

Dunning, Albert (1969) Josquini antiquos, Musae, memoremus amores. A Mantuan motet from 1554 in homage to Josquin, Acta Musicologica, 41(1–2), pp. 108–118.

Elders, Willem (1969a) Das Symbol in der Musik von Josquin des Prez, Acta Musicologica, 41(3–4), pp. 164–185.

Elders, Willem (1969b) Zur Aufführungspraxis der altniederländischen Musik, in Jozef Robijns and Willem Elders (eds) Renaissance-muziek 1400-1600 donum natalicium René Bernard Lenaerts. Leuven: Katholieke Universiteit Leuven (Musicologica lovaniensia, 1), pp. 89–104.

Fuller, Sarah (1969) Additional notes on the 15th-century chansonnier Bologna Q16, Musica disciplina: A yearbook of the history of music, 23.

Harman, R. Alec, Milner, Anthony and Mellers, Wilfrid (1969) Man and his music: The story of musical experience in the West. I: Medieval and early Renaissance music. London: Barrie & Rockliff.

Lowinsky, Edward E. (1969) Josquin des Prez and Ascanio Sforza, in Maria Luisa Gatti Perer (ed.) Il Duomo di Milano: Congresso internazionale. Milano: La Rete (Monografie di ‘Arte lombarda’: I monumenti), pp. 17–22.

Mendel, Arthur (1969) Some preliminary attempts at computer-assisted style-analysis in music, Computers and the humanities, 4(1), pp. 41–52.

Staehelin, Martin (1969) Zu einigen unter Josquins Namen gehenden Ordinariumskompositionen, Die Musikforschung, 22(2), pp. 195–197.

Wiora, Walter (1969) Josquin und ‘des Finken Gesang’ (zu einem Ausspruch Martin Luthers), Deutsches Jahrbuch der Musikwissenschaft für 1968, 13, pp. 72–81.

1970

Benthem, Jaap van (1970a) Die Chanson Entré je suis à 4 von Josquin des Prez und ihre Überlieferung, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 21(4), pp. 203–210.

Benthem, Jaap van (1970b) Zur Struktur und Authentizität der Chansons a 5 & 6 von Josquin des Prez, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 21(3), pp. 170–188.

Dahlhaus, Carl (1970) Tonsystem und Kontrapunkt um 1500, Jahrbuch des Staatlichen Instituts für Musikforschung Preussischer Kulturbesitz 1969, pp. 7–18.

Elders, Willem (1970) Josquin des Prez en zijn motet Illibata Dei Virgo, Mens en melodie: Algemeen maandblad voor muziek, 25(5), pp. 141–144.

Głuszcz-Zwolińska, Elżbieta (1970) Missa Mater Matris z repertuaru rorantystów wawelskich, Muzyka, 15(3:58), pp. 73–77.

Haar, James (1970) Classicism and mannerism in 16th-century music, International review of music aesthetics and sociology, 1(1), pp. 55–68.

Honegger, Marc (1970) Les messes de Josquin des Prés dans la tablature de Diego Pisador (Salamanque, 1552). Contribution a l’etude des altérations au XVIe siècle. PhD dissertation. University Paris.

Lockwood, Lewis (1970a) A stylistic investigation of the Masses of Josquin Desprez with the aid of the computer: A progress report, in Gary S. Brook (ed.) Musicology and the computer. Musicology 1966–2000: A practical program. New York: City University of New York Press, pp. 19–27.

Lockwood, Lewis (1970b) Computer aids to musicology: Computer assistance in the investigation of accidentals in Renaissance music, in Dragotin Cvetko (ed.) Report of the tenth congress of the International Musicological Society. Ljubljana Kassel: Univerza v Ljubljani, pp. 444–449.

Lowinsky, Edward E. (1970) Communication, Journal of the American Musicological Society, 23(3), pp. 548–548.

Novack, Saul (1970) Fusion of design and tonal order in Mass and motet: Josquin Desprez and Heinrich Isaac, The music forum, 2, pp. 187–263.

1971

Benthem, Jaap van (1971) Einige wiedererkannte Josquin-Chansons im Codex 18746 der Österreichischen Nationalbibliothek, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 22 (= In Josquinum a Prato, ca. 1440–1521), pp. 18–42.

Besseler, Heinrich (1971) Deutsche Lieder von Robert Morton und Josquin, Beiträge zur Musikwissenschaft, 13(3), pp. 174–181.

Boorman, Stanley (1971) Josquin and his influence, The musical times, 112(1542), pp. 747–749.

Brown, Howard Mayer (1971) Josquin Festival-Conference, The musical times, 112(1542), pp. 788–788.

Dahlhaus, Carl (1971) Zur Dissonanzbehandlung um 1500, Kirchenmusikalisches Jahrbuch, 55, pp. 21–24.

Elders, Willem (1971) Zusammenhänge zwischen den Motetten Ave nobilissima creatura und Huc me sydereo von Josquin des Prez, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 22 (= In Josquinum a Prato, ca. 1440–1521)(1), pp. 67–73.

Finscher, Ludwig (1971) Josquin Desprez: Zu seinem 450. Todestag, Musica, 25(5), pp. 468–469.

Gallico, Claudio (1971) Josquin nell’Archivio Gonzaga, Rivista italiana di musicologia, 6, pp. 205–210.

Kämper, Dietrich (1971) ‘Fortunae rota volvitur’. Das Symbol des Schicksalsrades in der spätmittelalterlichen Musik, Miscellanea mediaevalia, 8, pp. 357–371.

Kirsch, Winfried (1971) International Josquin Festival Conference New York, Die Musikforschung, 24(4), pp. 441–443.

Noble, Jeremy (1971) A new motet by Josquin?, The musical times, 112(1542), pp. 749–753.

Picker, Martin (1971) Communication, Journal of the American Musicological Society, 24(3), pp. 496–498.

Salop, Arnold (1971) Studies on the history of musical style. Detroit: Wayne State University Press.

Staehelin, Martin (1971) Der Grüne Codex der Viadrina: Eine wenig beachtete Quelle zur Musik des späten 15. und frühen 16. Jahrhunderts in Deutschland. Wiesbaden: Franz Steiner (Akademie der Wissenschaften und der Literatur; Abhandlungen der Geistes- und Sozialwissenschaftlichen Klasse 1970, 10).

Stam, Edward (1971) Die vierundzwanzigstimmige kanonische Psalmmotette Qui habitat in adiutorio Altissimi von Josquin des Prez, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 22 (=  In Josquinum a Prato, ca. 1440–1521)(1), pp. 1–17.

Sugai, Shizunao (1971) ジョスカン・デ・プレのミサ曲, Ongakugaku/Journal of the Musicological Society of Japan, 17(3), pp. 155–168.

Yong, Kwee Him (1971) Sixteenth-century printed instrumental arrangements of works by Josquin des Prez: An inventory, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 22 (= In Josquinum a Prato, ca. 1440–1521)(1), pp. 43–66.

1972

Clercx-Lejeune, Suzanne (1972) Fortuna Josquini: a proposito di un ristratto di Josquin des Prez, Nuova rivista musicale italiana, 6, pp. 315–337.

Fellerer, Karl Gustav (1972) Monodie und Polyphonie in der Musik des 16. Jahrhunderts. Bruxelles/Brussel: Paleis der Academiën (Academiae analecta: Mededelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België. 3: Klasse der Schone Kunsten, 34,4).

Kühn, Hellmut and Mahling, Christoph-Hellmut (eds) (1972) Historische und systematische Musikwissenschaft: Ausgewählte Aufsätze von Walter Wiora, in. Tutzing: Hans Schneider.

Picker, Martin (1972) A Josquin parody by Marco Antonio Cavazzoni, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 22(3), pp. 157–159.

Ruff, Lillian M. (1972) Josquin Des Pres—some features of his motets, The consort: Annual journal of the Dolmetsch Foundation, 28, pp. 106–118.

Sparks, Edgar H. (1972) The music of Noel Bauldeweyn. New York: American Musicological Society (American Musicological Society / Studies and documents, 6).

Taruskin, Richard (1972) Report from Lincoln Center: The International Josquin Festival-Conference, June 21-25, 1971, Current musicology, (14), pp. 47–64.

1973

Bernstein, Lawrence F. (1973) La courone et fleur des chansons a troys: A mirror of the French chansonin Italy in the years between Ottaviano Petrucci and Antonio Gardano, Journal of the American Musicological Society, 26(1), pp. 1–68.

Blume, Friedrich (1973) Josquin Desprez, the man, the music, in Anna Amalie Abert and Martin Ruhnke (eds) Syntagma musicologicum. Band 2: Gesammelte Reden und Schriften, 1962-1972. Kassel: Bärenreiter Verlag, pp. 108–116.

Bujić, Bojan (1973) Josquin, Leonardo, and the scala peccatorum, International review of the aesthetics and sociology of music, 4(2), pp. 145–163.

Haar, James (1973) The Fantasie et recerchari of Giuliano Tiburtino, The musical quarterly, 59(2), pp. 223–238.

Harrán, Don (1973) New light on the question of text underlay prior to Zarlino, Acta Musicologica, 45(1), pp. 24–56.

Josephson, Nors S. (1973) Zur Geschichte der Missa de beata Virgine, Kirchenmusikalisches Jahrbuch, 57, pp. 37–43.

Noblitt, Thomas L. (1973) Manuscript Mus.1/D/505 of the Sächsische Landesbibliothek Dresden (olim Annaberg, Bibliothek der St. Annenkirche, Ms 1248), Archiv für Musikwissenschaft, 30(4), pp. 275–310.

Patrick, Philip Howard (1973) A computer-study of a suspension-formation in the Masses of Josquin Desprez. PhD dissertation, Princeton University 1973. PhD dissertation. Princeton University.

Perkins, Leeman L. (1973) Mode and structure in the Masses of Josquin, Journal of the American Musicological Society, 26(2), pp. 189–239.

Pirrotta, Nino (1973) Novelty and renewal in Italy (1300–1600), in Hans Heinrich Eggebrecht (ed.) Studien zur Tradition in der Musik: Kurt von Fischer zum 60. Geburtstag. München: Emil Katzbichler, pp. 49–63.

Staehelin, Martin (1973) Möglichkeiten und praktische Anwendung der Verfasserbestimmung an anonym überlieferten Kompositionen der Josquin-Zeit, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 23(2), pp. 79–91.

Stevenson, Robert Murrell (1973) The Toledo manuscript polyphonic choirbooks and some other lost or little known Flemish sources, Fontes artis musicae, 20(3), pp. 87–107.

Tarry, Joe Eugene (1973) Music in the educational philosophy of Martin Luther, Journal of research in music education, 21(4), pp. 355–365.

Thorberg, Mildreth Carroll (1973) Contrapuntal style in the motets of Josquin Des Prez. MA dissertation. The American University. Available at: https://www.proquest.com/openview/0752e1197086f25817ffd76a5fe54b04/1?pq-origsite=gscholar&cbl=18750&diss=y

Unruh, Gary Lee (1973) The performance of selected secular works by Josquin Des Prez. MA dissertation. University of Illinois. Available at: https://www.proquest.com/openview/fba53e92539250278ee94873470f1d49/1?pq-origsite=gscholar&cbl=18750&diss=y

Wohnhaas, Theodor (1973) Zum Nürnberger Musikdruck und Musikverlag im 16. und 17. Jahrhundert, Gutenberg-Jahrbuch, 48, pp. 337–343.

1974

Benthem, Jaap van (1974) Einige Musikintarsien des frühen 16. Jahrhunderts in Piacenza und Josquins Proportionskanon Agnus Dei, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 24(2), pp. 97–111.

Chiesa, Ruggero (1974) Storia della letteratura del liuto e della chitarra-il cinquecento, VII, Il Fronimo: Rivista trimestrale di chitarra e liuto, 2(7), pp. 26–32.

Elders, Willem (1974) Report of the first Josquin meeting, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 24(1), pp. 20–82.

Gleich, Clemens-Christoph von (1974) The Society of Dutch Music History, Fontes artis musicae, 21(3), pp. 134–136.

Huys, Bernard (1974) An unknown Alamire-choirbook (‘Occo-codex’) recently acquired by the Royal Library of Belgium, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 24(1), pp. 1–19.

Kellman, Herbert (1974) Communications, Journal of the American Musicological Society, 27(2), pp. 367–367.

Kreider, J. Evan (1974) Record of the month, The choral journal, 15(3), pp. C2–C2.

Lenaerts, René Bernard (1974) Bemerkungen uber Johannes Ockeghem und seinen Kompositionsstil, in Heinrich Hüschen (ed.) Convivium musicorum: Festschrift Wolfgang Boetticher zum sechzigsten Geburtstag am 19 August 1974. Berlin: Merseburger, pp. 163–167.

Lockwood, Lewis (1974) ‘Messer Gossino’ and Josquin Desprez, in Marshall (ed.) Studies in Renaissance and Baroque music in honor of Arthur Mendel. Kassel: Bärenreiter-Verlag, pp. 15–24.

Patrick, Philip Howard (1974) A computer-study of a suspension-formation in the Masses of Josquin Desprez, Computers and the humanities, 8(5–6), pp. 321–331.

Staehelin, Martin (1974) Eine wenig beachtete Gruppe von Chorbüchern aus der ersten Hälfte des 16. Jahrhunderts, in Henrik Glahn, Soren Sorensen, and Peter Ryom (eds) International Musicological Society: Report of the Eleventh Congress, Copenhagen 1972. København: Edition Wilhelm Hansen, pp. 664–668.

Streller, Friedbert (1974) Anmerkungen zur werkgerechten Interpretation Schützscher Musik, in Siegfried Köhler (ed.) Heinrich Schütz und seine Zeit: Bericht uber die wissenschaftliche Konferenz des Komitees für die Heinrich-Schütz-Festtage der DDR, 1972. Berlin: Kulturbund der DDR, pp. 103–112.

Tirro, Frank Pascale (1974) Giovanni Spataro’s choirbooks in the archive of San Petronio in Bologna. PhD dissertation. University of Chicago.

1975

Atlas, Allan W. (1975) The Cappella Giulia Chansonnier: [Rome, Biblioteca Apostolica Vaticana, C. G. XIII. 27] (2 vol). New York: Institute of Mediaeval Music (Wissenschaftliche Abhandlungen/Musicological studies, 27,1–2).

Bujić, Bojan (1975) Leonardo da Vinci, Josquin Des Prez i scala peccatorum, Arti musices, 6, pp. 5–22.

Crawford, David E. (1975) Sixteenth-century choirbooks in the Archivio Capitolare at Casale Monferrato. Roma: American Institute of Musicology (Renaissance manuscript studies, 2).

Elders, Willem (1975) Short report of the second Josquin meeting, Utrecht 1974, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 25(1), pp. 54–64.

Haarlem, Rob van (1975) The ‘Missa de Beata Virgine’ by Josquin used as a model for the mass of the same name by Arcadelt, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 25(2), pp. 33–37.

Hall, Thomas (1975) Some computer aids for the preparation of critical editions of Renaissance music, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 25(1), pp. 38–53.

Josephson, Nors S. (1975) Kanon und Parodie: Zu einigen Josquin-Nachahmungen, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 25(2), pp. 23–32.

Just, Martin (1975) Der Mensuralkodex Mus. ms. 40021 der Staatsbibliothek Preußischer Kulturbesitz Berlin: Untersuchungen zum Repertoire einer deutschen Quelle des 15. Jahrhunderts (2 vol). Tutzing: Hans Schneider (Würzburger musikhistorische Beiträge, 1,1-2).

Saylor, Bruce (1975) A new work by George Perle, The musical quarterly, 61(3), pp. 471–475.

Sherr, Richard (1975) The Papal chapel ca. 1492-1513 and its polyphonic sources. PhD dissertation. Princeton University.

Turner, Bruno (1975) Renaissance der Renaissance, Musica, 29(6), pp. 480–484.

Williams, Isabelle (1975) Manipulation of imitative temporal distance in textural progressions of Josquin Des Pres. PhD dissertation. University of Michigan.

1976

Antonowycz, Myroslaw (1976) Illibata Dei Virgo: a melodic self-portrait of Josquin des Prez, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 545–559.

Benthem, Jaap van (1976a) Josquin’s three-part ‘chansons rustiques’: a critique of the readings in manuscripts and prints, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 421–445.

Benthem, Jaap van (1976b) Kompositorisches Verfahren in Josquins Proportionskanon ‘Agnus Dei’: Antwort an Edward Stam, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 26(2), pp. 9–16.

Blackburn, Bonnie J. (1976) Josquin’s chansons: ignored and lost sources, Journal of the American Musicological Society, 29(1), pp. 30–76.

Blume, Friedrich (1976) Josquin des Prez: the man and the music, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 18–27.

Bridgman, Nanie (1976) On the discography of Josquin and the interpretation of his music in recordings, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 633–641.

Brown, Howard Mayer (1976a) Accidentals and ornamentation in sixteenth-century intabulations of Josquin’s motets, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 475–522.

Brown, Howard Mayer (1976b) Music in the Renaissance. Englewood Cliffs/N.J: Prentice-Hall (Prentice-Hall history of music series).

Brown, Howard Mayer and et al (1976) The performance and interpretation of Josquin’s secular music. Workshop report, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 663–695.

Callahan, Virginia Woods (1976) Ut Phoebi radiis: the riddle of the text resolved, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 560–563.

D’Accone, Frank A. (1976) The performance of sacred music in Italy during Josquin’s time, ca. 1475-1525, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 601–618.

Dahlhaus, Carl (1976) On the treatment of dissonance in the motets of Josquin des Prez, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 334–344.

Elders, Willem (1976a) Plainchant in the motets, hymns, and Magnificat of Josquin des Prez, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 523–542.

Elders, Willem (1976b) Short report of the third Josquin meeting, Utrecht 1975, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 26(1), pp. 17–40.

Finscher, Ludwig (1976) Historical reconstruction versus structural interpretation in the performance of Josquin’s motets, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 627–632.

Finscher, Ludwig, Kirsch, Winfried and et al (1976) The performance and interpretation of Josquin’s motets. Workshop report, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 645–662.

Gallico, Claudio (1976) Josquin’s compositions on Italian texts and the frottola, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 446–454.

Gatti-Perer, Maria Luisa (1976) Art and architecture in Lombardy at the time of Josquin des Prez, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 138–147.

Ghislanzoni, Alberto (1976) Josquin des Prez: Judocus Pratensis: contributi biografico-critici. Frosinone.

Godt, Irving (1976) The restoration of Josquin’s Ave mundi spes, Maria, and some observations on restoration, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 26(2), pp. 53–83.

Haar, James (1976) Some remarks on the Missa La sol fa re mi, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 564–588.

Harrán, Don (1976) Burney and Ambros as editors of Josquin’s music, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 148–177.

Heartz, Daniel (1976) The chanson in the Humanist era, in John W. Grubbs (ed.) Current thought in musicology. Austin London: University of Texas Press (Symposia in the arts and the humanities, 4), pp. 193–230.

Hoffmann-Erbrecht, Lothar (1976) Problems in the interdependence of Josquin sources, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 285–293.

Hudson, Barton (1976) A neglected source of Renaissance polyphony: Rome, Santa Maria Maggiore JJ. III. 4, Acta Musicologica, 48(2), pp. 166–180.

Jeffery, Brian (1976) The literary texts of Josquin’s chansons, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 401–420.

Kellman, Herbert (1976) Josquin and the courts of the Netherlands and France: The evidence of the sources, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 181–216.

Kirsch, Winfried (1976) Josquin’s motets in the German tradition, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 261–278.

Lenaerts, René Bernard (1976) Musical structure and performance practice in Masses and motets of Josquin and Obrecht, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 619–626.

Lockwood, Lewis (1976) Josquin at Ferrara: new documents and letters, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 103–137.

Lowinsky, Edward E. (1976a) Ascanio Sforza’s life: a key to Josquin’s biography and an aid to the chronology of his works, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 31–75.

Lowinsky, Edward E. (ed.) (1976b) Josquin des Prez. London: Oxford University Press.

Mattfeld, Jacquelyn A. (1976) An unsolved riddle-the apparent absence of Ambrosian melodies in the works of Josquin des Prez, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 360–366.

Mendel, Arthur (1976) Towards objective criteria for establishing chronology and authenticity: What help can the computer give?, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 297–308.

Mendel, Arthur and et al (1976) The performance and interpretation of Josquin’s Masses. Workshop report, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 696–719.

Noble, Jeremy (1976) New light on Josquin’s benefices, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 76–102.

Novack, Saul (1976) Tonal tendencies in Josquin’s use of harmony, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 317–333.

Picker, Martin (1976) Josquiniana in some manuscripts at Piacenza, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 247–260.

Reese, Gustave (1976) The polyphonic Missa de Beata Virgine as a genre: the background of Josquin’s Lady Mass, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 589–598.

Reese, Gustave and et al (1976) Problems in editing the music of Josquin des Prez: a critique of the first edition and proposals for the second edition, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 721–754.

Rubsamen, Walter Howard (1976) Unifying techniques in selected Masses of Josquin and La Rue: a stylistic comparison, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 369–400.

Skei, Allen B. (1976) Dulces exuviae: Renaissance settings of Dido’s last words, The music review, 37(2), pp. 77–91.

Snížková, Jitka (1976) Josquin in Czech sources of the second half of the sixteenth century, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 279–284.

Sparks, Edgar H. (1976) Problems of authenticity in Josquin’s motets, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 345–359.

Stam, Edward (1976) Josquins Proportionskanon ‘Agnus Dei’ und dessen Piacentiner Überlieferung, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 26(1), pp. 1–8.

Stevenson, Robert Murrell (1976) Josquin in the music of Spain and Portugal, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 217–246.

Thibault, Geneviève (1976) Instrumental transcriptions of Josquin’s French chansons, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 455–474.

Wiora, Walter (1976) The structure of wide-spanned melodic lines in earlier and later works of Josquin, in Edward Lowinsky and Bonnie J. Blackburn (eds) Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, pp. 309–316.

1977

Chiesa, Ruggero (1977) Storia della letteratura del liuto e della chittarra-il cinquecento. XVIII-XXI: Hans Gerle, Il Fronimo: Rivista trimestrale di chitarra e liuto, 5(18), pp. 15–18.

Fellerer, Karl Gustav (1977) Wandlungen der mehrstimmigen Kirchenmusik im 16. Jahrhundert, Kirchenmusikalisches Jahrbuch, 61, pp. 1–28.

Godt, Irving (1977) Motivic integration in Josquin’s motets, Journal of music theory, 21(2), pp. 264–292.

Obniska, Ewa (1977) Renesansowy ksiaze muzyki, Ruch muzyczny, 3, pp. 3–6.

Protopopov, Vladimir Vasil’evič (1977) Проблемы формы в полифонических произведениях строгого стиля, Sovetskaâ muzyka: Organ Soûza sovetskih kompozitorov i Sektora iskusstv Narkomprosa, (3), pp. 102–108.

Sherr, Richard (1977) Notes on two Roman manuscripts of the early sixteenth century, The musical quarterly, 63(1), pp. 48–73.

Staehelin, Martin (1977) Die Messen Heinrich Isaacs (3 vol). Bern: Paul Haupt (Publikationen der Schweizerischen Musikforschenden Gesellschaft. Serie 2 = Publications de la Société Suisse de Musicologie. Série 2, 28,1–3).

1978

Antonowycz, Myroslaw (1978) Criteria for the determination of authenticity: A contribution to the study of melodic style in the works of Josquin, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 28(2), pp. 51–60.

Baker, Norma Klein (1978) An unnumbered manuscript of polyphony in the archives of the cathedral of Segovia: its provenance and history. Unpublished Ph.D. dissertation. PhD dissertation. University of Maryland.

Chiesa, Ruggero (1978a) Storia della letteratura del liuto e della chitarra – il cinquecento. XXIV: Francesco da Milano, Il Fronimo: Rivista trimestrale di chitarra e liuto, 6(24), pp. 21–24.

Chiesa, Ruggero (1978b) Storia della letteratura del liuto e della chitarra – il cinquecento. XXV: Francesco da Milano, Il Fronimo: Rivista trimestrale di chitarra e liuto, 6(25), pp. 30–33.

Elders, Willem (1978) Short report of the Fourth Josquin Meeting, Dartmouth College, Hanover, N.H., 1977, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 28(1), pp. 31–37.

Jackson, Philip T. (1978) Two descendants of Josquin’s ‘Hercules’ Mass, Music & Letters, 59(2), pp. 188–205.

Joseph, Charles M. (1978) Architectural control in Josquin’s Tu pauperum refugium, College music symposium, 18(2), pp. 189–195.

Noble, Jeremy (1978) Ottaviano Petrucci: His Josquin edition and some others, in Sergio Bertelli and Gloria Ramakus (eds) Essays presented to Myron P. Gilmore. II: History of art – History of music. Firenze: Nuova Italia (Villa i Tatti: The Harvard University Center for Italian Renaissance Studies, 2,2), pp. 433–445.

Picker, Martin (1978) Josquin and Jean Lemaire: Four chansons re-examined, in Sergio Bertelli and Gloria Ramakus (eds) Essays presented to Myron P. Gilmore. II: History of art – History of music. Firenze: Nuova Italia (Villa i Tatti: The Harvard University Center for Italian Renaissance Studies, 2,2), pp. 447–456.

Rahn, Douglas Jay Philip (1978) Melodic and textual types in French monophonic song, ca. 1500. PhD dissertation. Columbia University.

Rubin, Frances Anne (1978) ‘Car Atropos…’: a study of the Renaissance déploration. MA dissertation. University of North Carolina.

Todd, R. Larry (1978) Retrograde, inversion, retrograde-inversion, and related techniques in the Masses of Obrecht, The musical quarterly, 64(1), pp. 50–78.

Ware, John Marley (1978) Dissonance treatment in sacred vocal polyphony in more than five parts up to the death of Josquin (1521). PhD dissertation. Louisiana State University. Available at: https://core.ac.uk/download/pdf/217386309.pdf .

1979

Finscher, Ludwig (1979) Zum Verhältnis von Imitationstechnik und Textbehandlung im Zeitalter Josquins, in Ludwig Finscher (ed.) Renaissance Studien. Helmuth Osthoff zum 80. Geburtstag. Tutzing: Hans Schneider (Frankfurter Beiträge zur Musikwissenschaft, 11), pp. 57–72.

Hanson, John R. (1979) Pedagogy of sixteenth-century counterpoint: selected examples with commentary, Theory and practice, 4(1), pp. 5–14.

Kirsch, Winfried (1979) Zur Funktion der tripeltaktigen Abschnitte in den Motetten des Josquin-Zeitalters, in Ludwig Finscher (ed.) Renaissance Studien. Helmuth Osthoff zum 80. Geburtstag. Tutzing: Hans Schneider (Frankfurter Beiträge zur Musikwissenschaft, 11), pp. 145–157.

