{"id":789,"date":"2021-08-24T19:06:22","date_gmt":"2021-08-24T17:06:22","guid":{"rendered":"https:\/\/josquindesprez.com\/?page_id=789"},"modified":"2021-08-25T21:31:14","modified_gmt":"2021-08-25T19:31:14","slug":"masses-and-mass-sections","status":"publish","type":"page","link":"https:\/\/josquindesprez.com\/en\/masses-and-mass-sections\/","title":{"rendered":"Masses and Mass sections"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"740\" src=\"https:\/\/josquindesprez.com\/wp-content\/uploads\/2021\/08\/OeNB-Cod.-4809-HAN-MAG.jpg\" alt=\"\" class=\"wp-image-704\" srcset=\"https:\/\/josquindesprez.com\/wp-content\/uploads\/2021\/08\/OeNB-Cod.-4809-HAN-MAG.jpg 1000w, https:\/\/josquindesprez.com\/wp-content\/uploads\/2021\/08\/OeNB-Cod.-4809-HAN-MAG-300x222.jpg 300w, https:\/\/josquindesprez.com\/wp-content\/uploads\/2021\/08\/OeNB-Cod.-4809-HAN-MAG-768x568.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption>Josquin Desprez: Missa Pange lingua<br>Source: \u00d6sterreichische Nationalbibliothek, Handschriften- und Inkunabelsammlung, Ms. 4809, fol. 1v (A003)<\/figcaption><\/figure>\n\n\n\n<p>According to current research, a total of 31 masses are attributed to Josquin Desprez in the sources of the 15th and 16th centuries. 18 of these 31 masses are now considered authentic, the other 13 masses are very probably by other composers, including Loyset Comp\u00e8re, Noel Bauldeweyn, Pierre de La Rue, Johannes Martini, Pierre Moulu and Jean Richafort.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">1. <strong>Masses<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table><tbody><tr><td><strong>No.<\/strong><\/td><td><strong>Title<\/strong><\/td><td><strong>Voices<\/strong><\/td><td><strong>ID<\/strong><\/td><td><strong>Authenticity (NJE)<\/strong><\/td><\/tr><tr><td>1<\/td><td>Missa Ad fugam<\/td><td>4<\/td><td>NJE_12.01<\/td><td>authentic<\/td><\/tr><tr><td>2<\/td><td>Missa Allez regretz I<\/td><td>4<\/td><td>NJE_07.01<\/td><td>spurious<\/td><\/tr><tr><td>3<\/td><td>Missa Allez regretz II<\/td><td>4<\/td><td>NJE_07.02<\/td><td>spurious<\/td><\/tr><tr><td>4<\/td><td>Missa Ave maris stella<\/td><td>4<\/td><td>NJE_03.01<\/td><td>authentic &nbsp;<\/td><\/tr><tr><td>5<\/td><td>Missa Da pacem<\/td><td>4<\/td><td>NJE_03.02<\/td><td>spurious<\/td><\/tr><tr><td>6<\/td><td>Missa De beata virgine<\/td><td>4-5<\/td><td>NJE_03.03<\/td><td>authentic<\/td><\/tr><tr><td>7<\/td><td>Missa Dirige [= Missa Cum jocunditate]<\/td><td>4<\/td><td>NJE_03.04<\/td><td>spurious<\/td><\/tr><tr><td>8<\/td><td>Missa D\u2019ung aultre amer<\/td><td>4<\/td><td>NJE_07.03<\/td><td>authentic<\/td><\/tr><tr><td>9<\/td><td>Missa Faysant regretz<\/td><td>4<\/td><td>NJE_08.01<\/td><td>authentic &nbsp;<\/td><\/tr><tr><td>10<\/td><td>Missa Ferialis<\/td><td>4<\/td><td>NJE_04.01<\/td><td>spurious<\/td><\/tr><tr><td>11<\/td><td>Missa Fortuna desperata<\/td><td>4<\/td><td>NJE_08.02<\/td><td>authentic<\/td><\/tr><tr><td>12<\/td><td>Missa Gaudeamus<\/td><td>4<\/td><td>NJE_04.02<\/td><td>authentic<\/td><\/tr><tr><td>13<\/td><td>Missa Hercules Dux Ferrarie<\/td><td>4-6<\/td><td>NJE_11.01<\/td><td>authentic &nbsp;<\/td><\/tr><tr><td>14<\/td><td>Missa La sol fa re mi<\/td><td>4<\/td><td>NJE_11.02<\/td><td>authentic &nbsp;<\/td><\/tr><tr><td>15<\/td><td>Missa L\u2019ami Baudichon<\/td><td>4<\/td><td>NJE_05.01<\/td><td>authentic &nbsp;<\/td><\/tr><tr><td>16<\/td><td>Missa L\u2019homme arm\u00e9 [quarti toni]<\/td><td>4<\/td><td>NJE_06.01<\/td><td>spurious<\/td><\/tr><tr><td>17<\/td><td>Missa L\u2019homme arm\u00e9 sexti toni<\/td><td>4-6<\/td><td>NJE_06.02<\/td><td>authentic &nbsp;<\/td><\/tr><tr><td>18<\/td><td>Missa L\u2019homme arm\u00e9 super voces musicales<\/td><td>4<\/td><td>NJE_06.03<\/td><td>authentic &nbsp;<\/td><\/tr><tr><td>19<\/td><td>Missa Malheur me bat<\/td><td>4-6<\/td><td>NJE_09.01<\/td><td>authentic &nbsp;<\/td><\/tr><tr><td>20<\/td><td>Missa Mater patris<\/td><td>4-5<\/td><td>NJE_10.01<\/td><td>authentic &nbsp;<\/td><\/tr><tr><td>21<\/td><td>Missa Missus est Gabriel angelus<\/td><td>4<\/td><td>NJE_10.02<\/td><td>spurious<\/td><\/tr><tr><td>22<\/td><td>Missa Mon seul plaisir<\/td><td>4?