{"id":843,"date":"2021-08-24T20:33:24","date_gmt":"2021-08-24T18:33:24","guid":{"rendered":"https:\/\/josquindesprez.com\/?page_id=843"},"modified":"2021-08-25T21:32:26","modified_gmt":"2021-08-25T19:32:26","slug":"secular-works","status":"publish","type":"page","link":"https:\/\/josquindesprez.com\/en\/secular-works\/","title":{"rendered":"Secular Works"},"content":{"rendered":"\n
\"\"
Josquin Desprez: Adieu mes amours<\/em> (NJE 28.03)
Source: St. Gallen, Stiftsbibliothek, Cod. Sang. 462 (“Heer Liederbuch”), Discantus and Tenor, fol. 40v (A005)<\/figcaption><\/figure>\n\n\n\n

While the majority of the motets are classified as non-authentic, the editors of the New Josquin Edition categorise 59 of the 110 surviving secular works as authentic. The authenticity of 24 works is considered doubtful, 27 works are considered misattributions.<\/p>\n\n\n\n

<\/p>\n\n\n\n

No.<\/strong><\/td>Title<\/strong><\/td>Voices<\/strong><\/td>ID<\/strong><\/td>Authenticity (NJE)<\/strong><\/td><\/tr>
1<\/td>A la mort<\/td>3<\/td>NJE_27.01<\/td>authentic<\/td><\/tr>
2<\/td>A l’heure<\/td>4<\/td>NJE_28.01<\/td>authentic <\/td><\/tr>
3<\/td>A l’ombre d’ung buissonnet<\/td>3<\/td>NJE_27.02<\/td>authentic <\/td><\/tr>
4<\/td>Ach h\u00fclff mich leid<\/td>4<\/td>NJE_28.02<\/td>dubious<\/td><\/tr>
5<\/td>Adieu mes amours<\/td>4<\/td>NJE_28.03<\/td>authentic <\/td><\/tr>
6<\/td>Adieu mes amours<\/td>6<\/td>NJE_30.01<\/td>dubious <\/td><\/tr>
7<\/td>Allegez moy<\/td>6<\/td>NJE_30.02<\/td>authentic <\/td><\/tr>
8<\/td>Baisiez moy<\/td>4<\/td>NJE_28.04<\/td>authentic <\/td><\/tr>
9<\/td>Baisiez moy<\/td>6<\/td>NJE_30.03<\/td>spurious<\/td><\/tr>
10<\/td>Belle pour l’amour de vous<\/td>4<\/td>NJE_28.05<\/td>authentic <\/td><\/tr>
11<\/td>Bergerette savoysienne<\/td>4<\/td>NJE_28.06<\/td>authentic <\/td><\/tr>
12<\/td>Ce povre mendiant<\/td>3<\/td>NJE_27.05<\/td>authentic <\/td><\/tr>
13<\/td>Cela sans plus<\/td>3<\/td>NJE_27.03<\/td>authentic <\/td><\/tr>
14<\/td>Cela sans plus<\/td>3<\/td>NJE_27.04<\/td>spurious <\/td><\/tr>
15<\/td>Cent mille regretz<\/td>5<\/td>NJE_29.01<\/td>spurious <\/td><\/tr>
16<\/td>Comment peult avoir joye<\/td>4<\/td>NJE_28.07<\/td>authentic <\/td><\/tr>
17<\/td>Cueur langoreulx<\/td>5<\/td>NJE_29.02<\/td>authentic <\/td><\/tr>
18<\/td>Cueurs desolez<\/td>4<\/td>NJE_28.08<\/td>spurious <\/td><\/tr>
19<\/td>Cueurs desolez<\/td>5<\/td>NJE_29.03<\/td>spurious <\/td><\/tr>
20<\/td>De tous biens plaine<\/td>3<\/td>NJE_27.06<\/td>authentic <\/td><\/tr>
21<\/td>De tous biens plaine<\/td>4<\/td>NJE_28.09<\/td>authentic <\/td><\/tr>