Lockwood, Lewis (1979) Jean Mouton and Jean Michel: New evidence on French music and musicians in Italy, 1505-1520, Journal of the American Musicological Society, 32, pp. 191–246.

Rectanus, Hans (1979) ‘Ich kenne Dich, Josquin, du Herrlicher…’. Bemerkungen zu thematischen Verwandtschaften zwischen Josquin, Palestrina und Pfitzner, in Ludwig Finscher (ed.) Renaissance Studien. Helmuth Osthoff zum 80. Geburtstag. Tutzing: Hans Schneider (Frankfurter Beiträge zur Musikwissenschaft, 11), pp. 211–222.

Roche, Elizabeth (1979a) Early music on records in the last 25 years, The musical times, 120(1633), pp. 215–217.

Roche, Elizabeth (1979b) Early music on records in the last 25 years, The musical times, 120(1631), pp. 34–36.

1980

Benthem, Jaap van (1980) Fortuna in focus: concerning ‘conflicting’ progressions in Josquin’s Fortuna dun gran tempo, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 30(1), pp. 1–50.

Couchman, Jonathan Paul (1980) The Lorraine Chansonnier: Antoine de Lorraine and the court of Louis XII, Musica disciplina: A yearbook of the history of music, 34, pp. 85–158.

Dahlhaus, Carl (1980) Miszellen zu einigen niederländischen Messen, Kirchenmusikalisches Jahrbuch, 63–64, pp. 1–7.

Godt, Irving (1980) Renaissance paraphrase technique: a descriptive tool, Music theory spectrum: The journal of the Society for Music Theory, 2, pp. 110–118.

Sievers, Gerd (1980) Johann Nepomuk Davids Josquin-Variationen (1966). Entstehung, Analyse, Deutung, Hamburger Jahrbuch für Musikwissenschaft, 4, pp. 115–143.

Tirro, Frank (1980) La stesura del testo nei manoscritti di Giovanni Spataro, Rivista italiana di musicologia, 15(1–2), pp. 31–70.

1981

Apel, Willi (1981) ‘Punto intenso contra remisso’, in Thomas Noblitt (ed.) Music East and West: Essays in honor of Walter Kaufmann. New York: Pendragon Press (Pendragon Festschrift series), pp. 175–182.

Boorman, Stanley (1981a) Petrucci at Fossombrone: some new editions and cancels, in Ian Bent (ed.) Source materials and the interpretation of music: a memorial volume to Thurston Dart. London: Stainer & Bell, pp. 129–153.

Boorman, Stanley (1981b) Petrucci’s type-setters and the process of stemmatics, in Ludwig Finscher (ed.) Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquin Desprez. Wiesbaden: Harrassowitz Verlag (Wolfenbütteler Forschungen, 6), pp. 245–280.

Congleton, Jennie Lou (1981) The chansons of Josquin des Prez. PhD dissertation. Washington University.

Cummings, Anthony M. (1981) Toward an interpretation of the sixteenth-century motet, Journal of the American Musicological Society, 34, pp. 43–59.

Edwards, Warwick (1981) Songs without words by Josquin and his contemporaries, in Iain Fenlon (ed.) Music in medieval and early modern Europe: Patronage, sources, and texts. Cambridge: Cambridge University Press, pp. 79–92.

Elders, Willem (1981) Ein handschriftlicher ‘Liber psalmorum’ aus der deutschen Uberlieferung, in Ludwig Finscher (ed.) Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquin Desprez. Wiesbaden: Harrassowitz Verlag (Wolfenbütteler Forschungen, 6), pp. 47–69.

Esquieu, Yves and Coulet, Noël (1981) La musique à la cour provençale du Roi René, La Provence historique, 31, pp. 299–312.

Just, Martin (1981) Bemerkungen zu den kleinen Folio-Handschriften deutscher Provenienz um 1500, in Ludwig Finscher (ed.) Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquin Desprez. Wiesbaden: Harrassowitz (Wolfenbütteler Forschungen, 6), pp. 25–45.

Lowinsky, Edward E. (1981) Canon technique and simultaneous conception in fifteenth-century music: a comparison of North and South, in Robert Lamar Weaver (ed.) Essays on the music of J.S. Bach and other divers subjects: a tribute to Gerhard Herz. Louisville: University of Louisville (Pendragon Festschrift series, 4), pp. 181–222.

Noblitt, Thomas L. (1981) Textual criticism of selected works published by Petrucci, in Ludwig Finscher (ed.) Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquin Desprez. Wiesbaden: Harrassowitz (Wolfenbütteler Forschungen, 6), pp. 201–244.

Picker, Martin (1981) The motet anthologies of Petrucci and Antico published between 1514 and 1521: a comparative study, in Ludwig Finscher (ed.) Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquin Desprez. Wiesbaden: Harrassowitz (Wolfenbütteler Forschungen, 6), pp. 181–199.

Planchart, Alejandro Enrique (1981) The relative speed of tempora in the period of Dufay, The Royal Musical Association research chronicle, 17, pp. 33–51.

Stern, David (1981) Tonal organization in modal polyphony, Theory and practice, 6(2), pp. 5–39.

1982

Allende-Blin, Juan (1982) Beobachtungen über die Missa Pange lingua, in Heinz-Klaus Metzger (ed.) Josquin des Prés. München: edition text+kritik (Musik-Konzepte, 26–27), pp. 70–84.

Dill, Charles (1982) Non-cadential articulation of structure in some motets of Josquin and Mouton, Current musicology, (33), pp. 37–55.

Evdokimova, Ûliâ Konstantinovna and Simakova, Nataliâ Aleksandrovna (1982) Музыка эпохи Возрождения: Cantus prius factus и работа с ним. Moskva: Muzyka.

Gottwald, Clytus (1982) Lasso-Josquin-Dufay: Zur Ästhetik des heroischen Zeitalters, in Heinz-Klaus Metzger (ed.) Josquin des Prés. München: edition text+kritik (Musik-Konzepte, 26–27), pp. 39–69.

Hawthorne, Walter (1982) The choral conductor and proportio sesquialtera, The choral journal, 22(7), pp. 19–23.

Matthews, Harry (1982) The monkey at the wheel, Parnassus: Poetry in review, 10(2), pp. 20–44.

Meier, Bernhard (1982) Josquins Motette Dominus regnavit: Ein Sonderfall des Tonartwechsels, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 32, pp. 45–50.

Metzger, Heinz-Klaus and Riehn, Rainer (1982a) [Editorial], in Heinz-Klaus Metzger (ed.) Josquin des Prés. München: edition text+kritik (Musik-Konzepte, 26–27), pp. 3–3.

Metzger, Heinz-Klaus and Riehn, Rainer (eds) (1982b) Musik-Konzepte. 26-27 (September 1982): Josquin des Prez. München: edition text+kritik (Musik-Konzepte, 26–27).

Milsom, John (1982) Circumdederunt: ‘A favourite cantus firmus of Josquin’s’?, Soundings: A music journal, 9, pp. 2–10.

Neuwirth, Gösta (1982) Erzählung von Zahlen, in Heinz-Klaus Metzger (ed.) Josquin des Prés. München: edition text+kritik (Musik-Konzepte, 26–27), pp. 4–38.

Riehn, Rainer (1982) Werkverzeichnis, in Heinz-Klaus Metzger (ed.) Josquin des Prés. München: edition text+kritik (Musik-Konzepte, 26–27), pp. 128–137.

Rubio, Héctor Edmundo (1982) Der Manierismus in der Vokalpolyphonie des 16. Jahrhunderts. Tutzing: Hans Schneider (Frankfurter Beiträge zur Musikwissenschaft, 5).

Stenzl, Jürg (1982) ‘In das Reich der schönen Kunst ganz einzutreten, war ihm nicht beschieden’: Zur Josquin-Rezeption im 19. Jahrhundert, in Heinz-Klaus Metzger (ed.) Josquin des Prés. München: edition text+kritik (Musik-Konzepte, 26–27), pp. 85–101.

Stern, David (1982) A quotation from Josquin in Schenker’s Free composition, Theory and practice, 7(2), pp. 33–40.

Wessely, Othmar (1982) Rätzel und Rätselhaftes in der abendländischen Musik des 14. bis 18. Jahrhunderts, Österreichische Musikzeitschrift, 37(1), pp. 2–14.

Zuber, Barbara (1982a) Auswahlbibliographie, in Heinz-Klaus Metzger (ed.) Josquin des Prés. München: edition text+kritik (Musik-Konzepte, 26–27), pp. 138–143.

Zuber, Barbara (1982b) Auswahldiskographie, in Heinz-Klaus Metzger (ed.) Josquin des Prés. München: edition text+kritik (Musik-Konzepte, 26–27), pp. 119–127.

Zuber, Barbara (1982c) Josquin Desprez: Eine Nachrede aus alle künftigen ‘historisch-authentischen’ Aufführungen seiner Werke, in Heinz-Klaus Metzger (ed.) Josquin des Prés. München: edition text+kritik (Musik-Konzepte, 26–27), pp. 108–118.

1983

Block, Adrienne Fried (1983) Timbre, texte et air; ou: Comment le noël-parodie peut aider à l’étude de la chanson du XVIe siècle, Revue de musicologie, 69(1), pp. 21–54.

Brown, Howard Mayer (1983) A ‘new’ chansonnier of the early sixteenth century in the University of Uppsala: a preliminary report, Musica disciplina: A yearbook of the history of music, 37, pp. 171–233.

Charles, Sydney Robinson (1983) Josquin des Prez: A guide to research. New York: Garland Publishing (Garland Reference Library of the Humanities, 330).

Chiesa, Ruggero (1983) Storia della letterature del liuto e della chitarra, XLIII. Il cinquecento: Hans Newsidler, II, Il Fronimo: Rivista trimestrale di chitarra e liuto, 11(43), pp. 21–24.

Cummings, Anthony M. (1983) A Florentine sacred repertory from the Medici restoration (Manuscript II. I. 232 [olim Magliabechi XIX. 58; Gaddi 1113] of the Biblioteca nazionale centrale, Florence): bibliography and history, Acta Musicologica, 55(2), pp. 267–332.

Finscher, Ludwig (1983) Josquin Desprez Dominus regnavit (Psalm 92), in Heinrich Poos (ed.) Chormusik und Analyse: Beiträge zur Formanalyse und Interpretation mehrstimmiger Vokalmusik / 1. Texte. Mainz: Schott Musik International, pp. 67–75.

Gottwald, Clytus (1983) Von der babylonischen Gefangenschaft der Musik. Josquin und Luthers Encomion, in Stefan Strohm and Eberhard Zwink (eds) Ursprung der Biblia Deutsch von Martin Luther: Ausstellung in der Württembergischen Landesbibliothek Stuttgart 21. September bis 19. November 1983. Stuttgart: Württembergische Landesbibliothek, pp. 101–108.

Guidobaldi, Nicoletta (1983) Le due messe L’homme armé di Josquin, Rivista italiana di musicologia, 18(2), pp. 193–202.

Harrán, Don (1983) Stories from the Hebrew Bible in music of the Renaissance, Musica disciplina: A yearbook of the history of music, 37, pp. 235–288.

Kirkendale, Warren (1983) Zur Circulatio-Tradition und Josquins Maria lactans, in Heinrich Poos (ed.) Chormusik und Analyse: Beiträge zur Formanalyse und Interpretation mehrstimmiger Vokalmusik / 1. Texte. Mainz: Schott Musik International, pp. 11–41.

Macey, Patrick (1983) Savonarola and the sixteenth-century motet, Journal of the American Musicological Society, 36(3), pp. 422–452.

Martínez Miura, Enrique (1983) Josquin Despres: Un europeo del siglo XV, Ritmo, 53(537), pp. 12–14.

Roth, Adalbert (1983) Zur Datierung der frühen Chorbücher der päpstlichen Kapelle, in Ludwig Finscher (ed.) Datierung und Filiation von Musikhandschriften der Josquin-Zeit: [Vorträge gehalten anläßlich eines musikwissenschaftlichen Kolloquiums vom 20. – 23. Mai 1980 in d. Herzog-August-Bibliothek]. Frankfurt am Main Wiesbaden: Peter Lang (Quellenstudien zur Musik der Renaissance, 2), pp. 239–268.

Sherr, Richard (1983) Notes on some papal documents in Paris, Studi musicali, 12(1), pp. 5–16.

Snow, Robert J. (1983) Toledo Cathedral MS Reservado 23, The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, 2(3), pp. 246–277.

Swain, Joseph Peter (1983) Limits of musical structure. Harvard University.

Toft, Robert (1983) Pitch content and modal procedure in Josquin’s Absalon, fili mi, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 33(1–2), pp. 3–27.

Ward, Tom R. (1983) A newly-discovered Josquin attribution, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 33(1–2), pp. 29–48.

Witte, Gerd (1983) Frank Michael Beyer. Spiel und Beispiel – Josquin-glosadas, Musik und Kirche, 53(6), pp. 287–290.

1984

Beck, Jonathan (1984) Formalism and virtuosity: Franco-Burgundian poetry, music, and visual art, 1470-1520, Critical inquiry, 10(4), pp. 644–667.

Blume, Jürgen (1984) Die Tradition der tonalen Beantwortung in der Fuge, NZ: Neue Zeitschrift für Musik, 145(12), pp. 7–10.

Brusniak, Friedhelm (1984) Der Kodex A.R. 773 (C 100) von Johann Buchmayer in der Proske-Bibliothek zu Regensburg: Ein Beitrag zur Geschichte der Vokalpolyphonie in Deutschland um 1560, in Christoph-Hellmut Mahling (ed.) Bericht über den Internationalen Musikwissenschaftlichen Kongress Bayreuth, 1981. Kassel: Bärenreiter, pp. 288–294.

Chiesa, Ruggero (1984) Storia della letteratura del liuto e della chitarra. XLVIII; XLIV: Il cinquecento – Luys de Narvaez, Il Fronimo: Rivista trimestrale di chitarra e liuto, 12(48), pp. 42–45.

Gottwald, Clytus (1984) Von der Babylonischen Gefangenschaft der Musik: Josquin und Luthers Encomion, Württembergische Blätter für Landeskunde, 51, pp. 207–216.

Haass, Walter (1984) Studien zu den L’homme armé-Messen des 15. und 16. Jahrhunderts. Regensburg: Gustav Bosse (Kölner Beiträge zur Musikforschung, 136).

Hausmann, Charles Stewart (1984) A procedural model for the transference of analytical insights into verbal and nonverbal communication in choral music. PhD dissertation. University of Missouri.

Kirkendale, Warren (1984) Circulatio-tradition, Maria lactans, and Josquin as musical orator, Acta Musicologica, 56(1), pp. 69–92.

Konnov, Vladimir Petrovič (1984) Нидерландские композиторы XV-XVI веков: Популярная монография. Leningrad: Sovetskaâ muzyka.

Krantz, Steven Charles (1984) Modal practice in the Phrygian motets of Josquin des Prez. MA dissertation. University of Minnesota.

Lockwood, Lewis (1984) Music in Renaissance Ferrara, 1400-1505: The creation of a musical center in the Italian Renaissance. Cambridge: Harvard University (Department of Music).

Mosser, Dennis Robert (1984) The identification and use of the Ave Maria cantus firmus in sixteenth-century motets. The University of Oklahoma, Graduate College. Available at: https://shareok.org/handle/11244/5264 .

Neuwirth, Gösta (1984) Über das erste Kyrie der Messe Ad fugam von Josquin Desprez, Musicologica austriaca, 4, pp. 13–26.

Pirrotta, Nino and Pirrotta, Nino (1984) Novelty and renewal in Italy (1300–1600), in Music and culture in Italy from the Middle Ages to the Baroque: A collection of essays. Cambridge, Mass.: Harvard University Press, pp. 159–174.

Reese, Gustave (ed.) (1984) High Renaissance masters: Josquin, Palestrina, Lassus, Byrd, Victoria. London: Macmillan (The composer biography series).

1985

Atlas, Allan W. (1985) Music at the Aragonese court of Naples. New York: Cambridge University Press.

Benthem, Jaap van (1985) The scoring of Josquin’s secular music, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 35(1–2), pp. 67–85.

Bujić, Bojan (1985) Peccantem me quotidie: Gallus’s homage to Josquin?, in Dragotin Cvetko and Danilo Pokorn (eds) Jacobus Gallus and his time. Ljubljana: Slovenska Akademija Znanosti in Umetnosti, pp. 70–81.

Fallows, David (1985) The performing ensembles in Josquin’s sacred music, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 35(1-2 (Proceedings of the Josquin Symposium: Cologne, 11-15 July 1984), pp. 32–66.

Howat, Roy (1985) The new Debussy edition: Approaches and techniques, Studies in music, 19, pp. 94–113.

Judd, Cristle Collins (1985) Some problems of pre-Baroque analysis: An examination of Josquin’s Ave Maria – Virgo serena, Music analysis, 4(3), pp. 201–239.

MacCracken, Thomas Gregg (1985) The manuscript Uppsala, Universitetsbiblioteket, Vokalmusik i Handskrift 76b. PhD dissertation. University of Chicago.

Macey, Patrick Paul (1985) Josquin’s Miserere mei Deus: Context, structure, and influence. Dissertation, University of California, Berkeley. PhD dissertation. University of California. Available at: https://www.proquest.com/openview/812ce1583343bdb3455e339da909e43b/1?pq-origsite=gscholar&cbl=18750&diss=y .

Noble, Jeremy (1985) The function of Josquin’s motets, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 35(1-2 (=Proceedings of the Josquin Symposium: Cologne, 11-15 July 1984)), pp. 9–22.

Prizer, William F. (1985) Music and ceremonial in the Low Countries: Philip the Fair and the Order of the Golden Fleece, Early music history: Studies in medieval and early modern music, 5, pp. 113–153.

Robin, Françoise (1985) Josquin des Prés au service de René d’Anjou?, Revue de musicologie, 71(1–2), pp. 180–181.

Routley, Nicholas (1985) A practical guide to musica ficta, Early Music, 13(1), pp. 59–71.

Steward, Rebecca (1985) Voice types in Josquin’s music, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 35(1-2 (=Proceedings of the Josquin Symposium: Cologne, 11-15 July 1984)), pp. 97–189.

Strohm, Reinhard (1985) Music in late medieval Bruges. Oxford: Clarendon Press.

Weiss, Susan Forscher (1985) The manuscript Bologna, Civico Museo Bibliografico Musicale, Codex Q 18 (olim 143): A Bolognese instrumental collection of the early Cinquecento. PhD dissertation. University of Maryland.

1986

Benthem, Jaap van (1986) Rapports structurels entre la messe Ecce ancilla Domini de Johannes Ockegem et la déploration de Johannes Ockegem de Josquin des Prez, in Marc Honegger, Christian Meyer, and Paul Prévost (eds) La musique et le rite sacré et profane. Strasbourg: Association des publications près les Universités de Strasbourg, pp. 161–161.

Green, Eugène (1986) La prononciation du français dans les chansons de Josquin des Prez, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 36, pp. 52–65.

Hall, Barbara L. (1986) The Missa Pange lingua of Josquin des Prez: An approach to Renaissance performance practice, The choral journal, 26(7), pp. 5–10.

Kirkendale, Warren (1986) Maria lactans and Josquin’s oratorical art, in Marc Honegger (ed.) La musique et le rite sacré et profane. Strasbourg: Association des publications près les Universités de Strasbourg, pp. 179–180.

Krummacher, Friedhelm (1986) Schema und Varietas: Zu Josquins Missa Malheur me bat, in Mitarbeiter des Instituts für Musikwissenschaft der Universität Erlangen-Nürnberg (ed.) Festschrift Martin Ruhnke zum 65. Geburtstag. Neuhausen-Stuttgart: Hänssler-Verlag, pp. 185–202.

Ouvrard, Jean-Pierre (1986) Josquin Desprez et ses contemporains: De l’ecrit au sonore – Guide pratique d’interprétation. Arles: Actes Sud.

Perz, Mirosław (1986) The Lvov fragments: A source for works of Dufay, Josquin, Petrus de Domarto and Petrus de Grudencz in 15th-century Poland, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 36, pp. 26–51.

Rothfarb, Lee A. (1986) Tinctoris vs. Tinctoris: Theory and practice of dissonance in counterpoint, In theory only, 9(2–3), pp. 3–32.

Staehelin, Martin (1986) Luther uber Josquin, in Mitarbeiter des Instituts für Musikwissenschaft der Universität Erlangen-Nürnberg (ed.) Festschrift Martin Ruhnke zum 65. Geburtstag. Neuhausen-Stuttgart: Hänssler-Verlag, pp. 326–338.

Taricani, JoAnn (1986) A chansonnier from a library in Renaissance Augsburg: Munich, Bayerische Staatsbibliothek, Mus. MS. 1508. PhD dissertation. University of Pennsylvania.

Tirro, Frank (1986) Renaissance musical sources in the archive of San Petronio in Bologna. I: Giovanni Spataro’s choirbooks. Neuhausen-Stuttgart: American Institute of Musicology (Renaissance manuscript studies, 4).

Woodruff, Lawrence Theodore (1986) The Missae de Beata Virgine c. 1500-1520: A study of transformation from monophonic to polyphonic modality. PhD dissertation. North Texas State University. Available at: https://digital.library.unt.edu/ark:/67531/metadc331202/ .

1987

Barbier, Jacques (1987) Faulte d’argent: Modèles polyphoniques et parodies au XVIe siècle, Revue de musicologie, 73(2), pp. 171–202.

Elders, Willem (1987) Josquin’s Absolve, quaesumus, domine: A tribute to Obrecht?, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 37, pp. 14–25.

Lockwood, Lewis (1987) La musica a Ferrara nel Rinascimento: La creazione di un centro musicale nel XV secolo. Bologna: Società editrice il Mulino (Biblioteca storica).

Reynolds, Christopher A. (1987) Musical evidence of compositional planning in the Renaissance: Josquin’s Plus nulz regretz, Journal of the American Musicological Society, 40(1), pp. 53–81.

1988

Benthem, Jaap van (1988) Een verloren zoon als ondergeschoven kind: De problematische toeschrijving van een beroemd motet, Musica antiqua: Actuele informatie over oude muziek, 5(1), p. 22.

Boyd, George R. (1988) The development of paraphrase technique in the fifteenth century, Indiana theory review, 9(1), pp. 23–62.

Constant, John (1988) A Book of Hours for Pope Leo X, in Carmelo Peter Comberiati and Matthew C. Steel (eds) Music from the Middle Ages through the twentieth century: Essays in honor of Gwynn S. McPeek. New York: Gordon and Breach (Musicology), pp. 314–334.

Dean, Jeffrey J. (1988) The repertory of the Cappella Giulia in the 1560s, Journal of the American Musicological Society, 41(3), pp. 465–490.

Elders, Willem (1988) Structuur, teken en symbool in de oudnederlandse dodenzang, in Louis Peter Grijp and Paul Matthijs op de Coul (eds) Harmonie en perspectief: Zevenendertig bijdragen van Utrechtse musicologen voor Eduard Reeser. Deventer: Sub Rosa (Deventer Studiën), pp. 13–23.

Nugent, George (1988) Jacquet’s tributes to the Neapolitan Aragonese, The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, 6(2), pp. 198–226.

Sherr, Richard (1988) Illibata dei virgo nutrix and Josquin’s Roman style, Journal of the American Musicological Society, 41(3), pp. 434–464.

Toft, Robert (1988) Traditions of pitch content in the sources of two sixteenth-century motets, Music & Letters, 69(3), pp. 334–345.

Urquhart, Peter Whitney (1988) Canon, partial signatures, and musica ficta in works by Josquin Desprez and his contemporaries. PhD dissertation. Harvard University. Available at: https://www.proquest.com/openview/1a066d63d81cefbc531ff451122a2aac/1?pq-origsite=gscholar&cbl=18750&diss=y .

Weiss, Susan Forscher (1988) Bologna Q 18: Some reflections on content and context, Journal of the American Musicological Society, 41(1), pp. 63–101.

1989

Apel, Willi (1989) ‘Punto intenso contra remisso’, in Willi Apel (ed.) Renaissance and Baroque music. Composers, musicology, and music theory. Stuttgart: Franz Steiner (Collected articles and reviews; 2), pp. 142–152.

Benthem, Jaap van (1989) Lazarus versus Absalom: About fiction and fact in the Netherlands motet, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 39, pp. 54–82.

Elders, Willem (1989a) Le problème de l’authenticité chez Josquin et les éditions de Petrucci: Une investigation préliminaire, Fontes artis musicae, 36(2), pp. 108–115.

Elders, Willem (1989b) Struktur, Zeichen und Symbol in der altniederländischen Totenklage, in Klaus Hortschansky (ed.) Zeichen und Struktur in der Musik der Renaissance. Kassel: Bärenreiter Verlag (Musikwissenschaftliche Arbeiten, 28), pp. 27–46.

Elders, Willem (1989c) The performance of cantus firmi in Josquin’s Masses based on secular monophonic song, Early Music, 17(3), pp. 330–341.

Jickeli, Carl F. (1989) Textlose Kompositionen um 1500. PhD dissertation, University of Munich, 1989. Frankfurt am Main: Peter Lang (Europäische Hochschulschriften / 36: Musikwissenschaft, 119).

Just, Martin (1989) Josquins Vertonungen der Genealogien nach Matthäus und Lukas: Textgestalt und musikalische Struktur, in Klaus Hortschansky (ed.) Zeichen und Struktur in der Musik der Renaissance. Kassel: Bärenreiter (Musikwissenschaftliche Arbeiten, 28), pp. 87–105.

Krantz, Steven Charles (1989) Rhetorical and structural functions of mode in selected motets of Josquin des Prez. University of Minnesota. Available at: https://www.proquest.com/openview/0d7a87513897b20477cb815727cbce98/1?pq-origsite=gscholar&cbl=18750&diss=y .

Long, Michael P. (1989) Symbol and ritual in Josquin’s Missa Di dadi, Journal of the American Musicological Society, 42(1), pp. 1–22.

Lowinsky, Edward E. (1989a) A newly discovered sixteenth-century motet manuscript at the Biblioteca Vallicelliana in Rome, in Bonnie J. Blackburn (ed.) Music in the culture of the Renaissance and other essays. Chicago: University of Chicago Press, pp. 433–482.

Lowinsky, Edward E. (1989b) Ascanio Sforza’s life: A key to Josquin’s biography and an aid to the chronology of his works, in Bonnie J. Blackburn (ed.) Music in the culture of the Renaissance and other essays. Chicago: University of Chicago Press, pp. 541–564.

Lowinsky, Edward E. (1989c) Canon technique and simultaneous conception in fifteenth-century music: A comparison of North and South, in Bonnie J. Blackburn (ed.) Music in the culture of the Renaissance and other essays. Chicago: University of Chicago Press, pp. 884–910.