<\/td><td>NJE_09.02<\/td><td>spurious<\/td><\/tr><tr><td>23<\/td><td>Missa N\u2019auray je jamais [= Missa Di dadi]<\/td><td>4<\/td><td>NJE_09.03<\/td><td>authentic<\/td><\/tr><tr><td>24<\/td><td>Missa Pange lingua<\/td><td>4<\/td><td>NJE_04.03<\/td><td>authentic &nbsp;<\/td><\/tr><tr><td>25<\/td><td>Missa Pro defunctis<\/td><td>6<\/td><td>NJE_04.04<\/td><td>spurious<\/td><\/tr><tr><td>26<\/td><td>Missa Quem dicunt homines<\/td><td>4-5<\/td><td>NJE_10.03<\/td><td>spurious<\/td><\/tr><tr><td>27<\/td><td>Missa Rosina<\/td><td>4?<\/td><td>NJE_09.04<\/td><td>spurious<\/td><\/tr><tr><td>28<\/td><td>Missa Sine nomine<\/td><td>4<\/td><td>NJE_12.02<\/td><td>authentic &nbsp;<\/td><\/tr><tr><td>29<\/td><td>Missa Sub tuum presidium<\/td><td>4<\/td><td>NJE_04.05<\/td><td>spurious<\/td><\/tr><tr><td>30<\/td><td>Missa Une mousse de Biscaye<\/td><td>4<\/td><td>NJE_05.02<\/td><td>authentic<\/td><\/tr><tr><td>31<\/td><td>Missa Veni sancte spiritus<\/td><td>5<\/td><td>NJE_04.06<\/td><td>spurious<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">2. <strong>Mass Sections<\/strong><\/h4>\n\n\n\n<p>Fourteen mass movements have survived in the sources of the 15th and 16th centuries, eight of which are now considered authentic, while five are attributed to other composers. The &#8220;Credo La belle se siet&#8221; is considered doubtful; in the oldest source it is attributed to Robert de F\u00e9vin.<\/p>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table><tbody><tr><td><strong>No.<\/strong><\/td><td><strong>Title<\/strong><\/td><td><strong>Voices<\/strong><\/td><td><strong>ID<\/strong><\/td><td><strong>Authenticity (NJE)<\/strong><\/td><\/tr><tr><td>1<\/td><td>Agnus dei<\/td><td>2<\/td><td>NJE_13.11<\/td><td>spurious<\/td><\/tr><tr><td>2<\/td><td>Credo Chascun me crie<\/td><td>4<\/td><td>NJE_13.01<\/td><td>authentic<\/td><\/tr><tr><td>3<\/td><td>Credo De tous biens playne<\/td><td>4<\/td><td>NJE_13.02<\/td><td>authentic<\/td><\/tr><tr><td>4<\/td><td>Credo La belle se siet<\/td><td>4<\/td><td>NJE_13.03<\/td><td>dubious<\/td><\/tr><tr><td>5<\/td><td>Credo [Quarti toni]<\/td><td>4<\/td><td>NJE_13.04<\/td><td>authentic<\/td><\/tr><tr><td>6<\/td><td>Credo Vilayge I<\/td><td>4<\/td><td>NJE_13.05<\/td><td>authentic<\/td><\/tr><tr><td>7<\/td><td>Credo Vilayge II<\/td><td>4<\/td><td>NJE_13.06<\/td><td>authentic<\/td><\/tr><tr><td>8<\/td><td>Crucifixus<\/td><td>2<\/td><td>NJE_13.12<\/td><td>spurious<\/td><\/tr><tr><td>9<\/td><td>Et incarnatus est<\/td><td>2<\/td><td>NJE_13.13<\/td><td>spurious<\/td><\/tr><tr><td>10<\/td><td>Gloria De beata virgine<\/td><td>4<\/td><td>NJE_13.07<\/td><td>authentic<\/td><\/tr><tr><td>11<\/td><td>Gloria [De beata virgine]<\/td><td>3<\/td><td>NJE_13.08<\/td><td>spurious<\/td><\/tr><tr><td>12<\/td><td>Kyrie Pascale<\/td><td>4<\/td><td>NJE_13.14<\/td><td>spurious<\/td><\/tr><tr><td>13<\/td><td>Sanctus De passione<\/td><td>4<\/td><td>NJE_13.09<\/td><td>authentic<\/td><\/tr><tr><td>14<\/td><td>Sanctus D&#8217;ung aultre amer\/Tu lumen<\/td><td>4<\/td><td>NJE_13.10<\/td><td>authentic<\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>According to current research, a total of 31 masses are attributed to Josquin Desprez in the sources of the 15th and 16th centuries. 18 of these 31 masses are now considered authentic, the other 13 masses are very probably by other composers, including Loyset Comp\u00e8re,&hellip; 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