22<\/td>Dictez moy bergere<\/td>4<\/td>NJE_28.10<\/td>dubious <\/td><\/tr>
23<\/td>Douleur me bat<\/td>5<\/td>NJE_29.04<\/td>authentic <\/td><\/tr>
24<\/td>Du mien amant \/ II: Or au facteur<\/td>5<\/td>NJE_29.05<\/td>authentic <\/td><\/tr>
25<\/td>Dulces exuvie<\/td>4<\/td>NJE_28.11<\/td>authentic <\/td><\/tr>
26<\/td>El grillo<\/td>4<\/td>NJE_28.12<\/td>dubious <\/td><\/tr>
27<\/td>En l’ombre d’ung buissonnet<\/td>3<\/td>NJE_27.07<\/td>authentic <\/td><\/tr>
28<\/td>En l’ombre d’ung buissonnet<\/td>4<\/td>NJE_28.13<\/td>dubious <\/td><\/tr>
29<\/td>En non saichant<\/td>5<\/td>NJE_29.06<\/td>spurious <\/td><\/tr>
30<\/td>Entr\u00e9 je suis<\/td>4<\/td>NJE_28.14<\/td>authentic <\/td><\/tr>
31<\/td>Entr\u00e9e suis<\/td>3<\/td>NJE_27.08<\/td>authentic <\/td><\/tr>
32<\/td>Et trop penser<\/td>3<\/td>NJE_27.09<\/td>spurious <\/td><\/tr>
33<\/td>Fama malum<\/td>4<\/td>NJE_28.15<\/td>authentic <\/td><\/tr>
34<\/td>Faulte d’argent<\/td>5<\/td>NJE_29.07<\/td>authentic <\/td><\/tr>
35<\/td>Fors seulement<\/td>3<\/td>NJE_27.10<\/td>spurious <\/td><\/tr>
36<\/td>Fors seulement<\/td>4<\/td>NJE_28.16<\/td>dubious <\/td><\/tr>
37<\/td>Fors seulement<\/td>6<\/td>NJE_30.04<\/td>dubious <\/td><\/tr>
38<\/td>Fortuna desperata<\/td>3<\/td>NJE_27.11<\/td>dubious <\/td><\/tr>
39<\/td>Fortuna d’un gran tempo<\/td>3<\/td>NJE_27.12<\/td>authentic <\/td><\/tr>
40<\/td>Guillaume se va chauffer<\/td>4<\/td>NJE_28.17<\/td>dubious <\/td><\/tr>
41<\/td>Helas madame<\/td>3<\/td>NJE_27.13<\/td>dubious <\/td><\/tr>
42<\/td>Helas que pourra<\/td>3<\/td>NJE_27.14<\/td>spurious <\/td><\/tr>
43<\/td>Ile fantazies de Joskin<\/td>3<\/td>NJE_27.15<\/td>authentic <\/td><\/tr>
44<\/td>In te, domine, speravi<\/td>4<\/td>NJE_28.18<\/td>dubious <\/td><\/tr>
45<\/td>Incessament livr\u00e9 suis<\/td>5<\/td>NJE_29.08<\/td>authentic <\/td><\/tr>
46<\/td>Incessament mon povre cueur<\/td>5<\/td>NJE_29.09<\/td>spurious <\/td><\/tr>
47<\/td>J’ay bien cause<\/td>6<\/td>NJE_30.05<\/td>dubious <\/td><\/tr>
48<\/td>J’ay bien nourry<\/td>3<\/td>NJE_27.16<\/td>spurious <\/td><\/tr>
49<\/td>Je me (Je [me] suis si trestourte)<\/td>3<\/td>NJE_27.17<\/td>dubious <\/td><\/tr>
50<\/td>Je me complains<\/td>5<\/td>NJE_29.10<\/td>authentic <\/td><\/tr>
51<\/td>Je ne demande<\/td>3<\/td>NJE_27.18<\/td>spurious <\/td><\/tr>
52<\/td>Je ne me puis tenir<\/td>5<\/td>NJE_29.11<\/td>authentic <\/td><\/tr>
53<\/td>Je n’ose plus<\/td>3<\/td>NJE_27.19<\/td>authentic <\/td><\/tr>
54<\/td>Je ris<\/td>4<\/td>NJE_28.19<\/td>dubious <\/td><\/tr>
55<\/td>Je sey bien dire<\/td>4<\/td>NJE_28.20<\/td>authentic <\/td><\/tr>