Lowinsky, Edward E. (1989d) Helmuth Osthoff’s Josquin monograph, in Bonnie J. Blackburn (ed.) Music in the culture of the Renaissance and other essays. Chicago: University of Chicago Press, pp. 351–534.

Lowinsky, Edward E. (1989e) Josquin des Prez and Ascanio Sforza, in Bonnie J. Blackburn (ed.) Music in the culture of the Renaissance and other essays. Chicago: University of Chicago Press, pp. 535–540.

Lowinsky, Edward E. (1989f) Musica ficta in the Josquin edition, in Bonnie J. Blackburn (ed.) Music in the culture of the Renaissance and other essays. Chicago: University of Chicago Press, pp. 779–793.

Lowinsky, Edward E. (1989g) The goddess Fortuna in music, with a special study of Josquin’s Fortuna d’un gran tempo, in Bonnie J. Blackburn (ed.) Music in the culture of the Renaissance and other essays. Chicago: University of Chicago Press, pp. 221–239.

Lowinsky, Edward E. (1989h) The musical avant-garde of the Renaissance, or, The peril and profit of foresight, in Bonnie J. Blackburn (ed.) Music in the culture of the Renaissance and other essays. Chicago: University of Chicago Press, pp. 730–753.

Macey, Patrick (1989) Josquin’s ‘little’ Ave Maria: A misplaced motet from the Vultum tuum cycle?, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 39, pp. 38–53.

Perz, Mirosław (1989a) Fragmenty lwowskie: Żródło dzieł Dufaya, Josquina, Piotra de Domarto i Piotra z Grudziądza w Polsce XV wieku, Muzyka, 34(3:134), pp. 3–46.

Perz, Mirosław (1989b) Sulle tracce del Canzoniere di Cracovia del 1470 circa: Il frammento N. 8a della Biblioteca Jagellonica a Cracovia (=PL-Kj8a), in Ivano Cavallini (ed.) Studi in onore di Giuseppe Vecchi. Modena: Mucchi, pp. 235–245.

Preciado, Dionisio (1989) Francisco de Peñalosa versus Josquin Després, Revista de musicología, 12(2), pp. 423–430.

Prizer, William F. (1989) Music at the court of Sforza: The birth and death of a musical center, Musica disciplina: A yearbook of the history of music, 43, pp. 141–193.

Smith, Charlotte (1989) A manual of sixteenth-century contrapuntal style. Newark: University of Delaware.

1990

Boorman, Stanley (1990) False relations and the cadence, in Richard Charteris (ed.) Essays on Italian music in the cinquecento. Sydney: Frederick May Foundation for Italian Studies (Altro polo), pp. 221–264.

Cummings, Anthony M. (1990) The transmission of some Josquin motets, Journal of the Royal Musical Association, 115(1), pp. 2–32.

Elders, Willem (1990) Musik, Macht und Mäzenatentum in der Renaissance, in Norbert Dubowy (ed.) Festschrift: Rudolf Bockholdt zum 60. Geburtstag. Pfaffenhofen: Ludwig, pp. 129–140.

Éthier, Glen Edward (1990) Centricity in six Josquin sacred works: Reductive analyses of selected passages. MA dissertation. The University of Alberta. Available at: https://era.library.ualberta.ca/items/da4bcdb3-d04f-4df6-99ee-9df2917b114c .

Guaita, Carlo (1990) Lo spazio musicale nella riflessione analitica di Robert Cogan e Pozzi Escot. I, Analisi: Rivista di teoria e pedagogia musicale, (1), pp. 18–24.

Judd, Robert (1990) Cabezón, Malheur me bat, and the process of musical reference, Journal of the Lute Society of America, 23 (= Une fantaisie de la Renaissance: Compositional process in the Renaissance fantasia: Essays for Howard Mayer Brown, in memoriam), pp. 49–62.

Just, Martin (1990) Josquins Chanson Nymphes, napées als Bearbeitung des Invitatoriums Circumdederunt me und als Grundlage für Kontrafaktur, Zitat und Nachahmung, Die Musikforschung, 43(4), pp. 305–335.

Randel, Don M. (1990) Music and poetry, history and criticism: Reading the fifteenth-century chanson, in Lewis Lockwood (ed.) Essays in musicology: A tribute to Alvin Johnson. Philadelphia: American Musicological Society, pp. 52–74.

Reynolds, Christopher A. (1990) Southern pull or northern push? Motives for migration in the Renaissance, in Angelo Pompilio (ed.) Trasmissione e recezione delle forme di cultura musicale: atti del XIV Congresso della Società Internazionale di Musicologia. Torino: EDT, pp. 155–161.

Sherr, Richard (1990a) Josquin’s Missa Pange lingua: A note on Agnus Dei III, Early Music, 18(2), pp. 271–275.

Sherr, Richard (1990b) The relationship between a Vatican copy of the Gloria of Josquin’s Missa de Beata Virgine and Petrucci’s print, in Angelo Pompilio (ed.) Trasmissione e recezione delle forme di cultura musicale: atti del XIV Congresso della Società Internazionale di Musicologia. Torino: EDT, pp. 266–271.

Slim, H. Colin (1990) Dosso Dossi’s allegory at Florence about music, Journal of the American Musicological Society, 43(1), pp. 43–98.

Stern, David (1990) Schenkerian theory and the analysis of Renaissance music, in Hedi Siegel (ed.) Schenker studies. New York: Cambridge University Press, pp. 45–59.

Teramoto, Mariko (1990) Vorlage und Bearbeitung—Die meist von dem Hofhaimerschen Kreis instrumental bearbeiteten Werke von Josquin Desprez, in Kō Tanimura (ed.) Florilegio musicale: Festschrift Kataoka Gidō zum 70. Geburtstag. Tōkyō: Ongaku no Tomo-sha 音楽之友社, pp. 321–334.

Wilde, Howard (1990) Towards a new model of tonal centricity in Renaissance polyphony, with reference to motets by Josquin and Lassus. PhD dissertation. University of London. Available at: https://www.scribd.com/document/225642583/Howard-Wilde-Towards-a-New-Theory-of-Voice-leading-Structure-in-Sixteenth-Century-Polyphony .

1991

Benthem, Jaap van (1991a) Josquins Motette Huc me sydereo, oder Konstruktivismus als Ausdruck humanistisch geprägter Andacht?, in Herbert Schneider (ed.) Die Motette: Beiträge zu ihrer Gattungsgeschichte. Mainz London: Schott Musik International (Neue Studien zur Musikwissenschaft, 5), pp. 135–164.

Benthem, Jaap van (1991b) Was Une mousse de Biscaye really appreciated by L’ami Baudichon?, Muziek & wetenschap: Dutch journal for musicology, 1.

Bernstein, Lawrence F. (1991a) A canonic chanson in a German manuscript: Faulte d’argent and Josquin’s approach to the chanson for five voices, in Frank Heidlberger, Wolfgang Osthoff, and Reinhard Wiesend (eds) Von Isaac bis Bach—Studien zur älteren deutschen Musikgeschichte: Festschrift Martin Just zum 60. Geburtstag. Kassel: Bärenreiter Verlag, pp. 53–71.

Bernstein, Lawrence F. (1991b) Chansons attributed to both Josquin des Prez and Pierre de la Rue: A problem of establishing authenticity, in Willem Elders and Fritz de Haen (eds) Proceedings of the International Josquin Symposium, Utrecht 1986. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, pp. 125–152.

Böker-Heil, Norbert (1991) Josquin und Verdelot: Die Konfliktzuschreibungen, in Willem Elders and Frits de Haen (eds) Proceedings of the International Josquin Symposium, Utrecht 1986. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, pp. 55–58.

Braas, Ton (1991) The five-part motet Missus est angelus Gabriel and its conflicting attributions, in Willem Elders and Frits de Haen (eds) Proceedings of the International Josquin Symposium, Utrecht 1986. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, pp. 171–184.

Brothers, Thomas (1991) Vestiges of the isorhythmic tradition in Mass and motet, ca. 1450-1475, Journal of the American Musicological Society, 44(1), pp. 1–56.

Brothers, Thomas David (1991) Genre, style and compositional technique in French music of the fifteenth century. PhD dissertation. University of California. Available at: https://www.proquest.com/openview/9cc677235fb5a5939330ca851022cf5c/1?pq-origsite=gscholar&cbl=18750&diss=y .

Brown, Howard Mayer (1991a) Hans Ott, Heinrich Finck and Stoltzer: Early sixteenth-century German motets in Formschneider’s anthologies of 1537 and 1538, in Frank Heidlberger, Wolfgang Osthoff, and Reinhard Wiesend (eds) Von Isaac bis Bach—Studien zur älteren deutschen Musikgeschichte: Festschrift Martin Just zum 60. Geburtstag. Kassel: Bärenreiter-Verlag, pp. 73–84.

Brown, Howard Mayer (1991b) Notes towards a definition of personal style: Conflicting attributions and the six-part motets of Josquin and Mouton, in Willem Elders and Frits de Haen (eds) Proceedings of the International Josquin Symposium, Utrecht 1986. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, pp. 185–208.

Cramer, Eugene Casjen (1991) Nowe spojrzenie na styl muzyczny Wacława z Szamotuł, Muzyka, 36(2:141), pp. 3–90.

Davison, Nigel St John (1991) Continental cousins of the In nomine family, The music review, 52(1), pp. 1–11.

Elders, Willem (1991) Who was Josquin?, in Willem Elders and Frits de Haen (eds) Proceedings of the International Josquin Symposium, Utrecht 1986. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, pp. 1–14.

Freeman, Daniel E. (1991) On the origins of the Pater noster/Ave Maria of Josquin des Prez, Musica disciplina: A yearbook of the history of music, 45, pp. 169–219.

Göllner, Marie Louise (1991) Praeter rerum seriem: Its history and sources, in Frank Heidlberger, Wolfgang Osthoff, and Reinhard Wiesend (eds) Von Isaac bis Bach—Studien zur älteren deutschen Musikgeschichte: Festschrift Martin Just zum 60. Geburtstag. Kassel: Bärenreiter, pp. 41–51.

Haen, Frits de (1991) A Magnificat quarti toni with a fourfold ascription, in Willem Elders and Frits de Haen (eds) Proceedings of the International Josquin Symposium, Utrecht 1986. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, pp. 117–124.

Hudson, Barton (1991) Josquin and Brumel: The conflicting attributions, in Willem Elders and Frits de Haen (eds) Proceedings of the International Josquin Symposium, Utrecht 1986. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, pp. 67–92.

Josephson, Nors S. (1991) Formal symmetry in the high Renaissance, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 41(2), pp. 105–133.

Just, Martin (1991a) Anschaulichkeit und Ausdruck in der Motette des späten 15. Jahrhunderts, in Herbert Schneider (ed.) Die Motette: Beiträge zu ihrer Gattungsgeschichte. Mainz London: Schott Musik International (Neue Studien zur Musikwissenschaft, 5), pp. 75–104.

Just, Martin (1991b) Zur Frage der Autorschaft in den Josquin des Prez zugeschriebenen Werken: Ein Überblick, in Hanspeter Bennwitz, Gabriele Buschmeier, Georg Feder, Klaus Homann, and Wolfgang Plath (eds) Opera incerta: Echtheitsfragen als Problem musikwissenschaftlicher Gesamtausgaben. Stuttgart: Franz Steiner (Abhandlungen der Geistes- und Sozialwissenschaftlichen Klasse 1991, 11), pp. 301–314.

Kirsch, Winfried (1991) Zur Rezeption der Motetten Josquin Desprez’ im 19. Jahrhundert, in Herbert Schneider (ed.) Die Motette: Beiträge zu ihrer Gattungsgeschichte. Mainz London: Schott Musik International (Neue Studien zur Musikwissenschaft, 5), pp. 283–297.

Knol, Klasien (1991) Die Motette Tribulatio et angustia, in Willem Elders and Frits de Haen (eds) Proceedings of the International Josquin Symposium, Utrecht 1986. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, pp. 59–62.

Kreider, J. Evan (1991) Works attributed in the sixteenth century to both Josquin des Prez and Pierre de la Rue, in Willem Elders and Frits de Haen (eds) Proceedings of the International Josquin Symposium, Utrecht 1986. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, pp. 103–116.

Lowinsky, Edward E. (1991) The goddess Fortuna in music (January 1945), The musical quarterly, 75(4), pp. 81–107.

Macey, Patrick (1991a) Celi enarrant: An inauthentic psalm motet attributed to Josquin, in Willem Elders and Frits de Haen (eds) Proceedings of the International Josquin Symposium, Utrecht 1986. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, pp. 25–44.

Macey, Patrick (1991b) Josquin’s Misericordias Domini and Louis XI, Early Music, 19(2), pp. 163–177.

Niemöller, Klaus Wolfgang (1991) Super voces musicales: Deutsche Hexachordkompositionen im Lichte der Musiktheorie und in ihrem europäischen Kontext, in Frank Heidlberger, Wolfgang Osthoff, and Reinhard Wiesend (eds) Von Isaac bis Bach—Studien zur älteren deutschen Musikgeschichte: Festschrift Martin Just zum 60. Geburtstag. Kassel: Bärenreiter, pp. 127–137.

Nouwen-van de Ven, Tine (1991) Cristóbal de Morales’ parody Mass Benedicta es caelorum Regina and its two sources. Steenwijk: author.

Rifkin, Joshua (1991a) Motivik—Konstruktivismus—Humanismus: Zu Josquins Motette Huc me sydereo, in Herbert Schneider (ed.) Die Motette: Beiträge zu ihrer Gattungsgeschichte. Mainz London: Schott Musik International (Neue Studien zur Musikwissenschaft, 5), pp. 105–134.

Rifkin, Joshua (1991b) Problems of authorship in Josquin: Some impolitic observations, with a postscript on Absalon, fili mi, in Willem Elders and Frits de Haen (eds) Proceedings of the International Josquin Symposium, Utrecht 1986. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, pp. 45–52.

Sherr, Richard (1991) The performance of Josquin’s L’homme armé Masses, Early Music, 19(2), pp. 261–268.

Stewart, Rebecca (1991) Jean Mouton: Man and musician—Motets attributed to both Josquin and Mouton, in Willem Elders and Frits de Haen (eds) Proceedings of the International Josquin Symposium, Utrecht 1986. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, pp. 155–170.

Van Colle, Sue J. (1991) Conflicting attributions of Credo ‘Vilayge’ II and Credo ‘Chascun me crie’, in Willem Elders and Frits de Haen (eds) Proceedings of the International Josquin Symposium, Utrecht 1986. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, pp. 93–98.

1992

Allaire, Gaston G. (1992) Some overlooked modulations in the works of Josquin Des Pres?, Revue belge de musicologie/Belgisch tijdschrift voor muziekwetenschap, 46, pp. 33–51.

Alwes, Chester L. (1992a) Josquin’s Ave Maria…virgo serena. I: A question of proportion, The choral journal, 33(3), pp. 29–30.

Alwes, Chester L. (1992b) Josquin’s Ave Maria…virgo serena. II: Rhythm and accent, The choral journal, 33(4), pp. 15–16.

Brothers, Lester D. (1992) On music and meditation in the Renaissance: Contemplative prayer and Josquin’s Miserere, Journal of musicological research, 12(3), pp. 157–187.

Brown, Howard Mayer (1992) On Veronica and Josquin, in Josephine Wright (ed.) New perspectives on music: Essays in honor of Eileen Southern. Warren: Harmonie Park (Detroit monographs in musicology, 11), pp. 49–61.

Cholij, Irena (1992) Borrowed music: Allez regrets and the use of pre-existent material, in David Fallows and Tess Knighton (eds) Companion to medieval and Renaissance music. London New York: Dent, pp. 165–176.

Haar, James (1992) Orlande de Lassus: Si bona suscepimus, in Mark Everist (ed.) Music before 1600. Oxford Cambridge: Basil Blackwell (Models of musical analysis), pp. 154–174.

Jas, Eric (1992) Some newly discovered fragments of sixteenth-century polyphony, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 42(2), pp. 69–89.

Judd, Cristle Collins (1992a) Josquin des Prez: Salve regina (à 5), in Mark Everist (ed.) Music before 1600. Oxford Cambridge: Basil Blackwell (Models of musical analysis), pp. 114–153.

Judd, Cristle Collins (1992b) Modal types and ‘ut’, ‘re’, ‘mi’ tonalities: Tonal coherence in sacred vocal polyphony from about 1500, Journal of the American Musicological Society, 45(3), pp. 428–467.

Király, Péter (1992) Un séjour de Josquin des Prés à la cour de Hongrie?, Revue de musicologie, 78(1), pp. 145–150.

Owen, Harold (1992) Modal and tonal counterpoint: From Josquin to Stravinsky. New York: Maxwell Macmillan International.

1993

Clark, Walter A. (1993) Luys de Narváez and the intabulation tradition of Josquin’s Mille regretz, Journal of the Lute Society of America, 26–27, pp. 17–52.

Ferrari-Barassi, Elena (1993) Frottole en el Cancionero Musical de Palacio, in International Musicological Societ (ed.) Culturas musicales del Mediterráneo y sus ramificaciones. Madrid: Sociedad Española de Musicología (Revista de musicología, 16), pp. 1482–1498.

Haar, James (1993) Josquin as interpreted by a mid-sixteenth-century German musician, in Stephan Hörner (ed.) Festschrift für Horst Leuchtmann zum 65. Geburtstag. Tutzing: Hans Schneider, pp. 179–205.

Imatani, Kazunori (1993) ルネサンスの音楽家たち. 1, 2. Tōkyō: Tōkyō Shoseki 東京書籍.

Lambert, Francis (1993) Josquin des Prés (ca. 1440-1527): Déploration sur la mort d’Ockeghem ‘Nymphes des bois’, Bulletin de la Société liégeoise de Musicologie, (81), pp. 1–10.

Macey, Patrick (1993) Josquin as classic: Qui habitat, Memor esto, and two imitations unmasked, Journal of the Royal Musical Association, 118(1), pp. 2–43.

Noone, Michael (1993) La compilación del códice polifónico toledano, ToleBC 16, Culturas musicales del Mediterráneo y sus ramificaciones, 16(5), pp. 2741–2749.

Schenbeck, Lyn (1993) Discovering the choral music of Estonian composer Arvo Pärt, The choral journal, 34(1), pp. 23–30.

Snellings, Dirk (1993) Psalm 129, De profundis clamavi: Een boetepsalm in meerstemmige bewerkingen tijdens de prima prattica, Adem: Driemaandelijks tijdschrift voor muziekcultuur, 29(1), pp. 28–35.

Welch, Evelyn S. (1993) Sight, sound, and ceremony in the chapel of Galeazzo Maria Sforza, Early music history: Studies in medieval and early modern music, 12, pp. 151–190.

1994

Barbier, Jacques (1994) Le silence comme constituant d’une architecture musicale chez les Franco-flamands du XVIe siècle, Les cahiers du CIREM. 32-33-34 (Juin-Septembre-Décembre): Musique et silence, (32-33–34), pp. 13–22.

Bent, Margaret (1994) Accidentals, counterpoint and notation in Aaron’s Aggiunta to the Toscanello in musica, The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, 12(3  (=Aspects of musical language and culture in the Renaissance: A birthday tribute to James Haar)), pp. 306–344.

Bernstein, Lawrence F. (1994) Ma bouche rit et mon cueur pleure: A chanson a 5 attributed to Josquin des Prez, The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, 12(3 (= Aspects of musical language and culture in the Renaissance: A birthday tribute to James Haar)), pp. 253–286.

Bossuyt, Ignace (1994) De Vlaamse polyfonie. Leuven: Davidsfonds.

Brauner, Mitchell Paul (1994) The repertory of the papal chapel and the Counter-Reformation, in Bernhard Janz (ed.) Collectanea. II: Studien zur Geschichte der päpstlichen Kapelle. Città del Vaticano: Biblioteca Apostolica Vaticana (Capellae apostolicae sixtinaeque collectanea acta monumenta, 2), pp. 333–350.

Campagnolo, Stefano (1994) ‘Guastatori e stroppiatori della divina scientia della musica’: Ghiselin Danckerts ed i compositori della nuova maniera, in Daniele Sabaino (ed.) Musicam in subtilitate scrutando: Contributi alla storia della teoria musicale. Lucca: Libreria Musicale Italiana (LIM) (Studi e testi musicali: Nuova serie, 7), pp. 193–242.

Ganter, Claus (1994) Kontrapunkt für Musiker: Gestaltungsprinzipien der Vokal- und Instrumentalpolyphonie des 16. und 17. Jahrhunderts in der Kompositionspraxis von Josquin-Desprez, Palestrina, Lasso, Froberger, Pachelbel u.a. Salzburg: Katzbichler.

Haggh, Barbara (1994) Josquin’s portrait: New evidence, in Albert Clement (ed.) From Ciconia to Sweelinck: Donum natalicium Willem Elders. Amsterdam: Rodopi (Chloe: Beihefte zum Daphnis, 21), pp. 91–110.

Hudson, Barton (1994) A glimpse into a scribal workshop: Vienna, Österreichische Nationalbibliothek, MS 11883, in Albert Clement (ed.) From Ciconia to Sweelinck: Donum natalicium Willem Elders. Amsterdam: Rodopi (Chloe: Beihefte zum Daphnis, 21), pp. 179–214.

Just, Martin (1994) Josquin des Prez: Missa l’homme armé super voces musicales, in Siegmund Helms (ed.) Große Chorwerke: Werkanalyse in Beispielen: Regensburg: Gustav Bosse (Bosse-Musik-Paperback), pp. 11–34.

Macey, Patrick (1994a) Frescobaldi’s musical tributes to Ferrara, in Kerala J. Snyder (ed.) The organist as scholar: Essays in memory of Russell Saunders. Stuyvesant: Pendragon Press (Festschrift series, 12), pp. 197–231.

Macey, Patrick (1994b) Some thoughts on Josquin’s Illibata dei virgo nutrix and Galeazzo Maria Sforza, in Albert Clement (ed.) From Ciconia to Sweelinck: Donum natalicium Willem Elders. Amsterdam: Rodopi (Chloe: Beihefte zum Daphnis, 21), pp. 111–124.

Matthews, Lora L. and Merkley, Paul A. (1994) Josquin Desprez and his Milanese patrons, The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, 12(4), pp. 434–463.

Melella, Patrizia (1994) Vita musicale e arte organaria a Santo Spirito in Sassia nel Cinquecento: Note e documenti, in Antolini (ed.) La musica a Roma attraverso le fonti d’archivio; atti del convegno internazionale ; Roma 4 – 7 giugno 1992. Lucca: Libreria Musicale Italiana (LIM) (Strumenti della ricerca musicale: Collana della Società Italiana di Musicologia, 2), pp. 507–520.

Noble, Jeremy (1994) Another Regina celi attributed to Josquin, in Albert Clement (ed.) From Ciconia to Sweelinck: Donum natalicium Willem Elders. Amsterdam: Rodopi (Chloe: Beihefte zum Daphnis, 21), pp. 145–152.

Orden, Kate van (1994) Imitation and ‘la musique des anciens’: Le Roy & Ballard’s 1572 Mellange de chansons, Revue de musicologie, 80(1), pp. 5–37.

Powers, Wendy Jane (1994) The music manuscript Fondo Magliabechi XIX.178 of the Biblioteca Nazionale Centrale, Florence: A study in the changing role of the chanson in late fifteenth-century Florence. PhD dissertation. Columbia University.

Sherr, Richard (1994) A biographical miscellany: Josquin, Tinctoris, Obrecht, Brummel, in Siegfried Gmeinwieser (ed.) Musicologia humana: Studies in honor of Warren and Ursula Kirkendale. Firenze: Leo S. Olschki (Historiae musicae cultores, 74), pp. 65–73.

Urquhart, Peter Whitney (1994) An accidental flat in Josquin’s Sine nomine Mass, in Albert Clement (ed.) From Ciconia to Sweelinck: Donum natalicium Willem Elders. Amsterdam: Rodopi (Chloe: Beihefte zum Daphnis, 21), pp. 125–144.

Wegman, Rob C. (1994) Born for the muses: The life and Masses of Jacob Obrecht. Oxford: Clarendon Press (Oxford monographs on music).

1995

Fiedler, Eric F. (1995) A new Mass by Gaspar van Weerbeke? Thoughts on comparative analysis, in Annegrit Laubenthal (ed.) Studien zur Musikgeschichte: Eine Festschrift für Ludwig Finscher. Kassel: Bärenreiter, pp. 72–87.

Finscher, Ludwig (1995) ‘…auss sunderem Lust zu den überschönen worten’: Zur Psalmkomposition bei Josquin Desprez und seinen Zeitgenossen, in Hartmut Boockmann (ed.) Literatur, Musik und Kunst im Übergang vom Mittelalter zur Neuzeit: Bericht über Kolloquien der Kommission zur Erforschung der Kultur des Spätmittelalters 1989 bis 1992. Göttingen: Vandenhoeck & Ruprecht (Abhandlungen der Akademie der Wissenschaften in Göttingen: Philologisch-Historische Klasse, 208), pp. 246–261.

Haar, James (1995) Music as visual language, in Irving Lavin (ed.) Meaning in the visual arts: Views from the outside; a centennial commemoration of Erwin Panofsky (1892 – 1968). Princeton: Princeton University Press, pp. 265–284.

Keller, James (1995) Keller on music: Where’s the Josquin?, Early music America: The magazine of historical performance, 1(1), p. 3.

Krebs, Wolfgang (1995) Die lateinische Evangelien-Motette des 16. Jahrhunderts: Repertoire, Quellenlage, musikalische Rhetorik und Symbolik. Tutzing: Hans Schneider (Frankfurter Beiträge zur Musikwissenschaft, 25).

Leszczyńska, Agnieszka (1995) Melodyka niderlandzka w świetle mistrzostwa Josquina, Obrechta i La Rue: Studia i analizy porównawcze, Muzyka, 40(4:159), pp. 110–113.

Litterick, Louise (1995) Vocal or instrumental? A methodology for ambiguous cases, in Jean-Michel Vaccaro (ed.) Le concert des voix et des instruments à la Renaissance. Paris: Centre National de la Recherche Scientifique (CNRS) (Arts du spectacle: Spectacles, histoire, société), pp. 157–178.

Obniska, Ewa (1995) Msza de beata virgine Josquina Desprez: Słowo, symbol, muzyka, Canor: Kwartalnik poświęcony problemom interpretacji muzyki dawnej, 5(4:15), pp. 54–61.

Rees, Owen (1995) Mille regretz as model: Possible allusions to ‘The emperor’s song’ in the chanson repertory, Journal of the Royal Musical Association, 120(1), pp. 45–76.

Staehelin, Martin (1995) Zur musikgeschichtlichen Stellung von Heinrich Isaac, in Hartmut Boockmann (ed.) Literatur, Musik und Kunst im Übergang vom Mittelalter zur Neuzeit: Bericht über Kolloquien der Kommission zur Erforschung der Kultur des Spätmittelalters 1989 bis 1992. Göttingen: Vandenhoeck & Ruprecht (Abhandlungen der Akademie der Wissenschaften in Göttingen: Philologisch-Historische Klasse, 208), pp. 216–245.

Teramoto, Mariko (1995) Text und Musik in den Psalmmotetten von Josquin Desprez, in Annegrit Laubenthal (ed.) Studien zur Musikgeschichte: Eine Festschrift für Ludwig Finscher. Kassel: Bärenreiter, pp. 100–110.

1996

Bellingham, Bruce A. (1996) Convention and transformation in Ferrabosco’s four-part fantasias, in Andrew Ashbee and Holman (eds) John Jenkins and his time: Studies in English consort music. New York Oxford: Oxford University Press, pp. 111–135.

Bent, Margaret (1996) Diatonic ficta revisited: Josquin’s Ave Maria in context, Music theory online, 2(6). Available at: https://www.mtosmt.org/issues/mto.96.2.6/mto.96.2.6.bent.html .

Brauner, Mitchell Paul (1996) Costanzo Festa’s Inviolata, integra et casta es Maria: A double homage motet, in John Knowles (ed.) Critica musica: Essays in honor of Paul Brainard. Amsterdam: Gordon and Breach (Musicology), pp. 57–64.

Davison, Nigel St John (1996) Absalom fili mi reconsidered, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 46(1), pp. 42–56.

Ekkel, Gary (1996) The Renaissance of Janus: Tonal two-facedness at the turn of the 16th century, in Brenton Broadstock (ed.) Aflame with music: 100 years of music at the University of Melbourne. Melbourne: University of Melbourne University of Melbourne (Centre for Studies in Australian Music), pp. 505–518.

Fallows, David (1996a) Josquin and Milan, Plainsong and medieval music, 5(1 (= New thoughts about old music: Essays in memory of Michael Morrow)), pp. 69–80.

Fallows, David (1996b) New worlds from out of the past, BBC music magazine. Special issue (fall 1996): Exploring early music, Special issue-Fall 1996: Exploring early music, pp. 34–37.

Fallows, David (1996c) The performing ensembles in Josquin’s sacred music, in David Fallows (ed.) Songs and musicians in the fifteenth century. Aldershot: Variorum (Variorum collected studies series), pp. 32–64.

Kirsch, Winfried (1996) ‘et incarnatus est’: Andachtsbild, Bericht, mystisches Erlebnis und Meditation—Die Darstellung der Geburt Christi in älteren und jüngeren Messenkompositionen, Musik und Kirche, 66(6), pp. 330–346.

Knighton, Tess (1996) Transmisión, difusión y recepción de la polifonía franco-neerlandesa en el reino de Aragón a principios del siglo XVI, Artigrama: Revista del Departamento de Historia del Arte de la Universidad de Zaragoza, 12 (= La circulación de música y músicos en la Europa mediterránea (ss. XVI-XVII)), pp. 19–38.

Lockwood, Lewis (1996) A view of the early secular style of Josquin Desprez, in Patrizia Dalla Vecchia and Donatella Restani (eds) Trent’anni di ricerche musicologiche: Studi in onore di F. Alberto Gallo. Roma: Torre d’Orfeo (Istituto di paleografia musicale, Roma. Serie III, Miscellanea, 2), pp. 161–166.

Macey, Patrick (1996) Galeazzo Maria Sforza and musical patronage in Milan: Compère, Weerbeke and Josquin, Early music history: Studies in medieval and early modern music, 15, pp. 147–212.

Mallavibarrena, Raúl (1996) Josquin des Prez, Ritmo, 67(677), pp. 14–16.

Merkley, Paul A. (1996) Patronage and clientage in Galeazzo’s court, Musica e storia, 4, pp. 121–154.

Nardella, Luigi (1996) Luys de Narváez: Le trascrizioni per vihuela di opere polifoniche-vocali. I, Il Fronimo: Rivista di chitarra, 24(97), pp. 52–56.

Schlagel, Stephanie P. (1996) Josquin des Prez and his motets: A case study in sixteenth-century reception history. PhD dissertation. University of North Carolina.

Steib, Murray (1996) A composer looks at his model: Polyphonic borrowing in Masses from the late fifteenth century, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 46(1), pp. 5–41.

Wibberley, Roger (1996a) Josquin’s Ave Maria: Musica ficta versus mode, Music theory online, 2(5). Available at: https://www.mtosmt.org/issues/mto.96.2.5/mto.96.2.5.wibberley.html .

Wibberley, Roger (1996b) ‘Mode versus ficta’ in context, Music theory online, 2(7). Available at: https://mtosmt.org/issues/mto.96.2.5/mto.96.2.5.wibberley.html.

1997

Allaire, Gaston G. (1997) Performance practice idiosyncracies of the modes of the fa-fa and ut-sol fifth species in pre-1600 polyphony, Revue belge de musicologie/Belgisch tijdschrift voor muziekwetenschap, 51, pp. 63–80.

Bernstein, Lawrence F. (1997) Josquin’s chansons as generic paradigm, in Jessie Ann Owens and Anthony M. Cummings (eds) Music in Renaissance cities and courts: Studies in honor of Lewis Lockwood. Warren: Harmonie Park (Detroit monographs in musicology/Studies in music, 18), pp. 35–55.

Bossuyt, Ignace (1997) Die Kunst der Polyphonie: Die flämische Musik von Guillaume Dufay bis Orlando di Lasso. Mainz: Atlantis Musikbuch.

Brauneiss, Leopold (1997) Zahlen zwischen Struktur und Bedeutung: Zehn analytische Studien zu Kompositionen von Josquin bis Ligeti und Pärt. Frankfurt am Main: Peter Lang (Europäische Hochschulschriften. XXXVI: Musikwissenschaft, 169).

Brinzing, Armin (1997) Ein neuer Fund zu den Quellen evangelischer Kirchenmusik im 16. Jahrhundert, Neues musikwissenschaftliches Jahrbuch. VI (1997), 6, pp. 37–58.

Bussi, Francesco (1997) La musica a Piacenza dai Visconti e gli Sforza sino all’avvento dei Farnese (1313-1545), in Piero Castignoli (ed.) Storia di Piacenza. III: Dalla signoria viscontea al principato farnesiano (1313–1699). Piacenza: Tip.Le.Co, pp. 909–944.

Ceulemans, Anne-Emmanuelle (1997a) L’analyse des structures modales dans le répertoire polyphonique préclassique: Les Kyrie de Josquin des Prés, Musurgia: Analyse et pratique musicales. IV/3 (1997). La modalité revisitée, 4(3), pp. 43–65.

Ceulemans, Anne-Emmanuelle (1997b) L’analyse des structures modales dans le répertoire polyphonique préclassique: Les Kyrie de Josquin des Prés, Musurgia: Analyse et pratique musicales. IV/3 (1997). La modalité revisitée, 4(3), pp. 43–65.

Clutterham, Leslie (1997) Dating Josquin’s enigmatic motet Illibata Dei virgo nutrix, The choral journal, 38(3), pp. 9–14.

Cummings, Anthony M. (1997) Notes on a Josquin motet and its sources, in Jessie Ann Owens and Anthony M. Cummings (eds) Music in Renaissance cities and courts: Studies in honor of Lewis Lockwood. Warren: Harmonie Park (Detroit monographs in musicology/Studies in music, 18), pp. 113–122.

Drake, George Warren James (1997) A new source for the text of Josquin’s Passion motet cycle O Domine Jesu Christe, Context: A journal of music research, (13), pp. 35–46.

Elders, Willem (1997) Musical notation as communicator of symbolism in works by Josquin des Prés, in Eleonora Harendarska (ed.) 10th International Musicological Congress ‘Musica Antiqua Europae Orientalis’: Bydgoszcz, September 7th – 11th, 1994. Bydgoszcz: Filharmonia Pomorska im. Ignacego Paderewskiego, pp. 313–324.

Ferrari-Barassi, Elena (1997) Alcune frottole ‘petrucciane’ fra Italia, Spagna e Germania, Nuova rivista musicale italiana, 31(1–4), pp. 47–70.

Finscher, Ludwig (1997a) Stille in der Musik, in Christoph-Hellmut Mahling (ed.) Festschrift Walter Wiora zum 90. Geburtstag (30. Dezember 1996). Tutzing: Hans Schneider (Mainzer Studien zur Musikwissenschaft), pp. 99–112.

Finscher, Ludwig (1997b) Von Josquin zu Willaert: Ein Paradigmenwechsel?, in Hanns-Werner Heister (ed.) Musik/Revolution: Festschrift für Georg Knepler zum 90. Geburtstag. Hamburg: von Bockel Verlag, pp. 145–173.

Grünzweig, Werner and Huber, Mathis (1997) Meinl Kaffeel: Gösta Neuwirth im Gespräch mit Werner Grünzweig und Mathis Huber, in Werner Grünzweig (ed.) Gösta Neuwirth. Hofheim: Wolke (Archive zur Musik des 20. Jahrhunderts, 1), p. 27.

Hercher, Christiane and Heister, Hanns-Werner (1997) Ein Geheimnis des L. N.: Zum V. Satz des Canto sospeso von Luigi Nono, in Musik – Revolution: Festschrift für Georg Knepler zum 90. Geburtstag. Hamburg: von Bockel Verlag, pp. 29–45.

Kirsch, Winfried (1997) Ave Maria: Verneigung und Anrufung—Formen einer musikalischen Begrüßungsgeste, Musik und Kirche, 67 (= Maria)(2), pp. 90–96.

Macey, Patrick (1997) Josquin, good King René, and O bone et dulcissime Jesu, in Dolores Pesce (ed.) Hearing the motet: Essays on the motet of the Middle Ages and Renaissance. Oxford New York: Oxford University Press, pp. 213–242.

Nardella, Luigi (1997a) La chanson Mille regretz di Josquin ovvero la Cancion del emperador di Narvaez, Il Fronimo: Rivista di chitarra, 25(100), pp. 71–76.

Nardella, Luigi (1997b) Luys de Narváez: Le trascrizioni per vihuela di opere polifoniche-vocali. II, Il Fronimo: Rivista di chitarra, 25(98), pp. 20–32.

Owens, Jessie Ann, Owens, Jessie Ann and Cummings, Anthony M. (1997) How Josquin became Josquin: Reflections on historiography and reception, in Music in Renaissance cities and courts: Studies in honor of Lewis Lockwood. Warren: Harmonie Park (Detroit monographs in musicology/Studies in music), pp. 271–280.

Plant, Lourin Douglas (1997) A study of selected Renaissance settings of the medieval Latin hymn Ave maris stella from Leonel Power to Claudio Monteverdi. PhD dissertation. University of Cincinnati. Available at: https://www.proquest.com/openview/bdfde9ab1882399dfdfb45968dd5f30d/1?pq-origsite=gscholar&cbl=18750&diss=y .

Poos, Heinrich (1997) Postscriptum zu einem Kompositionswettbewerb, in Hanns-Werner Heister (ed.) Semantische Inseln–Musikalisches Festland: Für Tibor Kneif zum 65. Geburtstag. Hamburg: von Bockel Verlag (Zwischen/Töne, 7), pp. 195–214.

Reeser, Eduard (1997) Musikwissenschaft in den Niederlanden bis 1960, in Hans Ester (ed.) Fliessende Übergänge: Historische und theoretische Studien zu Musik und Literatur. Amsterdam Atlanta: Rodopi (Duitse kroniek), pp. 7–24.

Rifkin, Joshua (1997) Miracles, motivicity, and mannerism: Adrian Willaert’s Videns Dominus flentes sorores Lazari and some aspects of motet composition in the 1520s, in Dolores Pesce (ed.) Hearing the motet: Essays on the motet of the Middle Ages and Renaissance. Oxford New York: Oxford University Press, pp. 243–264.

Ruhnke, Martin (1997) Musikleben in Pommern von der Reformation bis zum Dreißigjährigen Krieg, in Gabriel Adriányi (ed.) Deutsche Musik in Ost- und Südosteuropa. Köln: Böhlau (Studien zum Deutschtum im Osten, 28), pp. 77–97.

Satzinger, Helmut (1997) Alle Kunst ist Zahl: Gösta Neuwirth und die Gematriya, in Werner Grünzweig (ed.) Gösta Neuwirth. Hofheim: Wolke (Archive zur Musik des 20. Jahrhunderts, 1), pp. 34–40.

Sherr, Richard (1997) Conflicting levels of meaning and understanding in Josquin’s O admirabile commercium motet cycle, in Dolores Pesce (ed.) Hearing the motet: Essays on the motet of the Middle Ages and Renaissance. Oxford New York: Oxford University Press, pp. 193–212.

Starr, Pamela F. (1997) Josquin, Rome, and a case of mistaken identity, The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, 15(1), pp. 43–65.

Swain, Joseph P. (1997) Musical languages. New York: W.W. Norton.

Tacaille, Alice (1997) La référence multiple au corpus grégorien: Explorations du lien à travers les motets ‘tour de force’ de l’école franco-flamande, in Pierre Guillot and Louis Jambou (eds) Histoire, humanisme et hymnologie: Mélanges offerts au professeur Édith Weber. Paris: Presses de l’Université de Paris-Sorbonne (Musiques/Écritures: Série études), pp. 389–405.

Vanhulst, Henri (1997) Le Manuscrit C¹, in Henri Vanhulst and Eugeen Schreurs (eds) Music fragments and manuscripts in the Low Countries. Leuven: Alamire (Yearbook of the Alamire Foundation, 2), pp. 95–102.

1998

Barbier, Jacques (1998) Josquin à la cour de Lorraine? ou Comment peult avoir joye, in Yves Ferraton (ed.) Symphonies lorraines: Compositeurs, exécutants, destinataires. Paris: C. Klincksieck, pp. 11–28.

Bent, Margaret (1998) The use of cut signatures in sacred music by Ockeghem and his contemporaries, in Philippe Vendrix (ed.) Johannes Ockeghem: actes du XLe Colloque international d’études humanistes, Tours, 3-8 février 1997. Paris: Klincksieck (Épitome musical, 1), pp. 641–680.

Berger, Christian (1998) Fortuna d’un gran tempo: Musik und Politik in Europa um 1500, in Hans Schadek (ed.) Der Kaiser in seiner Stadt: Maximilian I. und der Reichstag zu Freiburg 1498. Freiburg im Breisgau: Kore, pp. 186–197.

Birkendorf, Rainer (1998) Bemerkungen zur Entstehung des Codex Pernner Regensburg, Bischöfliche Zentralbibliothek, Cod. MS C 120, in Martin Staehelin (ed.) Gestalt und Entstehung musikalischer Quellen im 15. und 16. Jahrhundert [Vorträge, gehalten anläßlich eines Musikwissenschaftlichen Symposions vom 14. bis 17 Semptember 1992 ; in der Herzog-August-Bibliothek in Wolfenbüttel]. Wolfenbüttel Wiesbaden: Herzog August Bibliothek (Wolfenbütteler Forschungen, 83), pp. 169–177.

Brauner, Mitchell Paul (1998) Traditions in the repertory of the papal choir in the fifteenth and sixteenth centuries, in Richard Sherr (ed.) Papal music and musicians in late medieval and Renaissance Rome. New York Oxford: Oxford University Press, pp. 167–174.

Brown, Howard Mayer (1998) The Joys of Mary by Josquin and others, in Graham Strahle and David Swale (eds) All kinds of music: In honour of Andrew D. McCredie. Wilhelmshaven: Florian Noetzel Verlag, pp. 30–46.

Ceulemans, Anne-Emmanuelle (1998a) A stylistic investigation of Missa ‘Une mousse de Biscaye’, in the light of its attribution to Josquin des Prez, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 48(1), pp. 30–50.

Ceulemans, Anne-Emmanuelle (1998b) Une étude comparative du traitement de la mélodie et de la dissonance chez Ockeghem et chez Josquin Desprez, in Philippe Vendrix (ed.) Johannes Ockeghem. Paris: Klincksieck (Épitome musical, 1), pp. 707–753.

Coelho, Victor A. (1998) Revisiting the workshop of Howard Mayer Brown: [Josquin’s] Obsecro te domina and the context of arrangement, in François Lesure (ed.) ‘La musique, de tous les passetemps le plus beau…’: Hommage à Jean-Michel Vaccaro. Paris: Klincksieck (Domaine musicologique. I: Collection d’études, 19), pp. 47–65.

Dean, Jeffrey J. (1998) The evolution of a canon at the papal chapel: The importance of old music in the fifteenth and sixteenth centuries, in Richard Sherr (ed.) Papal music and musicians in late medieval and Renaissance Rome. New York Oxford: Oxford University Press, pp. 138–166.

Drees, Stefan (1998) Josquin Desprez: Magnificat quarti toni—Die Bearbeitung von Bruno Maderna. Saarbrücken: Pfau-Verlag (Fragmen: Beiträge, Meinungen und Analysen zur neuen Musik).

Elders, Willem (1998) New light on the dating of Josquin’s Hercules Mass, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 48(2), pp. 112–149.

Fiore, Carlo (1998) I mottetti di Josquin Desprez: Interpretazione attraverso l’analisi. PhD dissertation. University of Bologna. Available at: https://www.scribd.com/document/218864135/I-Mottetti-Di-Desprez .

Haar, James (1998a) Josquin as interpreted by a mid–sixteenth-century German musician, in Paul Corneilson (ed.) The science and art of Renaissance music. Princeton: Princeton University Press, pp. 176–197.

Haar, James (1998b) Josquin in Rome: Some evidence from the Masses, in Richard Sherr (ed.) Papal music and musicians in late medieval and Renaissance Rome. New York Oxford: Oxford University Press, pp. 213–223.

Hodgson, Jenny (1998) Josquin, La Rue, Obrecht, et alia, Early Music, 26(3), pp. 502–504.

Judd, Cristle Collins (1998) Josquin’s gospel motets and chant-based tonality, in Cristle Collins Judd (ed.) Tonal structures in early music. New York: Garland Publishing (Criticism and analysis of early music, 1), pp. 109–154.

Just, Martin (1998) Kontrafakturen von Werken Josquins in der Handschrift Leipzig U 49/50, in Wolfram Steude (ed.) Aneignung durch Verwandlung: Aufsätze zur deutschen Musik und Architektur des 16. und 17. Jahrhunderts. Laaber: Laaber-Verlag (Dresdener Studien zur Musikwissenschaft), pp. 85–105.

Macey, Patrick (1998) Bonfire songs: Savonarola’s musical legacy. Oxford: Oxford University Press (Oxford monographs on music).

Margolin, Jean-Claude (1998) A travers quelques déplorations: Pour un ‘tombeau’ littéraire et musical de Jean de Ockeghem, in François Lesure (ed.) ‘La musique, de tous les passetemps le plus beau…’: Hommage à Jean-Michel Vaccaro. Paris: Klincksieck (Domaine musicologique. I: Collection d’études, 19), pp. 289–315.

Matthews, Lora L. (1998a) Josquin Desprez and Ascanio Sforza: A singer in the cardinal’s retinue, in Bryan Gillingham (ed.) Chant and its peripheries: Essays in honour of Terence Bailey. Ottawa: Institute of Mediæval Music (Musicological studies/Wissenschaftliche Abhandlungen, 72), pp. 359–369.

Matthews, Lora L. (1998b) Reconstruction of the personnel of the ducal choir in Milan, 1480-1499, Musica e storia, 6(2), pp. 297–312.

Matthews, Lora L. and Merkley, Paul A. (1998) Iudochus de Picardia and Jossequin Lebloitte dit Desprez: The names of the singer(s), The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, 16(2), pp. 200–226.

Meconi, Honey (1998) Another look at Absalon, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 48(1), pp. 3–29.

Steele, Timothy H. (1998) Tonal coherence and the cycle of thirds in Josquin’s Memor esto verbi tui, in Cristle Collins Judd (ed.) Tonal structures in early music. New York: General Music Publishing Co. (Criticism and analysis of early music, 1), pp. 155–181.

Steib, Murray (1998) A study in style, or, Josquin or not Josquin: The Missa Allez regretz question, The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, 16(4), pp. 519–544.

1999

Fallows, David (1999) Approaching a new chronology for Josquin: An interim report, Schweizer Jahrbuch für Musikwissenschaft/Annales suisses de musicologie, 19, pp. 131–150.

Finscher, Ludwig (1999) Notentext, Werkcharakter und historische Aufführungspraxis in der Musik der Josquinzeit, in Joseph Willimann (ed.) Musikalische Interpretation: Reflexionen im Spannungsfeld von Notentext, Werkcharakter und Aufführung—Symposion zum 80. Geburtstag von Kurt von Fischer. Bern: Peter Lang (Publikationen der Schweizerischen Musikforschenden Gesellschaft /Publications de la Société Suisse de Musicologie, 38), pp. 59–65.

Fiore, Carlo (1999a) I motetti di Josquin Desprez: Interpretazione attraverso l’analisi, La cartellina: Rivista trimestrale di musica e canto corale, 23(122), pp. 52–64.

Fiore, Carlo (1999b) I motetti di Josquin Desprez: Interpretazione attraverso l’analisi, La cartellina: Rivista trimestrale di musica e canto corale, 23(119), pp. 54–58.

Hilscher, Elisabeth Theresia (1999) Der Wandel im Selbstverständnis des Fürsten als Voraussetzung für Widmungs- und Huldigungskomponisten, in Theophil Antonicek, Elisabeth Theresia Hilscher, and Hartmut Krones (eds) Die Wiener Hofmusikkapelle. Band 1: Georg von Slatkonia und die Wiener Hofmusikkapelle. Wien: Böhlau Verlag, pp. 71–76.

I, Hwa-byeong (1999) 시편과 시편가 연구, Yeonse eum’ak yeon’gu/Yonsei music research, 6, pp. 21–54.

Jas, Eric (1999) The repertory of the manuscripts, in Herbert Kellman (ed.) The treasury of Petrus Alamire: Music and art in Flemish court manuscripts 1500-1535. Gent: Ludion, pp. 28–34.

Kirkman, Andrew (1999) From humanism to enlightenment: Reinventing Josquin, The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, 17(4), pp. 441–458.

McFarland, Alison Sanders (1999) Cristóbal de Morales and the imitation of the past: Music for the Mass in sixteenth-century Rome. PhD dissertation. University of California. Available at: https://www.proquest.com/openview/86bddb6d9b0e9e761631705d3c949b85/1?pq-origsite=gscholar&cbl=18750&diss=y .

Merkley, Paul A. and Merkley, Lora L.M. (1999) Music and patronage in the Sforza court. Turnhout: Brepols (Studi sulla storia della musica in Lombardia, 3).

Pietschmann, Klaus (1999a) Ein Graffito von Josquin Desprez auf der Cantoria der Sixtinischen Kapelle, Die Musikforschung, 52(2), pp. 204–207.

Pietschmann, Klaus (1999b) Ein Graffito von Josquin Desprez auf der Cantoria der Sixtinischen Kapelle, Die Musikforschung, 52(2), pp. 204–207.

Rice, Eric (1999) Tradition and imitation in Pierre Certon’s déploration for Claudin de Sermisy, Revue de musicologie, 85(1), pp. 29–62.

Sherr, Richard (1999a) Illibata dei virgo nutrix and Josquin’s Roman style, in Richard Sherr (ed.) Music and musicians in Renaissance Rome and other courts. Aldershot: Ashgate (Collected studies series, 641).

Sherr, Richard (1999b) Notes on some papal documents in Paris, in Richard Sherr (ed.) Music and musicians in Renaissance Rome and other courts. Aldershot: Ashgate (Collected studies series, 641).

Sherr, Richard (1999c) The relationship between a Vatican source of the Gloria of Josquin’s Missa de Beata Virgine and Petrucci’s print, in Richard Sherr (ed.) Music and musicians in Renaissance Rome and other courts. Aldershot: Ashgate (Collected studies series, 641).

Steiner, Ruth (1999) Antiphons for Lauds on the Octave of Christmas, in Ruth Steiner (ed.) Studies in Gregorian chant. Aldershot Brookfield: Ashgate (Variorum collected studies series, 651).

Wegman, Rob C. (1999) ‘And Josquin laughed…’: Josquin and the composer’s anecdote in the sixteenth century, The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, 17(3), pp. 319–357.

2000

Barbier, Jacques (2000) La chanson polyphonique au XVIe siècle: Introduction et illustrations (Josquin Desprez, Janequin, Passereau, Lassus), Analyse musicale, (36), pp. 4–21.

Bernstein, Lawrence F. (2000) Chansons for five and six voices, in Richard Sherr (ed.) The Josquin companion. Oxford: Oxford University Press, pp. 393–422.

Blackburn, Bonnie J. (2000) Masses based on popular songs and solmization syllables, in Richard Sherr (ed.) The Josquin companion. Oxford: Oxford University Press, pp. 51–87.

Bloxam, Mary Jennifer (2000) Masses based on polyphonic songs and canonic masses, in Richard Sherr (ed.) The Josquin companion. Oxford: Oxford University Press, pp. 151–209.

Bluteau, Olga (2000) De Josquin à Passereau: Quatre chansons en leur temps, Musurgia: Analyse et pratique musicales, 7(3–4), pp. 7–18.

Ceulemans, Anne-Emmanuelle (2000) Les messes L’Homme armé de Josquin des Prez, Musurgia: Analyse et pratique musicales, 7(1), pp. 29–43.

Coeurdevey, Annie (2000) Josquin des Prés, Nymphes des bois: Déploration sur la mort de Johannes Ockeghem: De l’étude des sources à l’analyse, Musurgia: Analyse et pratique musicales, 7(3–4), pp. 49–81.

Czajkowski, Stanisław (2000) Stabat Mater Josquina des Prés w nieznanej kopii wawelskiej z początku XVIII wieku, Muzyka, 45(1:176), pp. 59–65.

Eggebrecht, Hans Heinrich and Spahlinger, Mathias (2000) V. Die Emanzipation des Subjekts, in Musik-Konzepte. Sonderband (December 2000): Geschichte der Musik als Gegenwart: Hans Heinrich Eggebrecht und Mathias Spahlinger im Gespräch. München: edition text+kritik (Musik-Konzepte, Sonderband), pp. 71–82.

Elders, Willem (2000) Symbolism in the sacred music of Josquin, in Richard Sherr (ed.) The Josquin companion. Oxford: Oxford University Press, pp. 531–568.

Ens, Dietmar (2000) Josquin Desprez’ ‘Déploration de Iohan. Ockeghem’, Musik & Ästhetik, 4(13), pp. 45–58.

Fallows, David (2000) Afterword: Thoughts for the future, in Richard Sherr (ed.) The Josquin companion. Oxford: Oxford University Press, pp. 569–578.

Finscher, Ludwig (2000) Four-voice motets, in Richard Sherr (ed.) The Josquin companion. Oxford: Oxford University Press, pp. 249–279.