56<\/td>La belle se siet \/ II: Je ny veultz mary<\/td>3<\/td>NJE_27.20<\/td>authentic <\/td><\/tr>
57<\/td>La Bernardina<\/td>3<\/td>NJE_27.21<\/td>authentic <\/td><\/tr>
58<\/td>La plus des plus<\/td>3<\/td>NJE_27.22<\/td>authentic <\/td><\/tr>
59<\/td>La Spagna<\/td>5<\/td>NJE_29.12<\/td>spurious <\/td><\/tr>
60<\/td>L’amye a tous<\/td>5<\/td>NJE_29.13<\/td>spurious <\/td><\/tr>
61<\/td>Le villain<\/td>4<\/td>NJE_28.22<\/td>authentic <\/td><\/tr>
62<\/td>Leal schray tante<\/td>4<\/td>NJE_28.21<\/td>dubious <\/td><\/tr>
63<\/td>L’heure est venue<\/td>3<\/td>NJE_27.23<\/td>spurious <\/td><\/tr>
64<\/td>L’homme arm\u00e9<\/td>4<\/td>NJE_28.23<\/td>dubious <\/td><\/tr>
65<\/td>Lourdault, lourdault<\/td>4<\/td>NJE_28.24<\/td>spurious <\/td><\/tr>
66<\/td>Ma bouche rit<\/td>5<\/td>NJE_29.14<\/td>authentic <\/td><\/tr>
67<\/td>Madame helas<\/td>3<\/td>NJE_27.24<\/td>dubious <\/td><\/tr>
68<\/td>Marguerite<\/td>3<\/td>NJE_27.25<\/td>spurious <\/td><\/tr>
69<\/td>Mes pens\u00e9es<\/td>3<\/td>NJE_27.26<\/td>spurious <\/td><\/tr>
70<\/td>Mi lar\u00e9s vous<\/td>5<\/td>NJE_29.15<\/td>spurious <\/td><\/tr>
71<\/td>Mille regretz<\/td>4<\/td>NJE_28.25<\/td>authentic <\/td><\/tr>
72<\/td>Mon mary m’a diffam\u00e9e<\/td>3<\/td>NJE_27.27<\/td>authentic <\/td><\/tr>
73<\/td>Mon seul plaisir<\/td>4<\/td>NJE_28.26<\/td>spurious <\/td><\/tr>
74<\/td>N’avez point veu<\/td>3<\/td>NJE_27.28<\/td>spurious <\/td><\/tr>
75<\/td>N’avez point veu<\/td>5<\/td>NJE_29.16<\/td>spurious <\/td><\/tr>
76<\/td>N’esse pas ung grant desplaisir<\/td>5<\/td>NJE_29.17<\/td>authentic <\/td><\/tr>
77<\/td>Nimphes, napp\u00e9s<\/td>6<\/td>NJE_30.06<\/td>authentic <\/td><\/tr>
78<\/td>Nymphes des bois<\/td>5<\/td>NJE_29.18<\/td>authentic <\/td><\/tr>
79<\/td>O Venus bant<\/td>3<\/td>NJE_27.29<\/td>dubious <\/td><\/tr>
80<\/td>Parfons regretz<\/td>5<\/td>NJE_29.19<\/td>authentic <\/td><\/tr>
81<\/td>Pensif mari<\/td>3<\/td>NJE_27.30<\/td>spurious <\/td><\/tr>
82<\/td>Petite camusette<\/td>3<\/td>NJE_27.31<\/td>spurious <\/td><\/tr>
83<\/td>Petite camusette<\/td>6<\/td>NJE_30.07<\/td>authentic <\/td><\/tr>
84<\/td>Plaine de deuil<\/td>5<\/td>NJE_29.20<\/td>authentic <\/td><\/tr>
85<\/td>Plus n’estes ma maistresse<\/td>4<\/td>NJE_28.27<\/td>dubious <\/td><\/tr>
86<\/td>Plus nulz regretz<\/td>4<\/td>NJE_28.28<\/td>authentic <\/td><\/tr>
87<\/td>Plusieurs regretz<\/td>5<\/td>NJE_29.21<\/td>authentic <\/td><\/tr>
88<\/td>Pour souhaitter<\/td>6<\/td>NJE_30.08<\/td>authentic <\/td><\/tr>
89<\/td>Quant je vous voye<\/td>3<\/td>NJE_27.32<\/td>authentic <\/td><\/tr>