Fiumara, Anthony (2000) Escobedo’s Missa ‘Philippus Rex Hispanie’: A Spanish descendant of Josquin’s ‘Hercules’ Mass, Early Music, 28(1), pp. 50–62.

Hunt, John N. (2000) The Blanchets: Parisian musical instrument makers of the seventeenth and eighteenth centuries, Early keyboard journal, 18, pp. 53–93.

Jas, Eric (2000) The dating and chronology of the works of Josquin des Prez, in David Greer (ed.) Musicology and sister disciplines: Past, present, future. Oxford: Oxford University Press, pp. 464–467.

Konrad, Ulrich (2000) The use of watermarks in musicology, in Daniel W. Mosser (ed.) Puzzles in paper: Concepts in historical watermarks. London New Castle: British Library, pp. 93–106.

Leszczyńska, Agnieszka (2000) Sententiae insigniores ex evangeliis dominicalibus excerptae (1584) by Johannes Wanning, in Danuta Popinigis (ed.) Musica Baltica: Danzig die Musikkultur Europas. Gdańsk: Akademia Muzyczna im. Stanisława Moniuszki (Prace specjalne, 57), pp. 113–120.

Litterick, Louise (2000) Chansons for three and four voices, in Richard Sherr (ed.) The Josquin companion. Oxford: Oxford University Press, pp. 335–391.

Macey, Patrick (2000) Josquin and musical rhetoric: Miserere mei, Deus and other motets, in Richard Sherr (ed.) The Josquin companion. Oxford: Oxford University Press, pp. 485–530.

Milsom, John (2000a) Analysing Josquin, in Richard Sherr (ed.) The Josquin companion. Oxford: Oxford University Press, pp. 431–484.

Milsom, John (2000b) Motets for five or more voices, in Richard Sherr (ed.) The Josquin companion. Oxford: Oxford University Press, pp. 281–320.

Petersen, Peter (2000) Die ‘Rhythmuspartitur’: Über eine neue Methode zur rhythmisch-metrischen Analyse pulsgebundener Musik, in Peter Petersen and Helmut Rösing (eds) 50 Jahre Musikwissenschaftliches Institut in Hamburg: Bestandsaufnahme—Aktuelle Forschung—Ausblick. Frankfurt am Main: Peter Lang (Hamburger Jahrbuch für Musikwissenschaft, 16), pp. 83–110.

Planchart, Alejandro Enrique (2000) Masses on plainsong cantus firmi, in Richard Sherr (ed.) The Josquin companion. Oxford: Oxford University Press, pp. 89–150.

Ringhandt, Ute (2000) Sunt lacrimae rerum: Untersuchungen zur Darstellung des Weinens in der Musik. [Dissertation, Berlin, Hochsch. der Künste]. Sinzig: Studio-Verlag (Berliner Musik-Studien, 24).

Roth, Adalbert (2000) Judocus de Kessalia and Judocus de Pratis, Recercare: Rivista per lo studio e la pratica della musica antica, 12, pp. 23–51.

Sherr, Richard (2000a) Chronology of Josquin’s life and career, in Richard Sherr (ed.) The Josquin companion. Oxford: Oxford University Press, pp. 11–20.

Sherr, Richard (2000b) Mass sections, in Richard Sherr (ed.) The Josquin companion. Oxford: Oxford University Press, pp. 211–238.

Sherr, Richard (2000c) Missa Da pacem and Missa Allez regretz, in Richard Sherr (ed.) The Josquin companion. Oxford: Oxford University Press, pp. 239–247.

Sherr, Richard (ed.) (2000d) The Josquin companion. Oxford: Oxford University Press.

Sherr, Richard (2000e) Three settings of Italian texts and two secular motets, in Richard Sherr (ed.) The Josquin companion. Oxford: Oxford University Press, pp. 423–430.

Sherr, Richard (2000f) Two hymns and three magnificats, in Richard Sherr (ed.) The Josquin companion. Oxford: Oxford University Press, pp. 321–334.

Spiteri, Vivienne (2000) Déploration—In memoriam Morton Feldman by Brian Cherney, and in conversation, Contemporary music review, 19 (= The contemporary harpsichord: A new revival)(4), pp. 73–103.

Tacaille, Alice, Dumont, Sandrine and Janela, David (2000) La chanson polyphonique de la Renaissance, Musurgia: Analyse et pratique musicales, 7(3–4), pp. 19–47.

Teramoto, Mariko (2000) Die Rezeption der franko-flämischen Musik in der deutschen Musiktheorie in der ersten Hälfte des 16. Jahrhunderts, in Wolfgang Ruf and Kathrin Eberl (eds) Musikkonzepte – Konzepte der Musikwissenschaft: Bericht über den internationalen Kongreß der Gesellschaft für Musikforschung Halle (Saale) 1998. Band 2: Freie Referate. Kassel: Bärenreiter-Verlag, pp. 155–171.

Wegman, Rob C. (2000) Who was Josquin?, in Richard Sherr (ed.) The Josquin companion. Oxford: Oxford University Press, pp. 21–50.

2001

Andriessen, Pieter (2001) Wie was Josquin?, Contra: Stemmen over muziek, 1(3), pp. 9–11.

Benthem, Jaap van (2001a) ‘Kommst in die ersten Kreise!’. Josquins Missa L’ami Baudichon-Ihre Originalgestalt und ihre Überlieferung in Petruccis Missarum Josquin Liber secundus, Basler Jahrbuch für Historische Musikpraxis, 25 (= Musik—Druck—Musikdruck: 500 Jahre Ottaviano Petrucci), pp. 71–83.

Benthem, Jaap van (2001b) La magie des ‘cris trenchantz’: Comment le vray trésorier de musique échappe à la trappe du très terrible satrappe, in Bonnie J. Blackburn and Anne-Emmanuelle Ceulemans (eds) Théorie et analyse musicales (1450–1650): actes du colloque international, Louvain-la-Neuve, 23-25 septembre 1999 = Music theory and analysis : 1450-1650 : proceedings of the international conference, Louvain-la-Neuve, 23-25 September 1999. Louvain-la-Neuve: Université Catholique de Louvain Université Catholique de Louvain (Institut Supérieur d’Archéologie et d’Histoire de l’Art) (Publications d’histoire de l’art et d’archéologie de l’Université Catholique de Louvain, 9), pp. 119–147.

Blackburn, Bonnie J. (2001) Canonic conundrums: The singer’s Petrucci, Basler Jahrbuch für historische Musikpraxis, 25 (= Musik—Druck—Musikdruck: 500 Jahre Ottaviano Petrucci), pp. 53–69.

Bluteau, Olga (2001) De Josquin de Pres a Johann Sebastian Bach: La permanence du grand contrepoint, Ostinato rigore: Revue internationale d’études musicales, (16 (= Jean-Sébastien Bach)), pp. 295–316.

Brauner, Mitchell P. (2001) Have mercy! Texting and performing the Kyrie from Cappella Sistina manuscripts, in Adalbert Roth and Thomas Schmidt-Beste (eds) Der Fondo Cappella Sistina als musikgeschichtliche Quelle. Città del Vaticano Turnhout: Biblioteca Apostolica Vaticana (Capellae Apostolicae Sixtinaeque collectanea acta monumenta ; 6. Collectanea, 3), pp. 32–47.

Brinzing, Armin (2001) Kleinüberlieferung mehrstimmiger Musik vor 1550 in deutschem Sprachgebiet. II. Fragmente mit mehrstimmiger Musik des 16. Jahrhunderts im Fürstlich Ysenburg- und Büdingischen Archiv Büdingen. Göttingen: Vandenhoeck & Ruprecht (Akademie der Wissenschaften in Göttingen. Philologisch-Historische Klasse: Nachrichten der Akademie der Wissenschaften zu Göttingen, Philologisch-Historische Klasse ; Jg. 2001, 1).

Candelaria, Lorenzo (2001) An unattributed Kyriale from Renaissance Spain: A preliminary report on the origin of Beinecke MS 710, in Robert Gary Babcock (ed.) Old books, new learning: Essays on medieval and Renaissance books at Yale. New Haven: Yale University Yale University (Beinecke Rare Book and Manuscript Library) (Yale University Library Gazette: Occasional supplement, 4), pp. 113–138.

Elders, Willem (2001) De faam van Josquin des Prez, bij leven en postuum, in Louis Peter Grijp (ed.) Een muziekgeschiedenis der Nederlanden. Amsterdam Kapellen: Amsterdam University Press Salomé, pp. 122–127.

Fallows, David (2001a) Petrucci’s Canti volumes: Scope and repertory, Basler Jahrbuch für Historische Musikpraxis, 25 (= Musik—Druck—Musikdruck: 500 Jahre Ottaviano Petrucci), pp. 39–52.

Fallows, David (2001b) Who composed Mille regretz?, in Barbara Haggh (ed.) Essays on music and culture in honor of Herbert Kellman. Paris: Minerve (Épitome musical, 8), pp. 241–252.

Frobenius, Wolf (2001) Josquins Chanson Plus nulz regretz: Quellenkritik und Analyse, in Bernhard R. Appel (ed.) Musik und Szene: Festschrift für Werner Braun zum 75. Geburtstag. Saarbrücken: Saarbrücker Druckerei (Saarbrücker Studien zur Musikwissenschaft, 9), pp. 431–453.

Gallico, Claudio (2001a) Josquin nell’archivio Gonzaga, in Claudio Gallico (ed.) Sopra li fondamenti della verità: Musica italiana fra XV e XVII secolo. Roma: Bulzoni (Biblioteca del Cinquecento, 97), pp. 179–183.

Gallico, Claudio (2001b) Josquin’s compositions on Italian texts and the frottola, in Claudio Gallico (ed.) Sopra li fondamenti della verità: Musica italiana fra XV e XVII secolo. Roma: Bulzoni (Biblioteca del Cinquecento, 97), pp. 227–235.

Kirnbauer, Martin (2001) Die Wertheimer Lautentabulatur: Eine Musikhandschrift des frühen 16. Jahrhunderts, Wertheimer Jahrbuch, pp. 27–62.

Kirsch, Winfried (2001a) Das Bild des Beters im Zeitalter des Humanismus: Zu einigen ’Pater noster-Ave Maria’-Vertonungen von Josquin Desprez bis Orlando di Lasso, in Peter Niedermüller (ed.) Quellenstudium und musikalische Analyse: Festschrift Martin Just zum 70. Geburtstag. Würzburg: Ergon, pp. 83–106.

Kirsch, Winfried (2001b) Das Bild des Beters im Zeitalter des Humanismus: Zu einigen ’Pater noster-Ave Maria’-Vertonungen von Josquin Desprez bis Orlando di Lasso, in Peter Niedermüller (ed.) Quellenstudium und musikalische Analyse: Festschrift Martin Just zum 70. Geburtstag. Würzburg: Ergon, pp. 83–106.

Mažulis, Rytis (2001) Menzūrinių kanonų technika ir jos perspektyvos šiuolaikinėje muzikoke, Lietuvos muzikologija/Lithuanian musicology, 2, pp. 60–72.

Meconi, Honey (2001) Josquin and musical reputation, in Barbara Haggh (ed.) Essays on music and culture in honor of Herbert Kellman. Paris: Minerve (Épitome musical, 8), pp. 280–297.

Mengozzi, Stefano (2001) Josquinian voices and Guidonian listeners, in Barbara Haggh (ed.) Essays on music and culture in honor of Herbert Kellman. Paris: Minerve (Épitome musical, 8), pp. 253–279.

Merkley, Paul A. (2001) Josquin Desprez in Ferrara, The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, 18(4), pp. 544–583.

Noble, Jeremy (2001) The genealogies of Christ and their musical settings, in Barbara Haggh (ed.) Essays on music and culture in honor of Herbert Kellman. Paris: Minerve (Épitome musical, 8), pp. 197–208.

Picker, Martin (2001) A spurious motet of Josquin, a chanson by Gombert, and some related works: A case study in contrafactum and parody, in Peter Niedermüller (ed.) Quellenstudium und musikalische Analyse: Festschrift Martin Just zum 70. Geburtstag. Würzburg: Ergon, pp. 33–45.

Polk, Keith (2001) Musik am Hof Maximilians I, in Kurt Drexel and Monika Fink (eds) Musikgeschichte Tirols. I: Von den Anfängen bis zur Frühen Neuzeit. Innsbruck: Universitätsverlag Wagner (Schlern-Schriften), pp. 629–651.

Schiltz, Katelijne (2001) Treurzangen in de Renaissance, in Louis Peter Grijp (ed.) Een muziekgeschiedenis der Nederlanden. Amsterdam Kapellen: Amsterdam University Press Salomé, pp. 82–87.

Sherr, Richard (2001) Josquin’s red nose, in Barbara Haggh (ed.) Essays on music and culture in honor of Herbert Kellman. Paris: Minerve (Épitome musical, 8), pp. 209–240.

Thompson, Douglas E. (2001) A summary of current debates regarding Josquin’s biography and the attribution of Absalon, fili mi, The choral journal, 42(1), pp. 25–31.

Vendramini, Cécile (2001) Le cantus firmus dans les six messes Hercules dux ferrariae, in Édith Weber (ed.) Itinéraires du cantus firmus: [actes du colloque] / 4: De l’église à la salle de concert. Paris: Presses de l’Université de Paris-Sorbonne, pp. 37–48.

Westendorf, Craig J. (2001) Josquin in the early German Baroque: Seth Calvisius’ parody of Praeter rerum serium, in Barbara Haggh (ed.) Essays on music and culture in honor of Herbert Kellman. Paris: Minerve (Épitomé musical, 8), pp. 298–310.

2002

Bent, Margaret (2002a) Accidentals, counterpoint and notation in Aaron’s Aggiunta to the Toscanello in Musica, in Margaret Bent (ed.) Counterpoint, composition, and musica ficta. New York: Routledge (Criticism and analysis of early music), pp. 161–197.

Bent, Margaret (2002b) Diatonic ficta revisited: Josquin’s Ave Maria in context, in Margaret Bent (ed.) Counterpoint, composition, and musica ficta. New York: Routledge (Criticism and analysis of early music), pp. 199–217.

Borgerding, Todd (2002) Sic ego te dilegebam: Music, homoeroticism, and the sacred in early modern Europe, in Todd Borgerding (ed.) Gender, sexuality, and early music. New York: Routledge (Criticism and analysis of early music), pp. 249–263.

Fallows, David (2002) French and Italian accentuation in Josquin’s motets, in Nicoletta Guidobaldi (ed.) Regards croisés: Musiques, musiciens, artistes et voyageurs entre France et Italie au XVe siècle. Paris: Minerve (Épitomé musical), pp. 105–118.

Gargiulo, Piero (2002) Lucrezia e la ‘città ferrarese’: Scena e musica per la duchessa estense, in Alessandra Farinelli Toselli (ed.) Lucrezia Borgia a Ferrara: Testimonianze librarie e documentarie di un mito. Ferrara: Centro Stampa del Comune di Ferrara, pp. 43–50.

Gim, Mun-ja (2002) 죠스껭의 헤르큘레스 미사와 그 후예들: 쏘제토 카바토 기법에 관한 연구, Eum’ak iron yeon’gu/Journal of music and theory, 7, pp. 103–133.

Just, Martin (2002) Makulatur des 16. Jahrhunderts als musikgeschichtliche Quelle, in Paul Mai (ed.) Im Dienst der Quellen zur Musik: Festschrift Gertraut Haberkamp zum 65. Geburtstag. Tutzing: Hans Schneider, pp. 155–163.

Lawrence, Deborah (2002) Mudarra’s instrumental glosas: Imitation and homage in a Spanish style, in Crawford, David and Grayson Wagstaff (eds) Encomium musicae: Essays in memory of Robert J. Snow. Hillsdale: Pendragon Press (Festschrift series, 17), pp. 305–319.

Macey, Patrick (2002) A musical detective story: Josquin’s motet cycle for the Sforza rulers of Milan, American choral review, 44(1), pp. 1–8.

Mahnkopf, Claus-Steffen (2002) Kompositorische Kreativität und ihre ethische Dimension: Einige Aphorismen zum Künstlertum, Die Musikforschung, 55(4), pp. 363–372.

Milsom, John (2002a) Josquin and Jacquet: A new Tudor source?, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 52(2), pp. 117–131.

Milsom, John (2002b) Sense and sound in Richafort’s Requiem, Early Music, 30(3), pp. 447–463.

Nelson, Bernadette (2002) A ‘parody’ on Josquin’s Inviolata in Barcelona 1967: An unknown Mass by Philippe Verdelot?, Journal of the Royal Musical Association, 127(2), pp. 154–190.

Nosow, Robert (2002) The debate on song in the Accademia Fiorentina, Early music history: Studies in medieval and early modern music, 21, pp. 175–221.

Østrem, Eyolf (2002) Luther, Josquin, and des fincken gesang, Transfiguration: Nordisk tidsskrift for kunst og kristendom, 4 (= The arts and the cultural heritage of Martin Luther)(1), pp. 51–79.

Schlagel, Stephanie P. (2002) The Liber selectarum cantionum and the ‘German Josquin renaissance’, The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, 19(4), pp. 564–615.

Smagge, Karel (2002) Lied van de Spaanse keizer, Akkoord, 10 (= Spanje)(3), pp. 16–17.

Wagstaff, Grayson (2002) Mary’s own: Josquin’s five-part Salve regina and Marian devotions in Spain, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 52(1), pp. 3–34.

Woetmann Christoffersen, Peter (2002) Josquin og stemmernes klang: Et forslag om analyse af vokal instrumentation, Musik & forskning, 27, pp. 7–24.

2003

Becker, Hartmut (2003) Subjektivität und Ich-Verlust: Beobachtungen–Nicht nur zur Musik, in Stiftung Lucerne Festival (ed.) ‘Ich’: Buch zum Festival – Lucerne Festival, Sommer 2003. Basel: Stroemfeld, pp. 103–116.

Benner, Zacy (2003) All eyes and ears on Josquin at McGill conference in Montréal, Early music America, 9(4), pp. 43–43.

Black, George H. (2003) Matthaeus Pipelare’s Fors seulement (II) chanson and its related motet and Mass: Performance: Editions and commentary. PhD dissertation. Louisiana State University and Agricultural and Mechanical College. Available at: https://digitalcommons.lsu.edu/gradschool_dissertations/1444/ .

Blackburn, Bonnie J. (ed.) (2003) Josquin des Prez: Motets on non-biblical texts 2 – De domino Jesu Christo. II. Critical commentary. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis (New Josquin edition, 22b).

Bossuyt, Ignace (2003) Nicolas Gombert and parody, Tijdschrift voor muziektheorie, 8(2), pp. 112–122.

Bouckaert, Bruno (ed.) (2003) The Burgundian-Habsburg court complex of music manuscripts (1500 – 1535) and the workshop of Petrus Alamire: colloquium proceedings, Leuven, 25 – 28 November 1999. Leuven: Alamire Foundation [u.a.] (Yearbook of the Alamire Foundation, 5).

Chagas, Paulo César do Amorim (2003) Information and polyphony: Spectral and temporal transformation in the motets of Josquin des Prez, in Musical semiotics revisited. Helsinki: International Semiotics Institute (Acta semiotica fennica), pp. 411–421.

Desgranges, Nicole (2003) L’évolution de la maîtrise de la collégiale de Saint-Quentin de 1777 à 1835, in Bernard Dompnier and Frédéric Billiet (eds) Maîtrises et chapelles aux XVIIe et XVIIIe siècles: Des institutions musicales au service de Dieu. Clermont-Ferrand: Presses Universitaires Blaise Pascal (Collection Histoires croisées), pp. 117–139.

Dickey, Timothy John (2003) Reading the Siena Choirbook: A re-appraisal of the dating, musical repertories, and Marian performance context of the Manuscript Siena, Biblioteca Comunale degli Intronati, Ms.K.1.2. PhD dissertation. Duke University. Available at: https://www.proquest.com/openview/9a1bdff616426336506b0367a838b4df/1?pq-origsite=gscholar&cbl=18750&diss=y .

Elders, Willem (2003) The Masses of Josquin in the manuscripts of the Burgundian-Habsburg court: A preliminary report, in Bruno Bouckaert (ed.) The Burgundian-Habsburg court complex of music manuscripts (1500 – 1535) and the workshop of Petrus Alamire: colloquium proceedings, Leuven, 25 – 28 November 1999. Leuven: Alamire Foundation [u.a.] (Yearbook of the Alamire Foundation, 5), pp. 325–335.

Fallows, David (2003a) Influences on Josquin, in Nicole Schwindt and Laurenz Lütteken (eds) Autorität und Autoritäten in musikalischer Theorie, Komposition und Aufführung. Kassel: Bärenreiter (Troja: Trossinger Jahrbuch für Renaissancemusik), pp. 67–80.

Fallows, David (2003b) What happened to El grillo, Early Music, 31(3 (=Close readings: Essays in honour of John Stevens&Philip Brett)), pp. 390–399.

Finscher, Ludwig (2003a) Die ‘Entstehung des Komponisten’: Zum Problem Komponisten-Individualität und Individualstil in der Musik des 14. Jahrhunderts, in Hermann Danuser (ed.) Geschichte und Geschichten: Ausgewählte Aufsätze zur Musikhistorie. Mainz: Schott Musik International, pp. 15–27.

Finscher, Ludwig (2003b) Zum Verhältnis von Imitationstechnik und Textbehandlung im Zeitalter Josquins, in Hermann Danuser (ed.) Geschichte und Geschichten: Ausgewählte Aufsätze zur Musikhistorie. Mainz: Schott Musik International, pp. 109–122.

Finscher, Ludwig (2003c) Zur Cantus-firmus-Behandlung in der Psalm-Motette der Josquin-Zeit, in Hermann Danuser (ed.) Geschichte und Geschichten: Ausgewählte Aufsätze zur Musikhistorie. Mainz: Schott Musik International, pp. 123–132.

Fiore, Carlo (2003) Josquin des Prez. Palermo: L’Epos (Constellatio musica).

Göllner, Marie Louise (2003) Praeter rerum seriem: Its history and sources, in Marie Louise Göllner (ed.) Essays on music and poetry in the late Middle Ages. Tutzing: Hans Schneider (Münchner Veröffentlichungen zur Musikgeschichte, 61), pp. 63–76.

Haar, James (2003) Renaissance scribes as editors: Some case studies, in Bianca Maria Antolini (ed.) ‘Et facciam dolçi canti’: Studi in onore di Agostino Ziino in occasione del suo 65. compleanno. Lucca: Libreria Musicale Italiana (LIM), pp. 375–394.

Haggh, Barbara (2003) Charles de Clerc, seigneur de Bouvekerck, and two manuscripts: Brussels, Bibliothèque Royale de Belgique, MS 215-16, and Naples, Biblioteca Nazionale, MS VI E 40, in Bruno Bouckaert (ed.) The Burgundian-Habsburg court complex of music manuscripts (1500 – 1535) and the workshop of Petrus Alamire: colloquium proceedings, Leuven, 25 – 28 November 1999. Leuven: Alamire Foundation [u.a.] (Yearbook of the Alamire Foundation, 5), pp. 185–202.

Kreitner, Kenneth (2003) Ave festiva ferculis and Josquin’s Spanish reputation, Journal of the Royal Musical Association, 128(1), pp. 1–29.

Macey, Patrick (2003) An expressive detail in Josquin’s Nimphes, nappés, Early Music, 31(3 (= Close readings: Essays in honour of John Stevens&Philip Brett)), pp. 400–411.

Rifkin, Joshua (2003) Munich, Milan, and a Marian motet: Dating Josquin’s Ave Maria…virgo serena, Journal of the American Musicological Society, 56(2), pp. 239–350.

Urquhart, Peter Whitney (2003) Forbidden intervals in Josquin: Evidence from the Alamire sources, in Bruno Bouckaert (ed.) The Burgundian-Habsburg court complex of music manuscripts (1500 – 1535) and the workshop of Petrus Alamire: colloquium proceedings, Leuven, 25 – 28 November 1999. Leuven: Alamire Foundation [u.a.] (Yearbook of the Alamire Foundation, 5), pp. 233–245.

Woetmann Christoffersen, Peter (2003a) Hvad enhver kordreng skal kunne: Betragtning af motetten Ut Phebi radiis af Josquin Desprez, Musik & forskning, 28, pp. 97–118.

Woetmann Christoffersen, Peter (2003b) Hvad enhver kordreng skal kunne: Betragtning af motetten Ut Phebi radiis af Josquin Desprez, Musik & forskning, 28, pp. 97–118.

2004

Bator, Angelika (2004) Der Chorbuchdruck Liber selectarum cantionum (Augsburg 1520): Ein drucktechnischer Vergleich der Exemplare aus Ausgburg, München und Stuttgart, Musik in Bayern, (67), pp. 5–38.

Billiet, Frédéric (2004) Cantus firmus et perpectives au 15e siècle, in Édith Weber (ed.) Le cantus firmus: Exploitation à travers les siècles. Paris: Presses de l’Université de Paris-Sorbonne (Itinéraires du cantus firmus, 6), pp. 9–18.

Blachly, Alexander (2004) The cantus firmus of Josquin’s Missa Hercules dux Ferrarie, in Paul-André Bempéchat (ed.) Liber amicorum Isabelle Cazeaux: Symbols, parallels and discoveries in her honor. Hillsdale: Pendragon Press (Festschrift series, 19).

Fallows, David (2004) Josquin and Trent 91: Thoughts on Omnium bonorum plena and his activities in the 1470s, in Gozzi, Marco (ed.) Manoscritti di polifonia nel Quattrocento europeo. Trento: Provincia Autonoma di Trento Provincia Autonoma di Trento (Soprintendenza per i beni librari e archivistici) (Pubblicazioni della Biblioteca Musicale Laurence K. J. Feininger), pp. 205–212.

Higgins, Paula (2004) The apotheosis of Josquin des Prez and other mythologies of musical genius, Journal of the American Musicological Society, 57(3), pp. 443–510.

McKinney, Timothy R. (2004) ‘Affectus mire hercules ubique expressit’: Heinrich Glarean on text and tone in Josquin’s Planxit autem David, Theoria, 11, pp. 1–34.

Mouser, Marilee J. (2004) Petrucci and his shadow: A case study of reception history, Fontes artis musicae, 51(1 (= Legacies: 500 Years of Printed Music)), pp. 19–52.

Niwa, Seishirō (2004) Attribution of madrigals in sixteenth-century printed anthologies, in Yoshio Tozawa (ed.) Musicology and globalization: Proceedings of the International Congress in Shizuoka 2002: In Celebration of the 50th Anniversary of the Musicological Society of Japan. Tōkyō: Tōkyō Geijutsu Daigaku/Tōkyō National University of Fine Arts and Music Tōkyō Geijutsu Daigaku/Tōkyō National University of Fine Arts and Music (Ongaku Gakubu/Department of Musicology) 東京芸術大学, pp. 282–285.

Reynolds, Christopher A. (2004) Interpreting and dating Josquin’s Missa Hercules dux ferrariae, in Honey Meconi (ed.) Early musical borrowing. New York London: Routledge (Criticism and analysis of early music), pp. 91–110.

Starr, Pamela F. (2004) Musical entrepreneurship in 15th-century Europe, Early Music, 32(1), pp. 119–133.

Tacaille, Alice (2004) Tempus, tactus, proportions et barres de mesure: La perception du temps dans le manuscrit Bourdeney de la Bibliothèque Nationale (Rés. Vma ms. 851), Musurgia: Analyse et pratique musicales. XI/3 (2004): Musique et pouvoir, 11(3), pp. 7–37.

Urquhart, Peter Whitney (2004) Another impolitic observation on Absalon, fili mi, The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, 21(3), pp. 343–380.

Werbeck, Walter (2004) Adrianus Petit Coclico, in Ekkehard Ochs (ed.) Stettiner Komponisten. Frankfurt am Main: Peter Lang (Greifswalder Beiträge zur Musikwissenschaft, 11), pp. 25–38.

Zywietz, Michael (2004a) Dulces exuviae: Die Vergil-Vertonungen des Josquin des Prez, Archiv für Musikwissenschaft, 61(4), pp. 245–254.

Zywietz, Michael (2004b) Dulces exuviae: Die Vergil-Vertonungen des Josquin des Prez, Archiv für Musikwissenschaft, 61(4), pp. 245–254.

Berger, Christian (2005) Glareans äolischer Modus und das Kyrie aus Josquins Missa De beata virgine, Trossinger Jahrbuch für Renaissancemusik (= Heinrich Glarean oder, die Rettung der Musik aus dem Geist der Antike?), 5, pp. 161–176.

Bettels, Christian (2005) Herbst des Mittelalters und Kultur der Renaissance: Die Chansons des Josquin des Prez, Die Musikforschung, 58(3), pp. 292–293.

Boorman, Stanley (2005) False relations and the cadence, in Stanley Boorman (ed.) Studies in the printing, publishing, and performance of music in the 16th century. Burlington: Ashgate (Variorum collected studies series, 815).

Dean, Jeffrey J. (2005) Some observations on Motetti C: C for confusion, chronology, and Concede nobis, in Giulio Cattin and Patrizia Dalla Vecchia (eds) Venezia 1501: Petrucci e la stampa musicale/Venice 1501: Petrucci, music, print and publishing. Venezia: Fondazione Ugo e Olga Levi (Serie III: Studi musicologici. B: Atti di convegni, 6), pp. 375–389.

Dickey, Timothy J. (2005) Rethinking the Siena choirbook: A new date and implications for its musical contents, Early music history: Studies in medieval and early modern music, 24, pp. 1–52.

Drake, Warren (2005) Motetti B and its relation to the lauda repertory circa 1500, in Giulio Cattin and Patrizia Dalla Vecchia (eds) Venezia 1501: Petrucci e la stampa musicale/Venice 1501: Petrucci, music, print and publishing. Venezia: Fondazione Ugo e Olga Levi (Serie III: Studi musicologici. B: Atti di convegni, 6), pp. 441–454.

Fallows, David (2005) Josquin and popular songs, Basler Jahrbuch für Historische Musikpraxis, 29 (= Musikinstrumente und instrumentale Praxis um 1500), pp. 161–171.

Jas, Eric (2005) Jheronimus Vinders (fl. 1515–1545): Sancmeester in de Sint-Janskerk, in Bruno Bouckaert (ed.) Musicerende engelen: Bijdragen over het muzikaal erfgoed van de Gentse Sint-Baafskathedraal – Middeleeuwen – eind 18de eeuw. Gent: Provinciebestuur Oost-Vlaanderen, pp. 43–46.

Kingsbury, Stephen A. (2005) Antoine de Févin’s Missa Ave Maria: Anatomy of an imitation Mass, The choral journal, 46(1), pp. 10–28.

Knighton, Tess (2005) Petrucci’s books in early sixteenth-century Spain, in Giulio Cattin and Patrizia Dalla Vecchia (eds) Venezia 1501: Petrucci e la stampa musicale/Venice 1501: Petrucci, music, print and publishing. Venezia: Fondazione Ugo e Olga Levi (Serie III: Studi musicologici. B: Atti di convegni, 6), pp. 623–642.

Lockwood, Lewis (2005) Petrucci’s edition of Josquin’s Missa Hercules Dux Ferrarie, in Giulio Cattin and Patrizia Dalla Vecchia (eds) Venezia 1501: Petrucci e la stampa musicale/Venice 1501: Petrucci, music, print and publishing. Venezia: Fondazione Ugo e Olga Levi (Serie III: Studi musicologici. B: Atti di convegni, 6), pp. 391–395.

Noller, Joachim (2005) Maderna, la storia e la crisi della stampa musicale, in Giulio Cattin and Patrizia Dalla Vecchia (eds) Venezia 1501: Petrucci e la stampa musicale/Venice 1501: Petrucci, music, print and publishing. Venezia: Fondazione Ugo e Olga Levi (Serie III: Studi musicologici. B: Atti di convegni, 6), pp. 739–751.

Pack, Timothy Shane (2005) Axial-tenor composition in the Renaissance. PhD dissertation. Indiana University. Available at: https://www.proquest.com/openview/4f5164d316a7f415ad56e246e19a2e5b/1?pq-origsite=gscholar&cbl=18750&diss=y .

Pasticci, Susanna (2005) Memorie di Petrucci a Venezia, quattro secoli dopo, in Giulio Cattin and Patrizia Dalla Vecchia (eds) Venezia 1501: Petrucci e la stampa musicale/Venice 1501: Petrucci, music, print and publishing. Venezia: Fondazione Ugo e Olga Levi (Serie III: Studi musicologici. B: Atti di convegni, 6), pp. 683–737.

Pfisterer, Andreas (2005) Zum Verhältnis der Fortuna-Messen von Josquin und Obrecht, Die Musikforschung, 58(3), pp. 267–273.

Pintér, Éva (2005) Da pacem, Domine: Kompositorische Annäherung, in Hartmut Lück (ed.) Vom hörbaren Frieden. Frankfurt am Main: Suhrkamp (Edition Suhrkamp, 2401), pp. 326–343.

Raiskums, Andrew (2005) Plainsong as pre-composition: Josquin’s Missa de Beata Virgine, Context: A journal of music research, (29-30 (= Pre-composition)), pp. 59–67. Available at: https://bpb-ap-se2.wpmucdn.com/blogs.unimelb.edu.au/dist/6/184/files/2016/09/29-30_Raiskums-y07q9x.pdf .

Rodin, Jesse (2005) Finishing Josquin’s ‘unfinished’ Mass: A case of stylistic imitation in the Cappella Sistina, The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, 22(3), pp. 412–453.

Rothenberg, David J. (2005) ‘Le Pater et L’Avé Maria son enfilés en une Patenostre’: Lasso’s Il estoit une religieuse and the tradition of Pater noster—Ave Maria settings, Musik in Bayern, (69), pp. 53–70.

Sherr, Richard (2005) Petrucci and the problem of Planxit autem David, in Giulio Cattin and Patrizia Dalla Vecchia (eds) Venezia 1501: Petrucci e la stampa musicale/Venice 1501: Petrucci, music, print and publishing. Venezia: Fondazione Ugo e Olga Levi (Serie III: Studi musicologici. B: Atti di convegni, 6), pp. 351–373.

Stephens, Denys (2005) Singing to the lute, Lute Society of America quarterly, 40(1), pp. 22–31.

Vikárius, László (2005) Dido per musica, in Ferenczi Attila (ed.) A rejtélyes Aeneis: Aeneis-tanulmányok. Budapest: L’Harmattan (Párbeszéd-kötetek : a Poétikai-filológiai Párbeszédmuhely sorozata), pp. 147–188.

Wegman, Rob C. (2005) The crisis of music in early modern Europe. New York: Routledge.

2006

Benthem, Jaap van (2006) Ist Josquins Dulces exuvie eine Motette?, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 56(2), pp. 77–95.

Bisaro, Xavier (2006) Le motet In illo tempore assumpsit Jesus de Josquin: De l’économie du salut à l’économie de l’écoute, Analyse musicale, (54), pp. 33–39.

Campana, Carlo (2006) Adrian Willaert et son école à la Chapelle St-Marc de Venise, in Marie Viallon-Schoneveld and Daniela Ambrosini (eds) Musique et société au XVIe siècle: Actes du XIIe colloque du Puy-en-Velay. Saint-Étienne: Université Jean-Monnet: Institut Claude Longeon, pp. 75–86.

Candelaria, Lorenzo (2006) Tropes for the Ordinary in a 16th-century chantbook from Toledo, Spain, Early Music, 34(4), pp. 587–611.

Dorsey, Sam Brian (2006) Vihuela intabulations of Josquin Masses: An examination of musical texture and musica ficta. PhD dissertation. The Catholic University of America.

Heidloff, Guido (2006a) Form in der Musik des 15. Jahrhunderts: Josquin Desprez’ Missa La sol fa re mi, Zeitschrift der Gesellschaft für Musiktheorie, 3(1), pp. 27–54.

Heidloff, Guido (2006b) Form in der Musik des 15. Jahrhunderts: Josquin Desprez’ Missa La sol fa re mi, Zeitschrift der Gesellschaft für Musiktheorie, 3(1), pp. 27–54.

Hudson, Richard (2006) Jumping to conclusions: The falling-third cadences in chant, polyphony, and recitative. Aldershot: Ashgate.

Hund, Marianne (2006) Fresh light on Josquin Dascanio’s enigmatic El grillo, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 56(1), pp. 5–16.

Kirnbauer, Martin (2006) ‘Sind alle lang’: Glareans Erläuterungen zur Mensuralnotation und musikalische Praxis, in Nicole Schwindt (ed.) Heinrich Glarean oder, die Rettung der Musik aus dem Geist der Antike? (Troja: Trossinger Jahrbuch für Renaissancemusik, 5), pp. 77–92.

Lamla, Michael (2006) Osservazioni sulle messe canoniche di Standley, Josquin Desprez, Giovanni Pierluigi da Palestrina e Francesco Soriano, in Giancarlo Rostirolla (ed.) Palestrina e l’Europa: Atti del III Convegno Internazionale di Studi (Palestrina, 6-9 ottobre 1994). Palestrina: Fondazione Giovanni Pierluigi da Palestrina Fondazione Giovanni Pierluigi da Palestrina (Centro di Studi Palestriniani), pp. 427–438.

Lütteken, Laurenz (2006) Dulces exuviae: Vergil in Mantua und das Problem der musikalischen ‘Renaissance’, in Andreas Kablitz and Klaus W. Hempfer (eds) Renaissance – Episteme und Agon: für Klaus W. Hempfer anläßlich seines 60. Geburtstages. Heidelberg: Carl Winter Universitätsverlag (Neues Forum für allgemeine und vergleichende Literaturwissenschaft, 33), pp. 451–473.

Orden, Kate van (2006) Livres de chansons imprimés, auteurs et autorité, in Viallon-Schoneveld and Daniela Ambrosini (eds) Musique et société au XVIe siècle: Actes du XIIe colloque du Puy-en-Velay. Saint-Étienne: Université Jean-Monnet: Institut Claude Longeon, pp. 141–153.

Paulk, Jason D. (2006) Unifying elements in the masses of Josquin des Prez, The choral journal, 46(8), pp. 53–61.

Rodin, Jesse (2006) A Josquin substitution, Early Music, 34(2), pp. 249–257.

Rothenberg, David J. (2006) The Marian symbolism of spring, ca. 1200–ca 1500: Two case studies, Journal of the American Musicological Society, 59(2), pp. 319–398.

Schlagel, Stephanie P. (2006) A credible (mis)attribution to Josquin in Hans Ott’s Novum et insigne opus musicum: Contemporary perceptions, modern conceptions, and the case of Veni sancte spiritus, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 56(2), pp. 97–126.

Steiner, Ruth (2006) David’s lament for Saul and Jonathan, in Jane Morlet Hardie (ed.) Commemoration, ritual and performance: Essays in medieval and early modern music. Ottawa: Institute of Mediæval Music (Wissenschaftliche Abhandlungen/Musicological studies, 84), pp. 5–15.

Teal, Terri (2006) Missa L’homme armé sexti toni by Josquin des Prez: A performing edition with commentary. MA dissertation. University of Kansas.

2007

Benthem, Jaap van (2007a) Jak skomponować motet ku czci Dziewicy: Josquin des Prez i jego motet Illibata Dei virgo nutrix, Muzyka, 52(3:206), pp. 3–30.

Benthem, Jaap van (2007b) Jak skomponować motet ku czci Dziewicy: Josquin des Prez i jego motet Illibata Dei virgo nutrix, Muzyka: Kwartalnik poświęcony historii i teorii muzyki, 52(3:206), pp. 3–30.

Blackburn, Bonnie J. (ed.) (2007a) Josquin des Prez: Motets on non-biblical texts 1 – De domino Jesu Christo. 1. Critical commentary. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis (New Josquin edition, 21b).

Blackburn, Bonnie J. (2007b) Two treasure chests of canonic antiquities: The collections of Hermann Finck and Lodovico Zacconi, in Katelijne Schiltz and Bonnie J. Blackburn (eds) Canons and canonic techniques, 14th – 16th centuries: theory, practice, and reception history; proceedings of the international conference, Leuven, 4 – 6 October 2005. Leuven Dudley: Peeters (Analysis in context: Leuven studies in musicology, 1), pp. 303–338.

Braun, Andrea (2007) Genese eines Lebenswerks: Martin Just über die neue Josquin-Ausgabe, Concerto: Das Magazin für Alte Musik, 24(213), pp. 14–15.

Coeurdevey, Annie (2007) Josquin, Willaert, Lasso: Ein Dreiecksverhältnis?, in Nicole Schwindt (ed.) Die Kunst des Übergangs: Musik aus Musik in der Renaissance. Kassel: Bärenreiter (Troja: Trossinger Jahrbuch für Renaissancemusik, 7), pp. 155–182.

Elders, Willem (2007) Symbolische partituren: De notie van musica celestis in composities uit de renaissance, in Jacomien Prins (ed.) Harmonisch labyrint: De muziek van de kosmos in de westerse wereld. Hilversum: Verloren, pp. 61–76.

Gilbert, Adam Knight (2007) Heinrich Isaac, Ludwig Senfl, and a fugal hexachord, in Katelijne Schiltz and Bonnie J. Blackburn (eds) Canons and canonic techniques, 14th – 16th centuries: theory, practice, and reception history; proceedings of the international conference, Leuven, 4 – 6 October 2005. Leuven Dudley: Peeters (Analysis in context: Leuven studies in musicology, 1), pp. 111–123.

Kirkendale, Warren (2007) Circulatio-tradition, Maria lactans, and Josquin as musical orator, in Warren Kirkendale and Ursula Kirkendale (eds) Music and meaning: Studies in music history and the neighbouring disciplines. Firenze: Leo S. Olschki (Historiae musicae cultores, 113), pp. 1–32.

Kirnbauer, Martin (2007) Die Wiener Lautentabulatur des ‘weitberümpt meister Adolff Plindthamer Lutinist’: Eine Quelle für professionelles Lautenspiel aus dem Beginn des 16. Jahrhunderts (A-Wn, Mus. Hs. 41950), in Birgit Lodes (ed.) Wiener Quellen der älteren Musikgeschichte zum Sprechen gebracht. Tutzing: Hans Schneider (Wiener Forum für ältere Musikgeschichte, 1), pp. 347–359.

Marx-Weber, Magda (2007) Mit der Gottesmutter leiden: Stabat Mater-Vertonungen seit dem 16. Jahrhundert, in Martina Bick, Beatrix Borchard, Katharina Hottmann, and Krista Warnke (eds) Modell Maria: Beiträge der Vortragsreihen Gender Studies 2004–2006 an der Hochschule für Musik und Theater Hamburg. Hamburg: von Bockel Verlag (Eine Veröffentlichung der Hochschule für Musik und Theater, Hamburg), pp. 95–109.

Merkley, Paul A. and Matthews, Lora L. (2007) Aspects of sacred music and the network of patrons at court during the time of Ercole d’Este, in Franco Piperno, Gabriella Biagi Ravenni, and Andrea Chegai (eds) Cappelle musicali fra corte, stato e chiesa nell’Italia del rinascimento. Firenze: Leo S. Olschki (Historiae musicae cultores, 108), pp. 193–229.

Meyer, Andreas (2007) Komponisten-Motette als historischer Raum: Zu Nicolas Gomberts Musae Iovis, in Nicole Schwindt (ed.) Die Kunst des Übergangs: Musik aus Musik in der Renaissance. (Troja: Trossinger Jahrbuch für Renaissancemusik, 7), pp. 133–154.

Rice, Stephen (2007) Resonances of Josquin in later Inviolata settings, in Katelijne Schiltz and Bonnie J. Blackburn (eds) Canons and canonic techniques, 14th – 16th centuries: theory, practice, and reception history; proceedings of the international conference, Leuven, 4 – 6 October 2005. Leuven Dudley: Peeters (Analysis in context: Leuven studies in musicology, 1), pp. 197–220.

Rodin, Jesse David Slochower (2007) Josquin and the polyphonic mass in the Sistine Chapel. PhD dissertation. Harvard University. Available at: Josquin and the polyphonic mass in the Sistine Chapel .

Schmidt-Beste, Thomas (2007) A dying art: Canonic inscriptions and canonic techniques in the sixteenth-century Papal Chapel repertory, in Katelijne Schiltz and Bonnie J. Blackburn (eds) Canons and canonic techniques, 14th – 16th centuries: theory, practice, and reception history; proceedings of the international conference, Leuven, 4 – 6 October 2005. Leuven Dudley: Peeters (Analysis in context: Leuven studies in musicology, 1), pp. 339–355.

Testolin, Walter (2007) Leonardo ritrae Josquin: Nuove conferme sull’identità del Musico dell’Ambrosiana, Rivista italiana di musicologia, 42(2), pp. 309–321.

Urquhart, Peter Whitney (2007) The persistence of exact canon throughout the sixteenth century, in Katelijne Schiltz and Bonnie J. Blackburn (eds) Canons and canonic techniques, 14th – 16th centuries: theory, practice, and reception history; proceedings of the international conference, Leuven, 4 – 6 October 2005. Leuven Dudley: Peeters (Analysis in context: Leuven studies in musicology, 1), pp. 171–196.

Wiehe, Wolfgang (2007) ‘In te Domine speravi’ — From frottola to real lute music, Lute Society of America quarterly, 42(3), pp. 27–33.

2008

Barbier, Jacques (2008) ‘Prenez sur moy vostre exemple’: Josquin Desprez, Jean de Ockeghem et la notion de modèle, in Philippe Lalitte (ed.) Influences et modèles: Actes de la Rencontre interartistique du 21 mars 2007. Paris: Université de Paris IV [Paris-Sorbonne] Université de Paris IV [Paris-Sorbonne] (Observatoire Musical Français) (Observatoire Musical Français: Conférences et séminaires, 35), pp. 71–86.

Benthem, Jaap van (2008) O Mater Dei, Memento Mei: Annotations sur les structures symboliques de quatorze motets mariaux de Josquin des Prez, in Philippe Vendrix and Annie Coeurdevey (eds) Musique, théologie et sacré, d’Oresme à Erasme. Ambronay: Ambronay Éditions, pp. 231–292.

Brothers, Lester D. (2008) Vive Le roy: A case study in music history, Eum’akhak, 16, pp. 237–278.

Candelaria, Lorenzo (2008) The Rosary Cantoral: Ritual and social design in a chantbook from early Renaissance Toledo. Rochester: University of Rochester Press (Eastman studies in music).

Davison, Nigel St John (2008) Marbriano de Orto (c. 1455–1529): Personal thoughts and some surprises, Early Music, 36(3), pp. 435–440.

Ebert-Schifferer, Sybille (2008) Harmonie als Wunschbild: Überlegungen zum Musenzyklus in Carpi, in Mario Ruffini and Gerhard Wolf (eds) Musica e arti figurative: Rinascimento e Novecento. Venezia: Marsilio Editori (Collana del Kunsthistorisches Institut in Florenz, Max-Planck-Institut, 13), pp. 80–99.

Elders, Willem (2008) Josquin in the sources of Spain: An evaluation of two unique attributions, in Mark Delaere and Pieter Bergé (eds) ‘Recevez ce mien petit labeur’: Studies in Renaissance music in honour of Ignace Bossuyt. Leuven: Leuven University Press, pp. 61–70.

Jas, Eric (2008) Josquin, Willaert and Douleur me bat, in Mark Delaere and Pieter Bergé (eds) ‘Recevez ce mien petit labeur’: Studies in Renaissance music in honour of Ignace Bossuyt. Leuven: Leuven University Press, pp. 119–130.

Koutsobina, Vassiliki (2008a) Musical rhetoric in the multi-voice chansons of Josquin des Prez and his contemporaries (c. 1500—c. 1520). PhD dissertation. University of Cincinnati. Available at: https://etd.ohiolink.edu/apexprod/rws_etd/send_file/send?accession=ucin1211819570&disposition=inline .

Koutsobina, Vassiliki (2008b) Readings of poetry, readings of music: Intertextuality in Josquin’s Je me complains de mon amy, Early Music, 36(1), pp. 67–78.

Lütteken, Laurenz (2008) Die Entstehung der musikalischen Geschichte: Historisierung und ästhetische Praxis am Beispiel Josquins, in Mark Delaere and Pieter Bergé (eds) ‘Recevez ce mien petit labeur’: Studies in Renaissance music in honour of Ignace Bossuyt. Leuven: Leuven University Press, pp. 163–178.

Marín López, Javier (2008) The musical inventory of Mexico Cathedral, 1589: A lost document rediscovered, Early Music, 36(4), pp. 575–596.

Rifkin, Joshua (2008) Who really composed Mille regretz?, in Cannata (ed.) Quomodo cantabimus canticum? Studies in honor of Edward H. Roesner. Middleton: American Institute of Musicology (Miscellanea), pp. 187–208.

Rodin, Jesse (2008) ‘When in Rome…’: What Josquin learned in the Sistine Chapel, Journal of the American Musicological Society, 61(2), pp. 307–372.

Sachs, Klaus-Jürgen (2008) Die Josquin-Parodie Praeter rerum seriem des Calvisius, in Gesine Schröder (ed.) Tempus musicae – tempus mundi: Untersuchungen zu Seth Calvisius. Hildesheim: Georg Olms (Studien zur Geschichte der Musiktheorie, 4), pp. 173–214.

Santarelli, Cristina (2008) Riflessi della Milano musicale sforzesca nel codice Varia 124 della Biblioteca Reale di Torino, Music in art: International journal for music iconography, 33(1–2), pp. 30–37.

Schiltz, Katelijne (2008) Dido’s afscheid: Polyfone Dulces exuviae-zettingen (15e–16e eeuw), in Ignace Bossuyt and Pieter Bergé (eds) Als Orpheus zingt…: De klassieke oudheid in de West-Europese muziek – Opstellen voor en door Ignace Bossuyt. Leuven: Davidsfonds, pp. 48–61.

Stenzl, Jürg (2008) Der Klang des Hohen Liedes: Vertonungen des Canticum canticorum vom 9. bis zum Ende des 15. Jahrhunderts. Zwei Bände. Würzburg: Königshausen & Neumann (Salzburger Stier, 1).

Wegman, Rob C. (2008a) Ockeghem, Brumel, Josquin: New documents in Troyes, Early Music, 36(2), pp. 203–217.

Wegman, Rob C. (2008b) The other Josquin, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 58(1), pp. 33–68.

Wegman, Rob C. (2008c) The other Josquin [erratum], Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 58(2), pp. 99–99.

Winkelmüller, Marie (2008) Zahl und Struktur in Josquins Werk, Die Musikforschung, 61(2), pp. 140–140.

2009

Bocchinfuso, Christopher Michael Standing and Josquin des, Prez (2009) Intabulations of music by Josquin des Prez in lute books published by Pierre Phalèse, 1547–1574. Master of Arts. University of Canterbury. Music. Available at: https://ir.canterbury.ac.nz/bitstream/handle/10092/3445/Thesis_fulltext%20vol.1.pdf?sequence=3&isAllowed=y   https://ir.canterbury.ac.nz/bitstream/handle/10092/3445/Thesis_fulltext%20vol.%202.pdf?sequence=4&isAllowed=y .

Bossuyt, Ignace (2009) Het motet Benedicta es van Josquin Desprez als model voor een tricinium van Jean de Castro, in Christine Ballman and Valérie Dufour (eds) ‘La la la… Maistre Henri’: Mélanges de musicologie offerts à Henri Vanhulst. Turnhout: Brepols (Épitome musical), pp. 177–185.

Dean, Jeffrey J. (2009) Josquin’s teaching: Ignored and lost sources, in M. Jennifer Bloxam, Gioia Filocamo, and Leofranc Holford-Strevens (eds) Uno gentile et subtile ingenio: Studies in Renaissance music in honour of Bonnie J. Blackburn. Turnhout: Brepols (Épitome musical), pp. 741–750.

DeFord, Ruth I. (2009) Sebald Heyden (1499–1561): The first historical musicologist?, in Zdravko Blažeković (ed.) Music’s intellectual history. New York: Répertoire International de Littérature Musicale (RILM perspectives, 1), pp. 3–15.

Dumitrescu, Theodor (2009) Reconstructing and repositioning Regis’s Ave Maria…virgo serena, Early Music, 37(1), pp. 73–88.

Elders, Willem (2009a) A new case of number symbolism in Josquin?, Early Music, 37(1), pp. 21–26.

Elders, Willem (2009b) Perfect fifths and the Holy Virgin’s immaculate conception: On ficta in Josquin’s five-part Inviolata, in M. Jennifer Bloxam, Gioia Filocamo, and Leofranc Holford-Strevens (eds) Uno gentile et subtile ingenio: Studies in Renaissance music in honour of Bonnie J. Blackburn. Turnhout: Brepols (Épitome musical), pp. 403–411.

Elders, Willem (2009c) Which is Josquin’s first Mass based on a Gregorian chant?, in Jan Baťa (ed.) Littera Nigro scripta manet: In honorem Jaromír Černý. Praha: KLP: Koniasch Latin Press (Clavis monumentorum musicorum regni Bohemiae: Subsidia, 2), pp. 59–70.

Fallows, David (2009a) Josquin. Turnhout: Brepols (Épitome musical).

Fallows, David (2009b) Josquin and Il n’est plaisir, Early Music, 37(1), pp. 3–8.