90<\/td>Que vous madame<\/td>3<\/td>NJE_27.33<\/td>authentic <\/td><\/tr>
91<\/td>Qui belles amours<\/td>4<\/td>NJE_28.29<\/td>authentic <\/td><\/tr>
92<\/td>Regretz sans fin \/ II: Tout plaisir<\/td>6<\/td>NJE_30.09<\/td>authentic <\/td><\/tr>
93<\/td>Scaramella<\/td>4<\/td>NJE_28.30<\/td>authentic <\/td><\/tr>
94<\/td>Se congi\u00e9 prens<\/td>4<\/td>NJE_28.31<\/td>dubious <\/td><\/tr>
95<\/td>Se congi\u00e9 prens<\/td>6<\/td>NJE_30.10<\/td>authentic <\/td><\/tr>
96<\/td>Si j’ay perdu<\/td>3<\/td>NJE_27.34<\/td>authentic <\/td><\/tr>
97<\/td>Si j’ay perdu<\/td>4<\/td>NJE_28.32<\/td>authentic <\/td><\/tr>
98<\/td>Si j’eusse Marion<\/td>3<\/td>NJE_27.35<\/td>dubious <\/td><\/tr>
99<\/td>Si vous n’avez aultre<\/td>6<\/td>NJE_30.11<\/td>spurious <\/td><\/tr>
100<\/td>Tant vous aimme<\/td>4<\/td>NJE_28.33<\/td>authentic <\/td><\/tr>
101<\/td>Tenez moy en voz bras<\/td>6<\/td>NJE_30.12<\/td>dubious <\/td><\/tr>
102<\/td>Tous les regretz<\/td>4<\/td>NJE_28.34<\/td>spurious <\/td><\/tr>
103<\/td>Une musque de Biscaye<\/td>4<\/td>NJE_28.35<\/td>authentic <\/td><\/tr>
104<\/td>Vive le roy<\/td>4<\/td>NJE_28.36<\/td>authentic <\/td><\/tr>
105<\/td>Vivray je tousjours<\/td>4<\/td>NJE_28.37<\/td>dubious <\/td><\/tr>
106<\/td>Vous l’arez<\/td>6<\/td>NJE_30.13<\/td>authentic <\/td><\/tr>
107<\/td>Vous ne l’aurez pas<\/td>6<\/td>NJE_30.14<\/td>authentic <\/td><\/tr>
108<\/td>Vray dieu d’amours<\/td>3<\/td>NJE_27.36<\/td>spurious <\/td><\/tr>
109<\/td>[Textloses Werk]<\/td>4<\/td>NJE_28.38<\/td>authentic <\/td><\/tr>
110<\/td>[Textloses Werk]<\/td>4<\/td>NJE_28.39<\/td>dubious <\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

While the majority of the motets are classified as non-authentic, the editors of the New Josquin Edition categorise 59 of the 110 surviving secular works as authentic. The authenticity of 24 works is considered doubtful, 27 works are considered misattributions. No. Title Voices ID Authenticity… Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-843","page","type-page","status-publish","hentry"],"yoast_head":"\nSecular Works - Josquin Desprez<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/josquindesprez.com\/en\/secular-works\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Secular Works - Josquin Desprez\" \/>\n<meta property=\"og:description\" content=\"While the majority of the motets are classified as non-authentic, the editors of the New Josquin Edition categorise 59 of the 110 surviving secular works as authentic. 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