Fuhrmann, Wolfgang (2009) Harmonik im 15. Jahrhundert, in Moths (ed.) Musiktheorie an ihren Grenzen: Neue und alte Musik. Bern: Peter Lang, pp. 243–286.

Jas, Eric (2009a) Multivoiced canons attributed to Josquin, in M. Jennifer Bloxam, Gioia Filocamo, and Leofranc Holford-Strevens (eds) Uno gentile et subtile ingenio: Studies in Renaissance music in honour of Bonnie J. Blackburn. Turnhout: Brepols (Épitome musical), pp. 593–603.

Jas, Eric (2009b) What’s in a quote?: Josquin’s (?) Jubilate Deo, omnis terra reconsidered, Early Music, 37(1), pp. 9–19.

Kellman, Herbert (2009) Dad and granddad were cops: Josquin’s ancestry, in M. Jennifer Bloxam, Gioia Filocamo, and Leofranc Holford-Strevens (eds) Uno gentile et subtile ingenio: Studies in Renaissance music in honour of Bonnie J. Blackburn. Turnhout: Brepols (Épitome musical), pp. 183–200.

Koutsobina, Vassiliki (2009) Le Brung’s six-voice Si vous n’avez aultre desir: A musical ‘response’ to a poetic practice, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 59(1), pp. 25–44.

Lockwood, Lewis (2009a) ‘It’s true that Josquin composes better…’: The short unhappy life of Gian de Artiganova, in M. Jennifer Bloxam, Gioia Filocamo, and Leofranc Holford-Strevens (eds) Uno gentile et subtile ingenio: Studies in Renaissance music in honour of Bonnie J. Blackburn. Turnhout: Brepols (Épitome musical), pp. 183–200.

Lockwood, Lewis (2009b) Music in Renaissance Ferrara, 1400-1505: The creation of a musical center in the fifteenth century. 2nd ed. New York: Oxford University Press.

Macey, Patrick (2009) Josquin and Champion: Conflicting attributions for the psalm Motet De profundis clamavi, in M. Jennifer Bloxam, Gioia Filocamo, and Leofranc Holford-Strevens (eds) Uno gentile et subtile ingenio: Studies in Renaissance music in honour of Bonnie J. Blackburn. Turnhout: Brepols (Épitome musical), pp. 453–468.

McDonald, Grantley (2009) Josquin’s musical cricket: El grillo as humanist parody, Acta Musicologica, 81(1), pp. 39–53.

Milsom, John (2009) Josquin and the act of self-quotation: The case of Plusieurs regretz, in M. Jennifer Bloxam, Gioia Filocamo, and Leofranc Holford-Strevens (eds) Uno gentile et subtile ingenio: Studies in Renaissance music in honour of Bonnie J. Blackburn. Turnhout: Brepols (Épitome musical), pp. 521–532.

O’Regan, Noel (2009) Sacred music from the long cinquecento, Early Music, 37(3), pp. 497–499.

Perkins, Leeman L. (2009) Josquin’s Qui habitat and the psalm motets, The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, 26(4), pp. 512–565.

Petersen, Peter (2009a) Zur Rhythmik in den Messen Josquins (und Bauldeweyns): Isometrische Phrasenwiederholungen und ihr Verhältnis zur mensuralen Ordnung, in Friedrich Geiger (ed.) Musikkulturgeschichte heute: Historische Musikwissenschaft an der Universität Hamburg. Frankfurt am Main: Peter Lang (Hamburger Jahrbuch für Musikwissenschaft, 26), pp. 9–30.

Petersen, Peter (2009b) Zur Rhytmik in den Messen Josquins (und Bauldeweyns): Isometrische Phrasenwiederholung und ihr Verhältnis zur mensuralen Ordnung, Hamburger Jahrbuch für Musikwissenschaft, 26 (= Musikkulturgeschichte heute), pp. 9–29.

Pirrotta, Nino (2009) Novelty and renewal in Italy (1300–1600), in John L. Nádas and Michael Scott Cuthbert (eds) Ars nova: French and Italian music in the fourteenth century. Burlington Farnham: Ashgate (Music in medieval Europe), pp. 3–20.

Rifkin, Joshua (2009) Compère, ‘Des Pres,’ and the choirmasters of Cambrai: Omnium bonorum plena reconsidered, Acta Musicologica, 81(1), pp. 55–73.

Rodin, Jesse (2009a) A ‘most laudable competition’? Hearing and composing the Beata virgine Masses of Josquin and Brumel, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 59(1), pp. 3–24.

Rodin, Jesse (2009b) When Josquin became Josquin, Acta Musicologica, 81(1), pp. 23–38.

Rossi, Francesco Rocco (2009) Non solo Josquin: Patronage ed interessi musicali di Ascanio Maria Sforza, Musica disciplina: A yearbook of the history of music, 54, pp. 119–146.

Ruget, Nathalie (2009) ‘Je, tu, nous, vous’: Luigi Nono et Ingeborg Bachmann—Pensée, guerre et écriture, Revue filigrane: Musique, esthétique, sciences, société [Preprint], (9 (= L’individuel et le collectif dans l’art)).

Stanyon, Miranda (2009) Pervasive Imitation in Senfl’s Ave Maria … Virgo Serena: Borrowing from Josquin in sixteenth-century Augsburg, in Jason Stoessel (ed.) Identity and locality in early European music (1028–1740). Farnham: Ashgate, pp. 151–171.

Tacaille, Alice (2009) Notes sur la copie des messes de Josquin des Prés dans un manuscrit italien de la fin du XVIe siècle, in M. Jennifer Bloxam, Gioia Filocamo, and Leofranc Holford-Strevens (eds) Uno gentile et subtile ingenio: Studies in Renaissance music in honour of Bonnie J. Blackburn. Turnhout: Brepols (Épitome musical), pp. 335–350.

Thomas, Jennifer (2009) Absalon fili mi, Josquin, and the French royal court: Attribution, authenticity, context, and conjecture, in M. Jennifer Bloxam, Gioia Filocamo, and Leofranc Holford-Strevens (eds) Uno gentile et subtile ingenio: Studies in Renaissance music in honour of Bonnie J. Blackburn. Turnhout: Brepols (Épitome musical), pp. 477–489.

Vizzaccaro, Federico (2009) Missa Hercules Dux Ferrariæ, Musica domani, 39(152), pp. 36–37.

Woetmann Christoffersen, Peter (2009) Prenez sur moi vostre exemple: The ‘clefless’ notation or the use of fa-clefs in chansons of the fifteenth century by Binchois, Barbingant, Ockeghem and Josquin, Danish yearbook of musicology, 37, pp. 13–38.

2010

Alvarenga, João Pedro d (2010) Some notes on the reception of Josquin and of northern idioms in Portuguese music and culture, Journal of the Alamire Foundation, 2(1), pp. 69–89.

Dippon, Martin (2010) Determination und Freiheit: Studien zum Formbau in den Motetten Josquins. Tutzing: Hans Schneider (Regensburger Studien zur Musikgeschichte, 8).

Fallows, David (2010a) Influences on Josquin, in Fallows (ed.) Composers and their songs, 1400–1521. Farnham: Ashgate (Variorum collected studies series, 958), pp. 67–80.

Fallows, David (2010b) Josquin and Il n’est plaisir, in David Fallows (ed.) Composers and their songs, 1400–1521. Farnham: Ashgate (Variorum collected studies series, 958), pp. 3–8.

Fallows, David (2010c) Josquin and popular songs, in David Fallows (ed.) Composers and their songs, 1400–1521. Farnham: Ashgate (Variorum collected studies series, 958), pp. 161–171.

Fallows, David (2010d) What happened to El grillo, in David Fallows (ed.) Composers and their songs, 1400–1521. Farnham: Ashgate (Variorum collected studies series, 958), pp. 390–399.

Fallows, David (2010e) Who composed Mille regretz?, in David Fallows (ed.) Composers and their songs, 1400–1521. Farnham: Ashgate (Variorum collected studies series, 958), pp. 241–252.

Flamm, Christoph (2010) Leonardo—Gaffurio—Josquin? Zu den kunst- und musikhistorischen Unsicherheiten des Musiker-Porträts in der Pinacoteca Ambrosiana, in Rainer Kleinertz and Klaus-Jürgen Sachs (eds) Musik des Mittelalters und der Renaissance: Festschrift Klaus-Jürgen Sachs zum 80. Geburtstag. Hildesheim: Georg Olms (Studien zur Geschichte der Musiktheorie, 8), pp. 337–349.

Hanning, Barbara Russano (2010) Teaching music history through art, in James R. Briscoe (ed.) Vitalizing music history teaching. Hillsdale: Pendragon Press (Monographs and bibliographies in American music, 20), pp. 139–160.

Kiem, Eckehard (2010) Timing in Josquins Stabat mater, in Felix Diergarten (ed.) Musik und ihre Theorien: Clemens Kühn zum 65. Geburtstag. Dresden: Sandstein, pp. 19–32.

Pietschmann, Klaus (2010) Repräsentationsformen in der frankoflämischen Musikkultur des 15. und 16. Jahrhunderts: Transfer, Austausch, Akkulturation, Musiktheorie: Zeitschrift für Musikwissenschaft, 25(2), pp. 99–115.

Schmidt-Beste, Thomas (2010) Stil und Struktur in den Tenormotetten Heinrich Isaacs, in Ulrich Tadday (ed.) Heinrich Isaac. München: edition text+kritik (Musik-Konzepte, 148–149), pp. 65–88.

Wiesenfeldt, Christiane (2010) Cantus versus planus: Überlegungen zu Josquins Missa ‘Hercules Dux Ferrariae’, Die Musikforschung, 63(4), pp. 379–389.

Woetmann Christoffersen, Peter (2010) The Copenhagen chansonnier: On chansons notated in fa-clefs—and the question of pitch in 15th century secular music, in.

Zywietz, Michael (2010) Affektdarstellung und Memoria in den Deplorationen von Johannes Ockeghem, Josquin des Prez und Nicolas Gombert, in Rainer Kleinertz and Klaus-Jürgen Sachs (eds) Musik des Mittelalters und der Renaissance: Festschrift Klaus-Jürgen Sachs zum 80. Geburtstag. Hildesheim: Georg Olms (Studien zur Geschichte der Musiktheorie, 8), pp. 351–369.

2011

Benthem, Jaap van (2011) ‘Plaine de dueil et de melancolie’: Tracing a negative of Josquin des Prez, in Fabrice Fitch and Jacobijn Kiel (eds) Essays on Renaissance music in honour of David Fallows: Bon jour, bon mois, et bonne estrenne. Woodbridge: Boydell & Brewer (Studies in medieval and Renaissance music).

Berger, Christian (2011) Musik und Zahl in Kompositionen des 15. Jahrhunderts, in Andrea Albrecht (ed.) Zahlen, Zeichen und Figuren: Mathematische Inspirationen in Kunst und Literatur. Berlin: De Gruyter (linguae & litterae), pp. 21–33.

Brauner, Mitchell Paul (2011) The repertory of the papal chapel and the Counter-Reformation, in Philippe Vendrix (ed.) Music and the Renaissance: Renaissance, Reformation and Counter-Reformation. Farnham: Ashgate (A library of essays on Renaissance music), pp. 525–541.

Coeurdevey, Annie (2011) Josquin Desprez: De l’abstraction à l’expression. Paris: Cité de la Musique (Analyse et esthétique).

Dean, Jeffrey J. (2011) Josquin, two contrafacta, and the lost stanzas of Comment peult avoir joye, in Essays on Renaissance music in honour of David Fallows: Bon jour, bon mois, et bonne estrenne. Woodbridge: Boydell & Brewer (Studies in medieval and Renaissance music), pp. 279–285.

Elders, Willem (2011a) Josquin des Prez en zijn muzikale nalatenschap. Hilversum: Verloren (Middeleeuwse studies en bronnen, 133).

Elders, Willem (2011b) On the Sublime in Josquin’s Marian motets, in Albert Clement and Eric Jas (eds) Josquin and the Sublime. Proceedings of the International Josquin Symposium at Roosevelt Academy, Middelburg, 12-15 July 2009. Turnhout: Brepols (Épitome musical), pp. 3–22.

Fallows, David (2011) The performing ensembles in Josquin’s sacred music, in Kenneth Kreitner (ed.) Renaissance music. Farnham Burlington: Ashgate (The library of essays on music, politics and society), pp. 147–180.

Fiore, Carlo (2011) Josquin before 1919: Sources for a reception history, in Albert Clement and Eric Jas (eds) Josquin and the Sublime. Proceedings of the International Josquin Symposium at Roosevelt Academy, Middelburg, 12-15 July 2009. Turnhout: Brepols (Épitome musical), pp. 215–240.

Fitch, Fabrice (2011) Josquin À l’ombre des buissonets: Arborescent design and popular song in his four-voice secular music, in Albert Clement and Eric Jas (eds) Josquin and the Sublime. Proceedings of the International Josquin Symposium at Roosevelt Academy, Middelburg, 12-15 July 2009. Turnhout: Brepols (Épitome musical), pp. 155–168.

Freedman, Richard (2011) Josquin, the multi-voice chanson, and the Sublime, in Albert Clement and Eric Jas (eds) Josquin and the Sublime. Proceedings of the International Josquin Symposium at Roosevelt Academy, Middelburg, 12-15 July 2009. Turnhout: Brepols (Épitome musical), pp. 169–188.

Fuhrmann, Wolfgang (2011a) The simplicity of Sublimity in Josquin’s psalm-motets, in Albert Clement and Eric Jas (eds) Josquin and the Sublime. Proceedings of the International Josquin Symposium at Roosevelt Academy, Middelburg, 12-15 July 2009. Turnhout: Brepols (Épitome musical), pp. 49–71.

Fuhrmann, Wolfgang (2011b) Who composed Pierre de la Rue’s psalm-motets?, Die Tonkunst: Magazin für klassische Musik und Musikwissenschaft, 5(1), pp. 55–62.

Ham, Martin (2011) A sense of proportion: The performance of sesquialtera ca. 1515–ca. 1565, Musica disciplina: A yearbook of the history of music, 56, pp. 79–274.

Körndle, Franz (2011) Josquin Desprez (um 1450–1521), in Wolfgang Hochstein and Christoph Krummacher (eds) Geschichte der Kirchenmusik: Von den Anfängen bis zum Reformationsjahrhundert. Laaber: Laaber-Verlag (Enzyklopädie derKirchenmusik, 1,1), pp. 332–334.

Lindmayr-Brandl, Andrea (2011) Strange polyphonic borrowings: Josquin’s Missa ‘Faysant regretz’, in Albert Clement and Eric Jas (eds) Josquin and the Sublime. Proceedings of the International Josquin Symposium at Roosevelt Academy, Middelburg, 12-15 July 2009. Turnhout: Brepols (Épitome musical), pp. 107–119.

Milsom, John (2011) Playing with plainchant, in Albert Clement and Eric Jas (eds) Josquin and the Sublime. Proceedings of the International Josquin Symposium at Roosevelt Academy, Middelburg, 12-15 July 2009. Turnhout: Brepols (Épitome musical), pp. 23–47.

Orden, Kate van (2011) Josquin des Prez, Renaissance historiography, and the cultures of print, in Jane F. Fulcher (ed.) The Oxford handbook of the new cultural history of music. New York: Oxford University Press, pp. 354–380.

Pack, Timothy Shane (2011) Obrecht’s approach to five-voice composition as an extension of Regis’ axial tenor model, Journal of the Alamire Foundation, 3(1 (= Jacob Obrecht. II)), pp. 76–108.

Planchart, Alejandro Enrique (2011) Notes on Heinrich Isaac’s Virgo prudentissima, The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, 28(1 (= Absorbing Heinrich Isaac)), pp. 81–117.

Sargent, Joseph (2011) Morales, Josquin and the L’homme armé tradition, Early music history: Studies in medieval and early modern music, 30, pp. 177–212.

Schlagel, Stephanie P. (2011) Fortune’s fate: Josquin and the Nürnberg Mass prints of 1539, in Albert Clement and Eric Jas (eds) Josquin and the Sublime. Proceedings of the International Josquin Symposium at Roosevelt Academy, Middelburg, 12-15 July 2009. Turnhout: Brepols (Épitome musical), pp. 191–209.

Schwindt, Nicole (2011) Josquin’s three-part chansons: A case of the Sublime?, in Albert Clement and Eric Jas (eds) Josquin and the Sublime. Proceedings of the International Josquin Symposium at Roosevelt Academy, Middelburg, 12-15 July 2009. Turnhout: Brepols (Épitome musical), pp. 141–153.

Testolin, Walter (2011) Did Leonardo paint Josquin? New light on the ‘Musician’ in the Ambrosiana, in Albert Clement and Eric Jas (eds) Josquin and the Sublime. Proceedings of the International Josquin Symposium at Roosevelt Academy, Middelburg, 12-15 July 2009. Turnhout: Brepols (Épitome musical), pp. 211–213.

2012

Benthem, Jaap van (2012) A triumph of symbiosis: Angelo Poliziano, Josquin des Prez, and the motet O virgo prudentissima, in Thomas Schmidt-Beste (ed.) The motet around 1500: On the relationship of imitation and text treatment? Turnhout Tours: Brepols (Épitome musical), pp. 499–507.

Blackburn, Bonnie J. (2012) The corruption of one is the generation of the other: Interpreting canonic riddles, Journal of the Alamire Foundation, 4(2 (= Musical riddles in the Renaissance)), pp. 182–203.

Borgerding, Todd (2012) Sic ego te dilegebam: Music, homoeroticism, and the sacred in early modern Europe, in Ian D. Biddle (ed.) Music and identity politics. Farnham Burlington: Ashgate (The library of essays on music, politics and society), pp. 3–18.

Clark, Walter A. (2012) Mille regretz revisted: Narváez and the solo intabulations for lute and vihuela of Josquin’s chanson of ‘a thousand regrets’, in Michael O’Connor and Walter Aaron Clark (eds) Treasures of the golden age: Essays in honor of Robert M. Stevenson. Hillsdale: Pendragon Press (Festschrift series, 27), pp. 265–295.

Edwards, Warwick (2012) Text treatment in motets around 1500: The humanistic fallacy, in Thomas Schmidt-Beste (ed.) The motet around 1500: On the relationship of imitation and text treatment? Turnhout Tours: Brepols (Épitome musical), pp. 113–138.

Elders, Willem (2012a) Did Josquin use a musical ‘signature’?, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 62(1–2), pp. 29–63.

Elders, Willem (2012b) Josquin des Prez: Ein ‘unbeschreibliches Genie’, in Elżbieta Szczurko, Tadeusz Guz, and Horst Seidl (eds) Logos et musica: In honorem Summi Romani Pontificis Benedicti XVI. Frankfurt am Main: Peter Lang (Ars musica: Interdiszlipinäre Studien), pp. 591–606.

Fiala, David (2012) La collégiale royale de Saint-Quentin et la musique, in Camilla Cavicchi, Marie-Alexis Colin, and Philippe Vendrix (eds) La musique en Picardie du XIVe au XVIIe siècle. Turnhout: Brepols (Épitome musical), pp. 188–227.

Fuhrmann, Wolfgang (2012) Die Suche nach musikalischer und religiöser Identität in Ludwig Senfls Psalmmotetten, in Stefan Gasch and Sonja Tröster (eds) Senfl-Studien. 1. Tutzing: Hans Schneider (Wiener Forum für Ältere Musikgeschichte, 4), pp. 309–345.

Gilbert, Adam Knight (2012) Ludwig Senfl’s Sancte pater divumque and his musical patrimony, in Thomas Schmidt-Beste (ed.) The motet around 1500: On the relationship of imitation and text treatment? Turnhout Tours: Brepols (Épitome musical), pp. 429–443.

Haggh, Barbara (2012) Composers-secretaries and notaries of the Middle Ages and Renaissance: Did they write?, in Antonio Baldassarre (ed.) Musik – Raum – Akkord – Bild: Festschrift zum 65. Geburtstag von Dorothea Baumann. Bern: Peter Lang, pp. 27–42.

Hlávková-Mráčková, Lenka (2012) Motet style and structure in Central Europe around 1490: Some remarks on selected pieces from the Codex Speciálník, in Thomas Schmidt-Beste (ed.) The motet around 1500: On the relationship of imitation and text treatment? Turnhout Tours: Brepols (Épitome musical), pp. 447–454.

Horyna, Martin and Maňas, Vladimír (2012) Two mid-16th-century manuscripts of polyphonic music from Brno, Early Music, 40(4 (= Music in Bohemia and Moravia)), pp. 553–575.

Litterick, Louise (2012) Out of the shadows: The double canon En l’ombre d’ung buissonnet, in Timothy J. McGee and Charter (eds) Instruments, ensembles, and repertory, 1300–1600: Essays in honour of Keith Polk. Turnhout: Brepols (Brepols collected essays in European culture (BCEEC), 4), pp. 263–298.

McFarland, Alison Sanders (2012) The tale of three woodcuts: Modeling of Antico in the Mass prints of Morales, in Kristine Forney and William F. Prizer (eds) Sleuthing the muse: Essays in honor of William F. Prizer. Hillsdale: Pendragon Press (Festschrift series, 26), pp. 31–43.

Mengozzi, Stefano (2012) Beyond the hexachord: A view from Josquin’s Ut Phebi radiis, in Thomas Schmidt-Beste (ed.) The motet around 1500: On the relationship of imitation and text treatment? Turnhout Tours: Brepols (Épitome musical), pp. 299–307.

Milsom, John (2012) Josquin des Prez and the combinative impulse, in Thomas Schmidt-Beste (ed.) The motet around 1500: On the relationship of imitation and text treatment? Turnhout Tours: Brepols (Épitome musical), pp. 211–246.

Nelson, Bernadette (2012) Josquin in the music of Morales: Musico-rhetorical devices in Salve Regina and other works, in Michael O’Connor (ed.) Treasures of the golden age: Essays in honor of Robert M. Stevenson. Hillsdale: Pendragon Press (Festschrift series, 27), pp. 297–322.

Nogueira, Marcos Fernandes Pupo (2012) Agrupamentos sonoros plenos na música de simultaneidades acústicas e estruturais, Música Hodie, 12(2), pp. 87–97.

Pfisterer, Andreas (2012) Chanson combinative und Volksliedsatz: Zu einem Liedtypus bei Isaac und Senfl, in Stefan Gasch and Sonja Tröster (eds) Senfl-Studien. I. Tutzing: Hans Schneider (Wiener Forum für Ältere Musikgeschichte, 4), pp. 209–221.

Prey, Stefan (2012) Algorithmen zur Satztechnik und ihre Anwendung auf die Analyse. University of Osnabrück. Available at: https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=&ved=2ahUKEwjh-Nes-MiAAxU43AIHHffnD3wQFnoECCAQAQ&url=https%3A%2F%2Fosnadocs.ub.uni-osnabrueck.de%2Fbitstream%2Furn%3Anbn%3Ade%3Agbv%3A700-2012102410434%2F2%2Fthesis_prey.pdf&usg=AOvVaw1Db4oTjV2ermMMg-vrtga8&opi=89978449 .

Rifkin, Joshua (2012) Singing Josquin’s Miserere in Ferrara: A lesson in ficta from Bidon?, in Timothy J. McGee and Stewart Carter (eds) Instruments, ensembles, and repertory, 1300–1600: Essays in honour of Keith Polk. Turnhout: Brepols (Brepols collected essays in European culture, 4), pp. 309–329.

Rodin, Jesse (2012) Josquin’s Rome: Hearing and composing in the Sistine Chapel. New York: Oxford University Press (AMS studies in music).

Steib, Murray (2012) The old guard goes to school: The evolution of style in Johannes Martini’s motets, in Thomas Schmidt-Beste (ed.) The motet around 1500: On the relationship of imitation and text treatment? Turnhout Tours: Brepols (Épitome musical), pp. 411–428.

Urquhart, Peter Whitney (2012) Ad fugam, De Orto, and a defense of the ‘early Josquin’, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 62(1–2), pp. 3–27.

Zayaruznaya, Anna (2012) What Fortune can do to a minim, Journal of the American Musicological Society, 65(2), pp. 313–381.

Zywietz, Michael (2012) ‘Chantres experts de toutes nations’: Nationales Gruppenbewusstsein und Chansonkomposition bei Josquin, Gombert und Lassus, in Detlef Altenburg and Rainer Bayreuther (eds) Musik und kulturelle Identität. [Bericht über den XIII. internationalen Kongress der Gesellschaft für Musikforschung, Weimar 2004]. Symposien B. Kassel: Bärenreiter-Verlag, pp. 73–80.

2013

Belić, Senka R. (2013) Between the sun and the moon: A new view of Josquin’s motet Illibata Dei virgo nutrix, in Miloš Zatkalik, Milena B. Medić, and Denis Collins (eds) Histories and narratives of music analysis. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 103–119.

Bernstein, Lawrence F. (2013) Josquin’s chansons as generic paradigms, in Sean Gallagher (ed.) Secular Renaissance music: Forms and functions. Farnham: Ashgate (A library of essays on Renaissance music), pp. 159–179.

Bitzan, Wendelin (2013) Never-ending canon: Didactical approaches to two-part imitational passages from Josquin’s Masses, Rivista di analisi e teoria musicale, 19(2), pp. 115–122.

Delfino, Antonio (2013) Osservazioni preliminari ad uno studio del mottetto Benedicta es celorum regine a 12 voci di Josquin/Guyot [Castileti] (1568) e della relativa intavolatura di Jacob Paix (1589), in Maria Caraci Vela (ed.) La filologia musicale: Istituzioni, storia, strumenti critici. III: Antologia di contributi filologici. Lucca: Libreria Musicale Italiana (LIM) (Biblioteca musicale LIM), pp. 281–322.

Edwards, Warwick (2013) Songs without words by Josquin and his contemporaries, in Sean Gallagher (ed.) Secular Renaissance music: Forms and functions. Farnham: Ashgate (A library of essays on Renaissance music), pp. 575–588.

Elders, Willem (2013) Josquin des Prez and his musical legacy: An introductory guide. Revised and translated ed. Leuven: Leuven University Press.

Francesco da, Milano (2013) Francesco da Milano in instalments. XXXVI: Fantasia 87A, Lute news, (108), pp. 30–31.

Fuhrmann, Wolfgang (2013) ‘Tristre plaisir et douloureuse joie’: Die Stimme der Melancholie in der französischen Chanson des 15. Jahrhunderts, Zeitschrift für Literaturwissenschaft und Linguistik (Lili): Eine Zeitschrift der Universität Siegen, (171), pp. 16–46.

Greig, Donald (2013) Time will tell. London: Thames River Press.

Hund, Marianne and Elders, Willem (2013) Unravelling Josquin’s Quant je vous voy, with a postscript on El grillo, Early Music, 41(4), pp. 633–644.

Judd, Cristle Collins (2013) ‘How to assign note values to words’: Gioseffo Zarlino’s Pater noster, Ave Maria (1549 and 1566), in Lawrence F. Bernstein (ed.) Musical implications: Essays in honor of Eugene Narmour. Hillsdale: Pendragon Press (Festschrift series), pp. 225–254.

Lütteken, Laurenz (2013) Theory of music and philosophy of life: The Dodekachordon and the Counter-Reformation, in Iain Fenlon and Inga Mai Groote (eds) Heinrich Glarean’s books: The intellectual world of a sixteenth-century musical humanist. Cambridge: Cambridge University Press, pp. 38–46.

Meyer, Michael (2013) ‘Tempore Iosqvinus primus’: Musikgeschichte nach Valentin Neander 1583, Die Musikforschung, 66(4), pp. 408–412.

Milsom, John (2013) Hard composing: Hard performing—Hard listening, Early music, 41 (= 40th anniversary issue)(1), pp. 108–112.

Pfisterer, Andreas (2013) Senfls Magnificat-Zyklus und die Tradition des mehrstimmigen Magnificat, in Stefan Gasch and Sonja Tröster (eds) Senfl-Studien. II. Tutzing: Hans Schneider (Wiener Forum für ältere Musikgeschichte, 7), pp. 331–350.

Tarasevič, Nikolaj Ivanovič (2013) О мензуральной нотации, а также о канонах мензуральных и пропорциональных, Теория музыки в России: Tрадиции и перспективы, (3:3), pp. 108–119.

Urchueguía, Cristina (2013a) Josquin in den Renaissance-Handschriften aus Toledo: Medialität und musikalischer Kanon im Zeitalter der ersten Medienrevolution, in Klaus Pietschmann and Melanie Wald-Fuhrmann (eds) Kanon in der Musik: Theorie und Geschichte – Ein Handbuch. München: edition text+kritik, pp. 280–313.

Urchueguía, Cristina (2013b) Josquin in den Renaissance-Handschriften aus Toledo: Medialität und musikalischer Kanon im Zeitalter der ersten Medienrevolution, in Klaus Pietschmann and Melanie Wald-Fuhrmann (eds) Der Kanon der Musik: Theorie und Geschichte – ein Handbuch. München: edition text+kritik, pp. 280–313.

Ušakova, Natal’â Vladimirovna and Demeško, Galina Andreevna (2013) Модальность эпохи Возрождения, Muzykovedenie, (6), pp. 3–12.

2014

Berger, Christian (2014) Glareans Bild der Musikgeschichte, Freiburger Universitätsblätter, 53(203), pp. 51–64.

Fuhrmann, Wolfgang (2014) Subjektivierung von Polyphonie: Die Devotionsmotette im Kontext der Gattungstransformation 1420–1450, in Alexander Rausch and Björn R. Tammen (eds) Musikalische Repertoires in Zentraleuropa (1420–1450): Prozesse & Praktiken. Wien: Böhlau Verlag (Wiener musikwissenschaftliche Beiträge, 26), pp. 171–225.

Jas, Eric (2014) What other Josquin?, Early music history: Studies in medieval and early modern music, 33, pp. 109–142.

Mayer, Johannes Leopold (2014) Wozu Musik? Gedanken und Erwägungen über Notwendigkeit und Brauchbarkeit. Wien: Edition Konturen.

Meyer, Michael (2014) Bearbeitung im Dienste von Konservierung und Autorisierung: Josquin-Rezeption bei David Köler und Sebastian Ochsenkun, Die Tonkunst: Magazin für klassische Musik und Musikwissenschaft, 8(2 (= Medienwechsel: Bearbeitungen in der Musik)), pp. 170–185.

Ott, Immanuel (2014) Methoden der Kanonkomposition bei Josquin Des Prez und seinen Zeitgenossen. [Dissertation, Musikhochschule Lübeck, 2014]. Hildesheim: Georg Olms (Schriften der Musikhochschule Lübeck / Musikhochschule Lübeck, 1).

Riet, Marlies van der (2014) Daniël François Scheurleer, de laatste jaren van een Haags cultuurmecenas, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 64(1–2), pp. 144–175.

Sabaino, Daniele and Mangani, Marco (2014) Tonal space organization in Josquin’s late motets, Musica disciplina: A yearbook of the history of music, 59, pp. 93–125.

2015

Alwes, Chester L. (2015) A history of Western choral music. Volume 1: From medieval foundations to the romantic age. New York: Oxford University Press.

Battista, Alba Francesca and Monopoli, Nicola (2015) RCCM Canons: A real-time spatialization algorithm, Emille: The Journal of the Korean Electro-Acoustic Music Society, 13, pp. 23–29.

Benthem, Jaap van (2015) Quant je vous voye revisited, Early Music, 43(3), pp. 513–518.

Blackburn, Bonnie J. (2015) ‘Notes secretly fitted together’: Theorists on enigmatic canons—And on Josquin’s Hercules Mass, in Anna Zayaruznaya, Bonnie J. Blackburn, and Stanley Boorman (eds) Qui musicam in se habet: Essays in honor of Alejandro Planchart. Middleton: American Institute of Musicology (Miscellanea, 9), pp. 743–760.

DeFord, Ruth I. (2015) Tactus, mensuration and rhythm in Renaissance music. Cambridge: Cambridge University Press.

Dippon, Martin Christian (2015) Textdarstellung und Textinterpretation in Josquins ‘Stabat mater’, Kirchenmusikalisches Jahrbuch, 99, pp. 7–44.

Fabiański, Marcin (2015) Cenni sul concetto di arte, ossia sul disegno, nella letteratura polacca del Cinquecento, in Tomasz Jeż (ed.) Italian music in Central-Eastern Europe: Around Mikołaj Zieleński’s Offertoria and Communiones (1611). Venezia: Fondazione Ugo e Olga Levi (TRA.D.I.MUS: Studi e monografie, 2), pp. 73–86.

Ford, Mike (2015) Processes of spectralization: From Josquin’s Missa ‘L’homme armé’ super voces musicales to Haas’s Tria ex uno, in Musicologica olomucensia. Olomouc: Univerzita Palackého v Olomouci Univerzita Palackého v Olomouci (Filozofická Fakulteta) (Acta Universitatis Palackianae Olomucensis: Facultas Philosophica—Philosophica/aesthetica), pp. 7–23.

Helbing, Volker (2015) Ostinato-Technik im Kyrie aus Josquins Missa ‘Malheur me bat’, in Konrad Georgi and Jürgen Blume (eds) Musiktheorie und Improvisation: : Kongressbericht der IX. Jahrestagung der Gesellschaft für Musiktheorie, 2009. Mainz: B. Schott’s Söhne, pp. 435–455.

Izzo, Leo (2015a) Il ‘soggetto cavato’ nella Missa Hercules dux Ferrariae di Josquin des Prez, Musica docta: Rivista digitale di pedagogia e didattica della musicale, 5, pp. 139–150.

Izzo, Leo (2015b) Il ‘soggetto cavato’ nella Missa Hercules dux Ferrariae di Josquin des Prez, Musica docta: Rivista digitale di pedagogia e didattica della musicale, 5, pp. 139–150.

Long, Michael P. (2015) Hearing Josquin hearing Busnoys, in Anna Maria Busse Berger and Jesse Rodin (eds) The Cambridge history of fifteenth-century music. Cambridge: Cambridge University Press, pp. 21–39.

Mayer, Johannes Leopold (2015) ‘Et exspecto’: Der Klang der Ewigkeit und dessen Gestaltung bei Josquin des Prés, Anton Bruckner und Olivier Messian, in Andreas Lindner and Klaus Petermayr (eds) Bruckner-Jahrbuch, 2015-2017. Wien: Musikwissenschaftlicher Verlag, pp. 95–144.

McCarthy, Kerry (2015) Josquin in England: An unexpected sighting, Early Music, 43(3), pp. 449–454.

McFarland, Alison Sanders (2015) Josquin as authority in Morales’s four-voice Missa de Beata Virgine, in Anna Zayaruznaya, Bonnie J. Blackburn, and Stanley Boorman (eds) Qui musicam in se habet: Essays in honor of Alejandro Planchart. Middleton: American Institute of Musicology (Miscellanea, 9), pp. 675–690.

Menke, Johannes (2015) Kontrapunkt I: Die Musik der Renaissance. Laaber: Laaber-Verlag (Laaber Musikwissen).

Mesquita, David and Vogt, Florian (2015) Wie improvisiert man eine Josquin-Motette?, in Jürgen Blume and Konrad Georgi (eds) Musiktheorie und Improvisation: Kongressbericht der IX. Jahrestagung der Gesellschaft für Musiktheorie, 2009. Mainz: B. Schott’s Söhne, pp. 40–50.

Milsom, John (2015) Making a motet: Josquin’s Ave Maria…virgo serena, in Anna Maria Busse Berger and Jesse Rodin (eds) The Cambridge history of fifteenth-century music. Cambridge: Cambridge University Press, pp. 183–199.

Ott, Immanuel (2015) Model-based canonic writing in Brumel’s Missa A l’ombre d’ung buissonet, Brumel the composer. I, 7(2), pp. 50–71.

Rifkin, Joshua (2015) Sound and structure: Le marteau sans maître and Mille regretz, in Anna Zayaruznaya, Bonnie J. Blackburn, and Stanley Boorman (eds) Qui musicam in se habet: Essays in honor of Alejandro Planchart. Middleton: American Institute of Musicology (Miscellanea, 9), pp. 635–673.

Rodin, Jesse (2015a) Josquin and epistemology, in Anna Maria Busse Berger and Jesse Rodin (eds) The Cambridge history of fifteenth-century music. Cambridge: Cambridge University Press, pp. 119–136.

Rodin, Jesse (2015b) The L’homme armé tradition—and the limits of musical borrowing, in Anna Maria Busse Berger and Jesse Rodin (eds) The Cambridge history of fifteenth-century music. Cambridge: Cambridge University Press, pp. 69–83.

Schiltz, Katelijne (2015) Music and riddle culture in the Renaissance. Cambridge: Cambridge University Press.

2016

Brüser, Meinolf (2016a) Aspekte selbstreferentieller Kunst in Josquins Déploration de Iohan. Ockeghem, Musik & Ästhetik, 20(79), pp. 20–35.

Brüser, Meinolf (2016b) Aspekte selbstreferentieller Kunst in Josquins Déploration de Iohan. Ockeghem, Musik & Ästhetik, 20(79), pp. 20–35.

Dieleman, Anna (2016) Berlin, Geheimes Staatsarchiv Preussischer Kulturbesitz ms 7: Codicological, textual and contextual aspects of a mid-sixteenth-century Prussian music manuscript, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 66(1–2), pp. 3–61.

Horst, Agnes van der (2016a) De Beethoven van de zestiende eeuw: Kerst met Josquin, Tijdschrift oude muziek, 31(4), pp. 18–21.

Horst, Agnes van der (2016b) De Beethoven van de zestiende eeuw: Kerst met Josquin, Tijdschrift oude muziek, 31(4), pp. 18–21.

Milsom, John (2016) Style and idea in Josquin’s Cueur langoreulx, Journal of the Alamire Foundation, 8(1), pp. 77–91.

Milsom, John and Saunders, Zoe (2016) Who composed the Missa Cueur langoreulx? The case for Mathurin Forestier, Journal of the Alamire Foundation, 8(1), pp. 139–161.

Odoj, Wojciech (2016) Josquin’s motet In amara crucis ara in the Green Codex of Viadrina, Muzyka, 61(3:242), pp. 45–54.

Ott, Immanuel (2016) Satztechnik und Rhetorik in Josquins Stabat Mater, in Immanuel Ott and Birger Petersen (eds) Musica floreat! Jürgen Blume zum 70. Geburtstag. Mainz: Are Musikverlag (Spektrum Musiktheorie, 5), pp. 159–168.

Pietschmann, Klaus (2016) Die Sequenz in der Messvertonung um 1500: Antoine Brumels Missa victimae paschali laudes und ihre Rezeption in Josquins Missa pange lingua, in Immanuel Ott and Birger Petersen (eds) Musica floreat! Jürgen Blume zum 70. Geburtstag. Mainz: Are Musikverlag (Spektrum Musiktheorie, 5), pp. 143–158.

Risler, Alexis (2016) Le passage du vocal à l’instrumental: Le stretto fuga dans les fantaisies pour luth d’Albert de Rippe, Les cahiers de la Société Québécoise de Recherche en Musique, 17 (= S’affirmer, s’exprimer, s’engager)(2), pp. 61–72.

Rodin, Jesse (2016) Form and experience in fifteenth-century music: Problems, fallacies, new directions, Journal of the Alamire Foundation, 8(2), pp. 277–294.

Saunders, Zoe (2016) A sixteenth-century example of Josquin emulation: The anonymous Missa Cueur langoreulx and its source, Journal of the Alamire Foundation, 8(1), pp. 92–138.

2017

Bokulich, Clare (2017) Contextualizing Josquin’s Ave Maria…virgo serena, The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, 34(2), pp. 182–240.

Cassia, Cristina (2017) Les œuvres attribuées à Hesdin. PhD dissertation. Universite Libre de Bruxelles.

Fallows, David (2017) A new Josquin ascription: The four-voice Au bois, au bois ma dame, previously credited only to Moulu, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 67(1-2 (= A Festschrift for Jaap van Benthem on his 80th birthday)), pp. 163–176.

Gancarczyk, Paweł and Hlávková-Mráčková, Lenka (2017) The Lviv fragments and Missa L’Homme armé sexti toni: Questions on early Josquin reception in Central Europe, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 67 (= A Festschrift for Jaap van Benthem on his 80th birthday)(1–2), pp. 139–161.

Koutsobina, Vassiliki (2017) Canons as orations: The case of Josquin’s multi-voice chansons, Early Music, 45(2), pp. 231–248.

Krämer, Ulrich (2017) Komponiert oder kompiliert? Mille regretz im Spiegel der Bearbeitungen von Cristóbal de Morales und Nicolas Gombert, in Stefan Jena, Markus Grassl, and Andreas Vejvar (eds) Arbeit an Musik: Reinhard Kapp zum 70. Geburtstag. Wien: Praesens Verlag, pp. 409–435.

Krzyzaniak, Michael (2017) Chromatic alterations in Josquin’s Basies moy, Early Music, 45(1), pp. 77–88.

Mahrt, William (2017) Josquin des Prez’ devotional motet, Tu solus qui facis mirabilia, Sacred music, 144(2), pp. 41–44.

Mayer, Johannes Leopold (2017) ‘Et exspecto’: Der Klang der Ewigkeit und dessen Gestaltung bei Josquin des Prés, Anton Bruckner und Olivier Messian, Bruckner-Jahrbuch, 2015–2017, pp. 95–144.

Rifkin, Joshua (2017) Musste Josquin Josquin werden? Zum Problem des Frühwerks, Archiv für Musikwissenschaft, 74(3), pp. 162–184.

Ropchock, Alanna (2017) The Lutheran identity of Josquin’s Missa pange lingua: Renaissance of a Renaissance mass, Early music history: Studies in medieval and early modern music, 36, pp. 193–249.

Sundukova, Lûdmila Ivanovna (2017) Орден Золотого руна: Музыка и церемониал (1431–1559), Naučnyj vestnik Moskovskoj konservatorii, (3:30), pp. 66–77.

2018

Benthem, Jaap van (2018) Das zweite Gesicht einer Josquin zugeschriebenen Kontrafaktur, in Klaus Pietschmann and Laurent Pugin (eds) (Re-)constructing Renaissance music: Perspectives from the digital humanities and music theory. (Jahrbuch für Renaissancemusik, 17), pp. 141–162. Available at: https://miami.uni-muenster.de/Record/07f4509e-4228-447c-b226-2c5f67b00d98 .

Berger, Christian (2018a) Das Vergnügen an der ‘sonorum erudita mixtura:’ Musikalische Formgestaltung in Josquins La plus des plus, in Annette Kreutziger-Herr, Nina Noeske, Nicole K. Strohmann, Antje Tumat, Melanie Unseld, and Stefan Weiss (eds) Wege: Festschrift für Susanne Rode-Breymann. Hildesheim: Georg Olms (Studien und Materialien zur Musikwissenschaft, 100), pp. 105–116.

Berger, Christian (2018b) Das Vergnügen an der ‘sonorum erudita mixtura:’ Musikalische Formgestaltung in Josquins La plus des plus, in Anette Kreuziger-Herr, Nina Noeske, Nicole K. Strohmann, Antje Tumat, Melanie Unseld, and Stefan Weiss (eds) Wege: Festschrift für Susanne Rode-Breymann. Hildesheim: Georg Olms (Studien und Materialien zur Musikwissenschaft, 100), pp. 105–116.

Elders, Willem (2018) Sweelinck—Obrecht—Josquin, and the Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 68 (= Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 1868–2018), pp. 5–15.

Horst, Agnes van der (2018a) ‘Josquin’s L’homme armé is een volledige maaltijd’: Capella de la Torre en Cantar Lontano werken samen, Tijdschrift oude muziek, 33(2), pp. 48–51.

Horst, Agnes van der (2018b) ‘Josquin’s L’homme armé is een volledige maaltijd’: Capella de la Torre en Cantar Lontano werken samen, Tijdschrift oude muziek, 33(2), pp. 48–51.

Langen, Petra van (2018) 150 jaar schatgraven in de Nederlandse muziekgeschiedenis: Josquin en de KVNM, Tijdschrift oude muziek, 33(2), pp. 38–41.

Milsom, John (2018) The T-Mass: Quis scrutatur?, Early Music, 46(2), pp. 319–331.

Molmenti, Francesco (2018) Alcune considerazioni sull’organizzazione dello spazio sonoro nelle Messe di Josquin des Prez, in Angela Romagnoli, Daniele Sabaino, Rodobaldo Tibaldi, and Pietro Zappalà (eds) Cara scientia mia, musica: Studi per Maria Caraci Vela. Pisa: Edizioni ETS (Diverse voci: Collana del Dipartimento di Scienze Musicologiche e Paleografico-Filologiche, Università di Pavia, 14), pp. 65–90.

Phillips, Peter (2018) Heaven and earth: A performer’s guide to Josquin’s masses, The musical times, 159(1944), pp. 3–87.

Rodin, Jesse (2018) (In) Noten suchen: Das Josquin Research Project, in Klaus Pietschmann and Laurent Pugin (eds) (Re-)constructing Renaissance music: Perspectives from the digital humanities and music theory. (Jahrbuch für Renaissancemusik, 17), pp. 47–68. Available at: https://miami.uni-muenster.de/Record/07f4509e-4228-447c-b226-2c5f67b00d98 .

Ropchock, Alanna (2018) Birds, vegetables, and sharp objects: Symbolism and polyphonic Masses from a sixteenth-century Lutheran castle, Journal of the Alamire Foundation, 10(1), pp. 97–129.

Rubinoff, Kailan Ruth (2018) ‘Een ongeschreven boek, opgedragen aan het Nederlandse volk’ (An unwritten book, dedicated to the Dutch people): The Vereniging voor Nederlandse Muziekgeschiedenis and the promotion of early music performance, Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 1868–2018, 68, pp. 70–97.

Schlagel, Stephanie P. (2018) Josquin des Prez, in A-R Editions’ Online Music Anthology, 2018. Middleton: A-R Editions (A-R Online Music Anthology, 791).

Thissen, Paul (2018) Das immer Gleiche im immer neuen Gewand: Zum Zeichencharakter der Musik in den Messen von Josquin des Prez (ca. 1450–1521), in Rüdiger Althaus and Hans-Josef Becker (eds) In verbo autem tuo, Domine / Auf dein Wort hin, Herr: Festschrift für Erzbischof Hans-Josef Becker zur Vollendung seines 70. Lebensjahres. Paderborn: Schöningh (Paderborner theologische Studien), pp. 553–574.

2019

Blackburn, Bonnie J. (2019) The Segovia manuscript: Speculative notes on the Flemish connection, in Wolfgang Fuhrmann and Cristina Urchueguía (eds) The Segovia manuscript: A European musical repertory in Spain, c. 1500. Woodbridge: Boydell Press (Studies in medieval and Renaissance music, 20), pp. 215–230.

Brumana, Biancamaria (2019) Francesco Maturanzio sulle tracce della musica di Scaramella, in Francesco Maturanzio: Studi per il cinquecentesimo anniversario della morte (1518–2018), Bollettino della Deputazione di Storia Patria per l’Umbria, 116, pp. 309–326.

Bunel, Guillaume (2019) The notation of Fuga-canons in Vienna, Österreichische Nationalbibliothek, Ms. Mus. 18746, Journal of the Alamire Foundation, 11(1-2 (= Petrus Alamire’s musical legacy: New perspectives on polyphony)), pp. 113–124.

Droese, Janine (2019) Zum Lied Comment peult avoir joye/Wohlauf, gut G’sell und dem cantus prius factus der Motette Celorum decus Maria, Lied und populäre Kultur/Song and Popular Culture: Jahrbuch des Zentrums für Populäre Kultur und Musik, 64, pp. 275–295.

Griffiths, John (2019) Songs without words: The motet as solo instrumental music after Trent, in Esperanza Rodríguez García and Daniele V. Filippi (eds) Mapping the motet in the post-Tridentine era. Abingdon: Routledge, pp. 206–227.

Lodes, Birgit (2019) Peschin, Ochsenkun und die Instrumentalpraxis am Hof Ottheinrichs: Eine neue Geschichte der Orgeltabulatur Klagenfurt GV 4/3, Die Musikforschung, 72(2), pp. 107–138.

Lucker, Pavel Valer’evič (2019) Нимфы лесов Жоскена Депре и Смерть, ты пронзила своим жалом Йоханнеса Окегема: Работа по модели или диалог, Starinnaâ muzyka, (4:86), pp. 1–8.

Ranson, Trudie G. (2019) Early parody Masses, their composers, and the French connection in Munich, Bayerische Staatsbibliothek, Musica Ms. F, Journal of the Alamire Foundation, 11(1-2 (= Petrus Alamire’s musical legacy: New perspectives on polyphony)), pp. 71–84.

Ruini, Cesarino (2019a) La ‘musica degli angeli’: Josquin Desprez al liceo, Musica docta: Rivista digitale di pedagogia e didattica della musicale, 9, pp. 137–150.

Ruini, Cesarino (2019b) La ‘musica degli angeli’: Josquin Desprez al liceo, Musica docta: Rivista digitale di pedagogia e didattica della musicale, 9, pp. 137–150.

Tierno, Alanna Ropchock (2019) ‘Das ist eine harte Rede; wer kann sie hören?’: The Lutheran copies of Josquin’s Missa Pange lingua, in David J. Burn, Grantley McDonald, Joseph Verheyden, and Peter de Mey (eds) Music and theology in the European Reformations. Turnhout: Brepols (Épitome musical), pp. 211–232.

2020

Benthem, Jaap van (2020a) ‘To pursue his own affairs elsewhere’: Some observations and reflections on Josquin’s Missa l’homme armé sexti toni, Hudební věda, 57 [= Paweł Gancarczyk Festschrift], pp. 421–435.

Benthem, Jaap van (2020b) ‘To pursue his own affairs elsewhere’: Some observations and reflections on Josquin’s Missa l’homme armé sexti toni, Hudební věda, 57 [Paweł Gancarczyk Festschrift](4), pp. 421–435.

Bokulich, Clare (2020) Remaking a motet: How and when Josquin’s Ave Maria…virgo serena became The Ave Maria, Early music history: Studies in medieval and early modern music, 39, pp. 1–73.

Fallows, David (2020a) Josquin. 2nd edition. Turnhout: Brepols (Épitome musical).

Fallows, David (2020b) La belle se siet: Where Dufay and Josquin meet, in Tess Knighton and David Skinner (eds) Music and instruments of the Middle Ages: Essays in honour of Christopher Page. Woodbridge: Boydell Press (Studies in medieval and Renaissance music, 22), pp. 305–322.

James, Aaron (2020) Josquin’s Per illud ave, Sacred music, 147(2), pp. 70–74.

MacNeil, Anne (2020) ‘A voice crying in the wilderness’: Issues of authorship, performance, and transcription in the Italian frottola, The Italianist, 40(3 (= Genre-bending in Early Modern performative culture)), pp. 463–476.

Meyer, Michael (2020) ‘Roscius alter’: Zur Heroisierung und Historisierung Heinrich Isaacs im Deutschland des 16. Jahrhunderts, Musiktheorie: Zeitschrift für Musikwissenschaft, 35: Heinrich Isaac—Kontexte und Rezeptionen(3), pp. 251–263.

Milsom, John (2020) Attending (to) Masses in the long 16th century, Early Music, 48(2), pp. 251–257.

Ott, Immanuel (2020) Kombination und Rekombination in der Renaissance, Zeitschrift der Gesellschaft für Musiktheorie. XVII/2: Alte Musik und Musiktheorie zwischen Historiografie und Pädagogik, 17(2), pp. 11–26.

2021

Bosi, Carlo (2021) Three Libri missarum of early Lutheran Germany: Some reflections on their repertory, in Andrea Lindmayr-Brandl and Grantley McDonald (eds) Early printed music and material culture in Central and Western Europe. Abingdon: Routledge (Music and material culture), pp. 133–148.

Cerkovnik, Esma (2021) ‘Poenitentia’, ‘devotio’ und ‘conversio’: Über Josquins Bußpsalmmotetten, in Ulrich Tadday (ed.) Josquin des Prez. München: edition text + kritik (Musik-Konzepte; Sonderband), pp. 144–157.

Chizzali, Michael (2021) Aufer a nobis domine, eine neu aufgefundene Kontrafaktur von Josquins Chanson N’esse pas ung grant desplaisir: Überlegungen zum Spannungsfeld »humanistischer« Textunterlegung, in Ulrich Tadday (ed.) Josquin des Prez. München: edition text + kritik (Musik-Konzepte; Sonderband), pp. 185–198.

Finscher, Ludwig (2021) Von Josquin zu Willaert – ein Paradigmenwechsel?, in Ulrich Tadday (ed.) Josquin des Prez. München: edition text + kritik (Musik-Konzepte; Sonderband), pp. 211–239.

Geelen, Bram, Burn, David J. and Moor, Bart L.R. de (2021) A clustering analysis of Renaissance polyphony using state-space models, Journal of the Alamire Foundation, 13(1), pp. 127–146.

Heidrich, Jürgen (2021) Original oder Fälschung? Josquins (?) Psalmmotetten in der posthumen deutschen Überlieferung und ihr Kontext, Die Tonkunst: Magazin für klassische Musik und Musikwissenschaft, 15 (= Josquin-Geheimnis seines Erfolges)(1), pp. 53–60.

Herzig, Guido Heidloff (2021) Ein Blick in Josquins Komponierstube: Sechsstimmige Satzkonzepte in der Chanson Se congié prens, in Ulrich Tadday (ed.) Josquin des Prez. München: edition text + kritik (Musik-Konzepte; Sonderband), pp. 172–184.

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